Op. 397 THE DISHARMONIOUS BLACKSMITH
(March 26, 2022)
Destruction and Orchestration after
G.F. Handel and Hector Berlioz
Score:
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2022
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March
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- The Disharmonious Blacksmith, Op. 397
- Mozart Orchestrations, Op. 396
- Colossians Collisions, Op. 395
- Little Boy Blue, Op. 394
- Delicate Balances, Op. 393
- 3 George Crumb Tropes, Op. 392
- Lies, Op. 391
- Quadruple Concerto No. 2 ("Haydn Seek"), Op. 390
- The Selfish Gene, Op. 389
- On a Scale of 1 to 10, Op. 388
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March
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In Re Mi
- Mark Alburger
- Mark Alburger (b. 1957, Upper Darby, PA) is an award-winning, eclectic ASCAP composer of postminimal, postpopular, and postcomedic sensibilities. He is Music Director of San Francisco Composers Chamber Orchestra and San Francisco Cabaret Opera, Editor-Publisher of 21st-Century Music and New Music, and Professor Emeritus in Music Theory and Literature at Diablo Valley College. His principal teachers were Gerald Levinson, Joan Panetti, and James Freeman at Swarthmore College (B.A.); Jules Langert at Dominican University (M.A.); Christopher Yavelow at Claremont University (Ph.D.); and Terry Riley. Dr. Alburger has composed 406 major works over the past 48 years, including chamber music, concertos, oratorios, operas, song cycles, and symphonies. His complete catalogue is being issued on discs from New Music. Alburger's multiple blogs include: markalburger.blogspot.com, markalburger2022.blogspot.com, markalburgerworks.blogspot.com, markalburgerevents.blogspot.com, markalburgermusichistory.blogspot. com, 21st-centurymusic.blogspot.com