Op. 126 BASS CONCERTO ("Comrade")
(December 27, 2004)
I. Moderato
II. Adagio
III. Allegro
Score:
Recording:
HEAR IN A BASEMENT
(Complete Works, Volume 55)
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2004
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December
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- Bass Concerto ("Comrade"), Op. 126
- Cello Concerto ("Roasted"), Op. 125
- Percussion Concerto ("Dictator"), Op. 124
- Harp Concerto ("Ballerina"), Op. 123
- Piano Concerto ("Child's Play"), Op. 122
- Tuba Concerto ("Pasteurized"), Op. 121
- Bassoon Concerto ("Grandmother"), Op. 120
- Viola Concerto ("Felicitations"), Op. 119
- Oboe Concerto ("Wanderer"), Op. 118
- Symphony No. 9 ("From the West"), Op. 117
- The Pied Piper of Hamelin, Op. 116
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December
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In Re Mi
- Mark Alburger
- Mark Alburger (b. 1957, Upper Darby, PA) is an award-winning, eclectic ASCAP composer of postminimal, postpopular, and postcomedic sensibilities. He is Music Director of San Francisco Composers Chamber Orchestra and San Francisco Cabaret Opera, Editor-Publisher of 21st-Century Music and New Music, and Professor Emeritus in Music Theory and Literature at Diablo Valley College. His principal teachers were Gerald Levinson, Joan Panetti, and James Freeman at Swarthmore College (B.A.); Jules Langert at Dominican University (M.A.); Christopher Yavelow at Claremont University (Ph.D.); and Terry Riley. Dr. Alburger has composed 406 major works over the past 48 years, including chamber music, concertos, oratorios, operas, song cycles, and symphonies. His complete catalogue is being issued on discs from New Music. Alburger's multiple blogs include: markalburger.blogspot.com, markalburger2022.blogspot.com, markalburgerworks.blogspot.com, markalburgerevents.blogspot.com, markalburgermusichistory.blogspot. com, 21st-centurymusic.blogspot.com
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