Sunday, June 1, 1997

Amazing Joseph, Op. 57


 Op. 57 AMAZING JOSEPH (June 1, 1997)
For Voices and Instruments
I. I Had a Dream 
II. Meanwhile, Judah 
III. Now the Ishmaelites (Potiphar's Wife) 
IV. We Had Dreams 
V. Pharaoh Had a Dream 
VI. Why Don't You Do Something? 
VII. Take My Youngest Son
VIII. I Am Joseph
IX. Now I Can Die


Score:

https://imslp.org/wiki/Amazing_Joseph%2C_Op.57_(Alburger%2C_Mark)


Performances:

October 8, 2008
Mark Alburger, Voice and Midi
Scola Prosek Salon, San Francisco, CA

March 5-7, 2010
Sex and the Bible
Goat Hall Productions / San Francisco Cabaret Opera
Community Music Center, 544 Capp Street, San Francisco, CA

October 7, 2017
The Opus Project presents Opus 57: Varieties
The Opus Project  Orchestra
Diablo Valley College Music Building, Viking Drive, Pleasant Hill, CA


Recording:

EVERYTHING IS RELATIVITY
(Complete Works, Volume 16)

Thursday, May 1, 1997

For My Brother For My Brother, Op. 56


 Op. 56 FOR MY BROTHER FOR MY BROTHER (May 1, 1997) 
For Reciter (or Instrument) and Keyboard (After S. Alburger) 
1. A Poem for My Brother 
2. Feeling Bad Particles 
3. Dressing Up I.-IV. 
     V. A Mother's Disappointment 
     VI. In Hollow Closets 
     VII. I Fell In 
     VIII. Baby's Head 
     IX. You've Noticed 
     X. Names of Fabric 
     XI. Heaven Help 
     XII. It Is Fitting 
4. Things That Leave Me Craving for More 
5. Sleepytime Burgers (Pass Me Eats) 


Score:


Performances:

November 4, 1992 
Mark Alburger, Oboe and Sequencer 
Albrecht Auditorium
Claremont Graduate School, Claremont, CA 

January 7, 1997
Mark Alburger, Voice;
Molly Axtmann and Thomas Goss, Piano
National Association of Composers Salon
Oakland, CA

May 7-8, 1999
Mark Alburger, Voice
Michael Sheadel, Piano
 Susan Hess Dance Studio
Philadelphia, PA

January 2007
Mark Alburger, MIDI
Diablo Valley College Music Technology Center
Pleasant Hill, CA

April 20, 2007
Lisa McHenry, Voice; Alexis Alrich, Piano
Old First Presbyterian Church, San Francisco, CA

February, 2008
NEW MUSIC HOUSE
Vacaville, CA

August 28, 2017
The Opus Project presents Opus 56: Exotic Evenings and Lyrical Moments
The Opus Project Orchestra
Diablo Valley College, Pleasant Hill, CA


Recording:

EVERYTHING IS RELATIVITY
(Complete Works, Volume 18)
FOR MY BROTHER FOR MY BROTHER
1. A Poem for My Brother
2. Feeling Bad Particles  
3. Dressing Up I.-IV. 
     V. A Mother's Disappointment 
     VI. In Hollow Closets 
     VII. I Fell In 
      VIII. Baby's Head 
      IX. You've Noticed 
      X. Names of Fabric 
      XI. Heaven Help 
      XII. It Is Fitting 
4. Things That Leave Me Craving for More 
5. Sleepytime Burgers (Pass Me Eats)

Tuesday, April 1, 1997

The Passion According to St. Matthew, Op. 55


Op. 55 THE PASSION ACCORDING TO ST. MATTHEW
(April 1, 1997)
For Voices and Instruments
I. RECITATIVE "Then One of the Twelve"
II. GROUND "Where Will You Go?"
III. RECITATIVE-CANON "Truly, I say"
IV. CHORALE "Now As They Were Eating"
V. LAMENTI ESTAMPIE "Said Jesus at Gethsemene"
VI. CHANT OSTINATI "My Soul Is Sorrowful"
VII. ALL-INTERVAL ORGANUM "Father If It Be Possible"
VIII. MIRROR "Are You Still Sleeping"
IX. INVENTION "Judas Came Up and Said"
X. MIRROR "Then the Disciples"
XI. MARCH "Then Those Who Had Seized Jesus" (Hec Lives)
XII. SINFONIA "This Fellow Said"
XIII. MARCH "When Morn Came" (Hec Dies)
XIV. RITORNELLO "When Judas, His Betrayer"
XV. RECITATIVE-OSTINATO "Are You the King"
XVI. HOCKETROPE "Where Is the King?" (Trope I)
XVII. CHORUS "Who Do You Want to Release"
XVIII. MOTET RAG "Hail, King of the Jews" (Alle, psallite - Alleluya)
XIX. DIMINUTION "As They Went Out"
XX. CHORALE PRELUDE AND QUADRUPLE FUGATO
 "And They Came to a Place Named Golgotha"
INTERLUDE I (The Nailing to the Cross)
ANTIPHON I (The Abuse of the Crowd)
RECAPITULATION (The Charge Against Him)
ANTIPHON II (The Lament of the Disciples)
XXI. SPECIES COUNTERPOINT (After Zarlino) "He Saved Others" (At the Cross)
XXII. CANONIC PALINDROME "Eli, Eli, Lama sabachta'ni"
XXIII. OSTINATO-CANON "It Is Finished" (Trope II)
XXIV. CANTUS FIRMUS "And Behold"

A Crucifixion of Igor Stravinsky's Requiem Canticles, Bob Merrill's How Much Is That Doggie in the Window, recitative cadences, Antonio Vivaldi's The Four Seasons, blues bass lines, minimalist foreshortenings, Stanford chorale and counterpoint entrance exam fragments, medieval works found in Volume 1 of The Historical Anthology of Music (HAM - Lamento di Tristano; the Robertsbridge Codex Organ Estampie No. 1; the Gregorian Chants Hec Dies, Psalm 146 with Antiphon, Alleluia: Angelus Domini, the Scholia Enchiriadis's Nos Qui Vivimus)....


Score:


https://imslp.org/wiki/The_Passion_According_to_St._Matthew%2C_Op.55_(Alburger%2C_Mark)


Recording:



THE PASSION ACCORDING TO ST. MATTHEW
Tritone Orchestra and Garbage Band
(Complete Works, Volume 17)

I. RECITATIVE "Then One of the Twelve"
II. GROUND "Where Will You Go?"
III. RECITATIVE-CANON "Truly, I say"
IV. CHORALE "Now As They Were Eating"
V. LAMENTI ESTAMPIE "Said Jesus at Gethsemene"
VI. CHANT OSTINATI "My Soul Is Sorrowful"
VII. ALL-INTERVAL ORGANUM "Father If It Be Possible"
(three-fold cycle played thrice in variants)
VIII. MIRROR "Are You Still Sleeping"
IX. INVENTION "Judas Came Up and Said"
X. MIRROR "Then the Disciples"
XI. MARCH "Then Those Who Had Seized Jesus" (Hec Lives)
XII. SINFONIA "This Fellow Said"
XIII. MARCH "When Morn Came" (Hec Dies)
XIV. RITORNELLO "When Judas, His Betrayer"
XV. RECITATIVE-OSTINATO "Are You the King"
XVI. HOCKETROPE "Where Is the King?" (Trope I)
XVII. CHORUS "Who Do You Want to Release"
XVIII. MOTET RAG "Hail, King of the Jews" (Alle, psallite - Alleluya)
XIX. DIMINUTION "As They Went Out"
XX. CHORALE PRELUDE AND QUADRUPLE FUGATO
 "And They Came to a Place Named Golgotha"
INTERLUDE I (The Nailing to the Cross)
ANTIPHON I (The Abuse of the Crowd)
RECAPITULATION (The Charge Against Him)
ANTIPHON II (The Lament of the Disciples)
XXI. SPECIES COUNTERPOINT (After Zarlino) "He Saved Others" (At the Cross)
XXII. CANONIC PALINDROME "Eli, Eli, Lama sabachta'ni"
XXIII. OSTINATO-CANON "It Is Finished" (Trope II)
XXIV. CANTUS FIRMUS "And Behold"

Wednesday, January 1, 1997

Israel in Trouble, Op. 54


Op. 54 ISRAEL IN TROUBLE (January 1, 1997) 
Oratorio for Voices and Instruments

  I. If It Is Thus

  II. Cunning Hunter

  III. Eyes Dim

  IV. Fly Away 

V. Well, Well, Well, Well, Well

  VI. Shouldn't Work for Nothing 

VII. How To Depart 

VIII. On His Way 

IX. One Day Dinah 

X. If It Is Thus 


Score:


https://imslp.org/wiki/Israel_in_Trouble%2C_Op.54_(Alburger%2C_Mark)

 
Recording: 

DEATHSONGS 
(Complete Works, Volume 14) 

Monday, December 30, 1996

Mice Suite No. 2, op. 53


Op. 53 MICE SUITE NO. 2
(December 30, 1996; New Music, 1996)
Seven Vocables for Soprano, English Horn, Clarinet, and Harp
Seven Vocables for Five Singers (SATBarB),
English Horn, Clarinet, and Harp (1997; New Music, 1997)
I. Breathsong
II. Tartsong I
III. Tartsong II
IV. Dancesong
V. Deathsong I
VI. Deathsong II
VII. Hartsong


Score:

https://imslp.org/wiki/Mice_Suite_No.2%2C_Op.53_(Alburger%2C_Mark)


Performances:

July 10, 1996
Deborah Kavasch,
Ernest Bloch Music Festival, Newport, OR



October 1996
National Association of Composers,
Palo Alto Cultural Center, Palo Alto, CA

March 1, 1997
NEW MUSIC Ensemble
College Music Society, San Jose State University, San Jose, CA

April 20, 2007
Marilyn Pratt and Suzanna Mizell, Sopranos; Carl Koryat, Baritone
San Francisco Composers Chamber Orchestra
Old First Presbyterian Church, San Francisco, CA

February 16, 2008
Suzanna Mizell, Soprano; Mark Alburger, Electronics / Keyboard
Four Horsemen of the Apocalypse: The White Horse
Goat Hall Productions / San Francisco Cabaret Opea
St. Gregory of Nyssa, San Francisco, CA


September 6-7, 12, 14, 2008
Mice Suites
Megan Cullen, Soprano (Boss) / Marilyn Pratt, Soprano (Offstage Soprano)
Suzanna Mizell, Soprano (Curley's Wife) / Maria Mikheyenko, Soprano (Lennie)
Wayne Wong (George) / Mark Alburger, Tenor (Curley)
Goat Hall Productions
Community Music Center, San Francisco, CA

May 27, 2017
The Opus Project presents Opus 53: Essential Existential
Jill Wagoner, Soprano / Mark Alburger, Bass / The Opus Project Orchestra
Center for New Music, 55 Taylor, San Francico, CA


Recording:


DEATHSONGS
(Complete Works, Volume 14)


MICE SUITE NO. 2
Instrumental Version
I. Breathsong
II. Tartsong I
III. Tartsong II
IV. Dancesong
V. Deathsong I
VI. Deathsong II
VII. Hartsong

Monday, January 1, 1996

Abraham and Isaac, Op. 52


Op. 52 ABRAHAM AND ISAAC (January 1, 1996)
Opera-Oratorio for Voices and Instruments
Biblical Texts
I. The Call
II. The Separation
III. The Rescue
IV. The Covenant / V. The Slave Girl
VI. The Circumcision
     VII. The Plea (Lottery)
     VIII. The Destruction (Lotsa Luck / Parking Lot's Wife / Lothario)
IX. The Deception
X. The Birth / The Banishment
XI. The Sacrifice (XII. The Burial / XIII. The Wife / XIV. The Death)


Score:



Performances:

March 5-7, 2010
Sex and the Bible
Goat Hall Productions / San Francisco Cabaret Opera
Community Music Center, 544 Capp Street, San Francisco, CA

April 15, 2017
The Opus Project presents Opus 52: Non-Toxic, Non-Taxing, II
The Opus Project Orchestra
Diablo Valey College Music Building, Pleasant Hill, CA


Recording:

DEATHSONGS
(Complete Works, Volume 14)

Wednesday, February 1, 1995

San Rafael News, Op. 51


Op. 51 SAN RAFAEL NEWS (February 1, 1995) 
Ten Deathsongs for Voice[s] and Instrument[s] 
Found Texts 
I. AIDSong (Helix) 
II. Conference Room Technique / How to Survive (Chart) 
III. Death Catch (Caccia) 
IV. Immortality ("ex una voce tres") (Mensuration Canon) 
V. Lifespan (Encyclic) 
VI. Ozymandias (Artifact) 
VII. Pontoon Tattoo (Photograph) 
VIII. Rain-Death Fugato (Adage) 
IX. The Reproductive Organs (Diagram) 
X. Sylvia Dreyer (Poster) 


Score:


https://imslp.org/wiki/San_Rafael_News%2C_Op.51_(Alburger%2C_Mark)


Performances: 

June 1, 1995 
Mark Alburger, Voice and Piano 
NEW MUSIC HOUSE, San Rafael, CA 

December 1, 1996 
Mark Alburger, Voice and Piano; 
Bruce Salvisberg, Flute; 
Carolyn Alburger, Oboe 
NEW MUSIC HOUSE San Rafael, CA 

June 1, 1997 
Mark Alburger, Voice; 
Carolyn Alburger, Oboe; 
Molly Axtmann, Piano 
NEW MUSIC HOUSE, San Rafael, CA 

December 1, 1997 
Mark Alburger, Voice; I'lana Cotton, Piano 
NEW MUSIC HOUSE, San Rafael, CA 

June 7, 1998 
AIDS Quilt Songbook II 
Barbara Martin, Soprano 
Dorothy Freeman, Oboe 
James Freeman, Piano 
Orchestra 2001 
Academy of Vocal Arts, Philadelphia, PA 

June 18, 1998 
Mark Alburger, Voice 
Carolyn Alburger and Brenda Schuman Post, Oboes 
Thomas Goss and Patti Deuter; Pianos 
NEW MUSIC House, San Rafael, CA 

July 11, 1998 
American Composers Forum Improv Festival 
Mark Alburger, Voice; 
I'lana Cotton, Piano 
Audience Sing-Along 
Berkeley Store Gallery, Berkeley, CA

October 11, 1998 
National Association of Composers 
Haverford School Singers 
Marcia Bobnak, conductor 
Quaker Meeting House, Lansdowne, PA 

December 12, 1998 
Mark Alburger, Voice and Keyboard 
NEW MUSIC House, San Rafael, CA. 

June 21, 1999 
Mark Alburger, Voice I'lana Cotton, Piano 
20th Century Forum Garden of Memory
Chapel of Chimes, Oakland, CA 

June 26, 1999 
Mark Alburger, Voice 
I'lana Cotton, Piano 
NEW MUSIC House, San Rafael, CA 

June 2, 2002 
Mark Alburger, Voice and Piano 
Missing Persons Concert
Goat Hall, San Francisco, CA 

January 25, 2006 
Composer's Gala 
Goat Hall, San Francisco, CA 

May 21, 2006 
Fresh Voices VI Festival 
Sarah Hutchinson, Eliza O'Malley 
Douglas Mandell, Miriam Lewis 
John Kendall Baily, Mark Alburger, Voices 
Keisuke Nakagoshi, Piano 
Thick House Theatre, San Francisco, CA 

April 20, 2007 
Halfway Mark 
San Francisco Cabaret Opera 
San Francisco Composers Chamber Orchestra 
Old First Presbyterian Church, San Francisco, CA 

April 26, 2007 
Radio Riot 
Mark Alburger, Voice 
Diablo Valley College Duck Pond, Pleasant Hill, CA

April 26, 2008 
WIP (Works-in-Progress) 
Mark Alburger, Voice 
Chamber Arts House, Berkeley, CA


May 9, 2008 
Horsewomen of the Apocalypse: 
The Black Horse, With a Touch of Gray 
Elizabeth Henry, Kristen Jones, Janet Lohr, 
Eliza O'Malley, Harriet March Page 
St. Gregory of Nyssa, San Francisco, CA

 
Rehearsal shots, 4/6/08, Chamber Arts House, Berkeley, CA 
[Henry, Allan Crossman, Page]

 
[O'Malley] 

 Performance shots, 5/9/08
 
[Page]

 
[Page, Lohr, Henry, Jones, O'Malley] 

March 18, 2017
The Opus Project presents Opus 51: Questionable Practices
The Opus Project Orchestra
Center for New Music, 55 Taylor, San Francisco, CA


Recordings / Video: 

HALFWAY MARK New Music April 2007

 
DEATHSONGS 
Complete Works, Volume 14 
New Music, 2008 
Harriet March Page 
Eliza O'Malley 
Kristen Jones 
Elizabeth Henry 
Janet Lohr Mark 
Alburger 
San Rafael News

 
I. AIDSong  
 
AIDS is the final life-threatening stage of infection with
Human Immuno-Deficiency Virus -- HIV --
AIDS stands for Acquired Immunity Deficiency Syndrome
HIV damages a patient's own disease-fighting system 
Cases of AIDS were identified in 1981 
Millions of AIDS cases have been diagnosed around the world


II. Conference Room Technique 
 
(Harriet March Page)  

(Mark Alburger)

https://www.youtube.com/watch?v=F0QJOiOvNCo

(1) Enters room quickly but quietly 
(2) Stands in the doorway

(1) Opens fire on the first subject to react 
swings across the room toward center of the mass 
(2) Covers group to prevent individual dangerous reactions 
fires burst of rounds

  (1) Finishes burst commends Shift 
(2) On commend Shift 
opens fire on the opposite side (1) Finishes burst commends Shift 
(2) Kills the survivors with two-burst round leaves propaganda 

How to Survive on Land and Sea 
In the Air in the Water 
In a world-wide war of movement you may suddenly find yourself stranded 
In unfamiliar situations 
Lost in the arctic 
Or in the ocean 
Or on an island 
Or jungle 
Or the desert 
You may tend to magnify the hazards of these foreign occupations 
These unfamiliar situations 
Do not panic

 
III. Death Catch  

(Eliza O'Malley, Kristen Jones, Beth Henry, Janet Lohr)

https://www.youtube.com/watch?v=vkOr2cwwnaw
 
(Mark Alburger)

Death is the end of life 
Every living thing eventually dies 
But human beings are probably the only 
Creatures that can imagine their own deaths 
Most people fear death 
And try to avoid thinking about it 
But the awareness of death has been one of the chief 
Forces in the development of civilization 
Throughout history people have continually sought new medical knowledge 
With which to delay death 
Philosophers and religious leaders have tried to understand 
The meaning of death 
Some scholars believe that most human progress 
Results from people's efforts to overcome death 
And gain immortality 
Through lasting achievements

 
IV. Immortality ("ex una voce tres")
   
(Eliza O'Malley, Kristen Jones, Elizabeth Henry)  


(1) Immortality 
Is a term for the theory believe 
In human life 
Continuing after death 
The question whether there is life after death 
Has played an important role In philosophy and religion (

2) Immortality 
An ability to void death totally

 
V. Life Span  

(Elizabeth Henry, Janet Lohr, Mark Alburger, Eliza O'Malley)  


Elephants - 70 years 
Dogs - 18 years 
Cats - 14 
Horses - 20 years 
Whales - 50 years 
Carp - 30 
Guppies - 5 years 
Eagles, Owls, and Parrots - 60 years 
Parakeets - 12 years 
Box Tortoises - 100 
Giant Tortoise - 200 
Redwood Tree, Creosote Bush - 3000 years 

Every higher organism 
Has a species characteristic average life span 
Which is defined and limited 
By the best interest in species survival 

For an adult plant or animal 
To live forever after procreation 
It would deplete the food supply 
And then jeopardize the species survival 

Immortality would halt the process 
Of the natural selectivity 
Which is the major instrument 
In adaption for all species survival

Mortal generations have superior adaption 
Via sexual means 
Than an immortal populace 
In the challenges of species survival

 
VI. Ozymandias (Percy Bysshe Shelley)
   
(Kristen Jones)  


I met a traveller from an antique land 
Who said: 
Two vast and trunkless legs of stone 
Stand in the desert. 
Near them on the sand, 
Half sunk, a shatter'd visage lies, whose frown 
And wrinkled lip and sneer of cold command 
Tell that its sculptor well those passions read 
Which yet survive, stamp'd on these lifeless things, 
The hand that mock'd them and the heart that fed. 
And on the pedestal these words appear: 
"My name is Ozymandias, king of kings: 
Look on my works, ye
Mighty, and despair!"
Nothing beside remains: round the decay 
Of that colossal wreck, boundless and bare, 
The lone and level sands stretch far away.

 
VII. Pontoon Tattoo (In Memoriam Sonny Bono) 
 
(Janet Lohr)  

(Mark Alburger)


Pontoon Tattoo 
I've had hit records
Produced T.V. shows 
Here I am bawled out by a midget

 
VIII. Rain-Death Fugato  

(Kristin Jones, Elizabeth Henry) 
 
(Mark Alburger)


Death is the rain 
That fills the river 
Of life inside us all 
Nature's not fed by mercy


IX. The Reproductive Organs  

(Elizabeth Henry, Kristen Jones, Eliza O'Malley)  

(Mark Alburger) 


The reproductive organs 
(Which from a biologist's perspective 
Are the only reason for existence) 
Control and contribute to 
Everything from the mood 
To how cholesterol is used 
In the body

 
X. Sylvia Dreyer  

(Elizabeth Henry)  

(Mark Alburger) 


Sylvia Dreyer 
White female 79 years 5' 2" 100 pounds 

Sylvia Dreyer 
Short gray hair page boy style blue eyes partially blind 

Sylvia also suffers from Alzheimer's 
And a severe case of asthma probably in need of her medication 

Sylvia Dreyer 
Clothing: black and blue flowered dress 
White cloth jacket brown leather sandals 

Sylvia
Last seen around 3:30 pm yesterday 
Near Ted's Bar in San Anselmo 
Missing from a residential rest home located on 
West End Avenue in San Rafael 

Any information please call 
San Rafael Police at 
(415) 485-3000