<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-2644809515193175639</id><updated>2012-01-16T10:00:41.391-08:00</updated><category term='Ecclesiastes'/><category term='On the Means of Attracting Others to Oneself'/><category term='Symphony No. 1'/><category term='The Gospel According to St. Matthew'/><category term='San Gabriel Valley'/><category term='Introductory'/><category term='Life Span'/><category term='Variations on Americana'/><category term='Variations and Theme'/><category term='The Bald Soprano'/><category term='Works List'/><category term='David and Saul'/><category term='In the Birch Tree Forest'/><category term='Harriet March Page'/><category term='Sylvia Dryer'/><category term='Our Lady of the Holy Trinity'/><category term='Vespers of 2010'/><category term='Job'/><category term='Symphony No. 3 (&quot;Recycled&quot;)'/><category term='Rod Song'/><category term='Symphony No. 2'/><category term='Psalm 6'/><category term='Alexandre Jerenic'/><category term='Ashley Alexandra Dupre'/><category term='Magnificat'/><category term='Business As Usual'/><category term='I Saw a Man'/><category term='Alexis Alrich'/><category term='Yellow River Concerto II'/><category term='San Francisco Composers Chamber Orchestra'/><category term='The Song of Solomon'/><category term='24 Preludes and Fugues'/><category term='Marilyn Pratt'/><category term='Maria Mikheyenko'/><category term='Psalm for the Sabbath Day'/><category term='Paul Gauguin'/><category term='Twelve-Tribe Music'/><category term='The Bible'/><category term='Joseph and Potiphar&apos;s Wife'/><category term='Eugene Ionesco'/><category term='Helena Suite'/><category term='Two and a Half Pieces'/><category term='The Playboy of the Western World'/><category term='Lot in Life'/><category term='Spoil Song'/><category term='John Cage'/><category term='Psalm 92'/><category term='Rembrandt'/><category term='Matthew Kiell'/><category term='Wayne Wong'/><category term='Suzanna Mizell'/><category term='Marcel Duchamp'/><category term='Everything Is Relativity'/><category term='Bianca Showalter'/><category term='Uncle Vanya'/><category term='Mice Suites'/><category term='Rain-Death Fugato'/><category term='Quartet for the Beginning of Time'/><category term='The Reproductive Organs'/><category term='Weber County'/><category term='Psalms Book II'/><category term='John Millington Synge'/><category term='Vocal Sonatina No. 2 (&quot;Vatsyayana&quot;)'/><category term='Anton Chekhov'/><category term='Mice Suite No. 3'/><category term='Salvador Dali'/><category term='Kama Sutra'/><category term='Sonata'/><category term='All the Effects in Garageband'/><category term='Let Him Kiss me'/><category term='Nude Descending a Staircase No. 2'/><category term='Utah'/><category term='Grand Zoological Fantasy-Variations'/><category term='The Passion According to St. Matthew'/><category term='Ivan Shishkin'/><category term='Babe Ruth'/><category term='John Philip Sousa'/><category term='The Beatitudes'/><category term='Trombone Concerto'/><category term='Nigra sum'/><category term='Barack Obama'/><category term='Solomon'/><category term='Symphony No. 6'/><category term='Peter Paul Rubens'/><category term='Chloe Vevrier'/><category term='Ozymandias'/><category term='Elijah Rock'/><category term='Flying Out the Mouth'/><category term='There Is Evil'/><category term='Esther Xerxes'/><category term='Genesis 18-19'/><category term='White Horse Sale'/><category term='Poems on Crane'/><category term='Wee'/><category term='Leticia C. Page'/><category term='Samson and Delilah'/><category term='Quadruple Concerto'/><category term='Mt Tamalpais'/><category term='Contrary Comotion'/><category term='Death Catch'/><category term='Troping Sources'/><category term='Halfway Mark'/><category term='Rudyard Kipling'/><category term='Mass Confusion'/><category term='Mark Alburger'/><category term='Alexander Katsman'/><category term='AIDSong'/><category term='Immortality'/><category term='Vocal Sonatina No. 1 (&quot;Spitzer&quot;)'/><category term='Pulchra es'/><category term='Julius Kronberg'/><category term='The Opera of Daniel'/><category term='Siskiyou County'/><category term='Interrupted Interludes'/><category term='King David'/><category term='Regime Change'/><category term='Symphony No. 5'/><category term='San Fernando Hub'/><category term='The Fire'/><category term='Babel'/><category term='The Ten Commandments'/><category term='The Lord&apos;s Prayer'/><category term='Abraham and Isaac'/><category term='Percy Hernandez'/><category term='For My Brother For My Brother'/><category term='Animal Farm'/><category term='Joshua Fought the Battle'/><category term='Pontoon Tattoo'/><category term='Buddha&apos;s Little Instruction Book'/><category term='Huntsville'/><category term='Moses and Aaron'/><category term='Kipling Songs'/><category term='I Am the Rose of Sharon'/><category term='Jan van Eyck'/><category term='About a Wife'/><category term='Dressing Up I-IV'/><category term='Antigone'/><category term='Influences'/><category term='Gustave Dore'/><category term='Goat Hall Productions'/><category term='Saul Saul'/><category term='Orpheus Cycle'/><category term='Sex and Delilah'/><category term='Instruments of Deconstruction'/><category term='The Nativity According to St. Matthew'/><category term='The Annunciation'/><category term='Conference Room Technique'/><category term='John and Salome'/><category term='Psalms'/><category term='Orbital American Deserata'/><category term='Diocletian'/><category term='Child Song'/><category term='Camino Real'/><category term='Chuck Kaplan'/><category term='Amzzing Joseph'/><category term='Suite (&quot;Sol[ar]&quot;)'/><category term='Max Lifchitz'/><category term='Animal Opera'/><category term='Pieter Bruegel the Elder'/><category term='Jean-Marc Nattier'/><category term='Waiting for Godot'/><category term='israel in Trouble'/><category term='Opera Apocalypse'/><category term='Genre Implosions'/><category term='David Peterson'/><category term='The Creation'/><category term='Iliad Songs'/><category term='The Twelve Fingers'/><category term='Spare Song'/><category term='San Francisco Cabaret Opera'/><category term='San Rafael News'/><category term='Steven Crane'/><category term='San Francisco Composes Chamber Orchestra'/><category term='Black Butte'/><category term='Symphony No. 4'/><category term='Sex and the Bible'/><category term='Samuel Beckett'/><title type='text'>Mark Alburger, Works</title><subtitle type='html'></subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://markalburgerworks.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2644809515193175639/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://markalburgerworks.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><link rel='next' type='application/atom+xml' href='http://www.blogger.com/feeds/2644809515193175639/posts/default?start-index=101&amp;max-results=100'/><author><name>Mark Alburger</name><uri>http://www.blogger.com/profile/07603011736512071903</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://bp3.blogger.com/_9etVnS4R1As/R5whmtXnBHI/AAAAAAAAABM/nVh363-S8DM/S220/1957Alburger001Halfway.jpg'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>127</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-2644809515193175639.post-4681870235964252557</id><published>2057-04-02T14:04:00.000-07:00</published><updated>2012-01-14T18:03:23.043-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Works List'/><category scheme='http://www.blogger.com/atom/ns#' term='Mark Alburger'/><title type='text'>Works (1974-Present)</title><content type='html'>&lt;a href="http://1.bp.blogspot.com/_9etVnS4R1As/R6zVo9XnG-I/AAAAAAAAAw0/th1_gaVzpgE/s1600-h/000015CaliforniaSanBernardinoJoshuaTree.jpg" onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://1.bp.blogspot.com/_9etVnS4R1As/R6zVo9XnG-I/AAAAAAAAAw0/th1_gaVzpgE/s400/000015CaliforniaSanBernardinoJoshuaTree.jpg" alt="" id="BLOGGER_PHOTO_ID_5164737772332194786" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;WORKS (1974-present)&lt;br /&gt;Mark Alburger&lt;br /&gt;(New Music, San Anselmo, CA)&lt;br /&gt;&lt;br /&gt;&lt;span class="post-count" dir="ltr"&gt;&lt;/span&gt;&lt;a href="http://markalburgerworks.blogspot.com/1974/01/psalm-6-op-1.html"&gt;Op. 1 Psalm 6 (1974) for oboe(s) (and high-hat cymbals)&lt;/a&gt;&lt;br /&gt;&lt;span class="post-count" dir="ltr"&gt;&lt;/span&gt;&lt;a href="http://markalburgerworks.blogspot.com/1975/04/suite-solar-op-2.html"&gt;Op. 2 Suite ("Sol[ar]") (1975) for oboe, piano, and percussion&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1975/05/eccclesiastes-or-preacher-op-3.html"&gt;Op. 3 Eccclesiastes, or The Preacher, (1975) for voice(s) and orchestra&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1975/06/poems-on-crane-op-4.html"&gt;Op. 4 Poems on Crane (1975) for mixed chorus (after Stephen Crane)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1975/07/lords-prayer-op-5.html"&gt;Op. 5 The Lord's Prayer (1975) for soloists, choir, and keyboard &lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1976/04/variations-and-theme-op-6.html"&gt;Op. 6 Variations and Theme (1976) for keyboard&lt;/a&gt;&lt;br /&gt;&lt;span class="post-count" dir="ltr"&gt;&lt;/span&gt;&lt;a href="http://markalburgerworks.blogspot.com/1977/04/interrupted-interludes-op-7.html"&gt;Op. 7 Interrupted Interludes (1977) for keyboard&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1977/10/twelve-fingers-op-8.html"&gt;Op. 8 The Twelve Fingers (1977) for keyboard&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1977/11/psalm-for-sabbath-day-psalm-92-op-9.html"&gt;Op. 9 Psalm (92) for the Sabbath Day (1977) for voice and keyboard&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1978/02/nocturnes-for-insomniacs-op-10.html"&gt;Op. 10 Nocturnes for Insomniacs (1978) for violin and keyboard&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2008/02/op.html"&gt;Op. 11 Portraits of Three Players (1978) for flute and keyboard&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1978/06/four-processions-op-12.html"&gt;Op. 12 Four Processions (1978) for string quintet&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2008/07/three-places-in-america-op-13.html"&gt;Op. 13 Three Places in America (For Four) (1978) for quartet&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1978/12/seasons-eves-op-14.html"&gt;Op. 14 Seasons' Eves (1978) for double-reed (or harp) duet&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1979/01/book-prehistoric-atlas-op-15.html"&gt;Op. 15 Book (Prehistoric Atlas) (1979) for keyboard&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1979/03/some-stuff-op-16.html"&gt;Op. 16 Some Stuff (1979) for mixed quintet&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1979/03/two-and-half-pieces-op-17.html"&gt;Op. 17 Two and a Half Pieces (1979) for flute, 2 trombones, and tuba&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1979/05/yellow-river-concerto-ii-op-18.html"&gt;Op. 18 Yellow River Concerto II (1979) for oboe and violin (percussion)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1979/02/academic-endeavors-op-19.html"&gt;Op. 19 Academic Endeavors (1970) for keyboard and voice&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1979/10/embedded-inventions-op-20.html"&gt;Op. 20 Embedded Inventions (1979) for keyboard&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1980/12/missa-a-deux-op-21.html"&gt;Op. 21 Missa "The a deux" (1980) for voices and instruments&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1981/01/duo-sonata-no-1-hyphenated-op-22.html"&gt;Op. 22 Duo Sonata No. 1 ("Hyphenated") (1981)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1982/01/sequence-music-op-23.html"&gt;Op. 23 Sequence Music (1982) for a (piano) trio&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1982/07/orpheus-op-24.html"&gt;Op. 24 Orpheus Cycle (1982) for voice and keyboard (or instruments)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1983/01/stolen-students-op-25.html"&gt;Op. 25 Stolen Students (1983) for keyboard&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1984/02/sinfonietta-op-26.html"&gt;Op. 26 Sinfonietta (1984) for orchestra&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1985/01/aerial-requiem-op-27.html"&gt;Op. 27 Aerial Requiem (1985) for voices and instruments&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1985/02/mary-variations-op-28.html"&gt;Op. 28 Mary Variations (1985) for keyboard&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1985/02/street-songs-op-29.html"&gt;Op. 29 Street Songs (1985) for voice and keyboard (or instruments)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1986/09/merton-songs-op-30.html"&gt;Op. 30 Merton Songs (1986) for voice and keyboard&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2008/03/duo-sonata-no-2-op-31.html"&gt;Op. 31 Duo Sonata No. 2 (Wasatch") (1986) for viola and percussion&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1987/07/crystal-series-op-32.html"&gt;Op. 32 Crystal Series (1987) for oboe(s) and keyboard&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1988/04/san-timoteo-canyontata-op-33.html"&gt;Op. 33 San Timoteo Can[yon]tata (1988) for voices and instruments&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1988/05/songs-for-rebecca-op-34.html"&gt;Op. 34 Songs for Rebecca (1988) for voice and keyboard&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1988/06/missa-california-op-35.html"&gt;Op. 35 Missa California (1988) for voices and instruments&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2008/02/lot-in-life-op-36.html"&gt;Op. 36 Lot in Life (1988) for voices and instruments (Genesis 18-19)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1989/10/at-photo-shop-op-37.html"&gt;Op. 38 At a Photo Shop (1989) for voice and keyboard (or instruments)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1989/12/spectral-preludes-op-38.html"&gt;Op. 38 Spectral Preludes (1989) for keyboard or ensemble&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1990/02/big-beat-op-39.html"&gt;Op. 39 Big Beat (1990) for orchestra&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1990/04/trumpet-concerto-macho-concertino-op-40.html"&gt;Op. 40 Trumpet Concerto ("Macho Concertino")&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1991/01/mice-suite-no-1-op-41.html"&gt;Op. 41 Mice Suite No. 1 (1991) for orchestra&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1991/12/westminster-tropes-op-42.html"&gt;Op. 42 Westminster Tropes (1991) for voices and instruments&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/02/deploration-passacaglias-op-43.html"&gt;Op. 43 Deploration Passacaglias (1992) for keyboard&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/02/helena-suite-op-44.html"&gt;Op. 44 Helena Suite (1992) for voice(s) and keyboard(s or instruments)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/10/mice-and-men-op-45.html"&gt;Op. 45 Mice and Men (1992) for voices and orchestra&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/11/iliad-songs-op-46.html"&gt;Op. 46 Iliad Songs (1992) for voices and orchestra&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/12/babel-op-47.html"&gt;Op. 47 Babel (1992) for voices and orchestra&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1993/03/san-fernando-hub-op-48.html"&gt;Op. 48 San Fernando Hub (1993) for voices and instruments&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1993/04/business-as-usual-op-49.html"&gt;Op. 49 Business As Usual (1993) for instrument(s and voice[s])&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1994/01/la-stories-op-50.html"&gt;Op. 50 L.A. Stories (1994) for voices and instruments&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1995/02/san-rafael-news-op-51.html"&gt;Op. 51 San Rafael News (1995) for voice(s) and instrument(s)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1996/01/abraham-and-isaac-op-52.html"&gt;Op. 52 Abraham and Isaac (1996) for voices and orchestra&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1996/12/mice-suite-no-2-op-53.html"&gt;Op. 53 Mice Suite No. 2 (1996) for voice(s) and instruments&lt;/a&gt;&lt;br /&gt;&lt;span class="post-count" dir="ltr"&gt;&lt;/span&gt;&lt;a href="http://markalburgerworks.blogspot.com/1997/01/israel-in-trouble-op-54.html"&gt;Op. 54 Israel in Trouble (1997) for voices and instruments&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1997/04/passion-according-to-st-matthew-op-55.html"&gt;Op. 55 The Passion According to St. Matthew (1997) for ensemble&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1997/05/for-my-brother-for-my-brother-op-56.html"&gt;Op. 56 For My Brother For My Brother (1997) for solo and keyboard&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1997/06/amazing-joseph-op-57.html"&gt;Op. 57 Amazing Joseph (1997) for voices and instruments&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1997/07/ten-commandments-op-58.html"&gt;Op. 58 The Ten Commandments (1997) for voices and instruments&lt;br /&gt;&lt;/a&gt;&lt;a href="http://markalburgerworks.blogspot.com/1998/01/mice-suite-no-3-op-59.html"&gt;Op. 59 Mice Suite No. 3 (1998) for two voices and ensemble&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2008/02/12-preludes-and-fugues-topical-op-60.html"&gt;Op. 60 Twelve Preludes and Fugues ("Topical") (1998) for keyboard&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1998/03/symphony-no-1-it-wasnt-classical-op-61.html"&gt;Op. 61 Symphony No. 1 in C Major, Op. 21 ("It wasn't classical...")&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1998/04/symphony-no-2-tamalpais-op-62.html"&gt;Op. 62 Symphony No. 2 ("Tamalpais") (1998)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1998/05/moses-and-aaron-op-63.html"&gt;Op. 63 Moses and Aaron (1998) for voices and orchestra&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1998/06/joshua-fought-battle-op-64.html"&gt;Op. 64 Joshua Fought the Battle (1998) for voices and orchestra&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1998/07/samson-and-delilah-op-65-1998.html"&gt;Op. 65 Samson and Delilah (1998) for voices and orchestra&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2009/06/babe-ruth-rhapsodi-israeli-op-66.html"&gt;Op. 66 Babe Ruth (Rhapsodi Israeli) (1998) for voices and orchestra&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1998/09/saul-saul-op-67-1998.html"&gt;Op. 67 Saul! Saul! (1998) for voices and orchestra&lt;/a&gt;&lt;br /&gt;&lt;span class="post-count" dir="ltr"&gt;&lt;/span&gt;&lt;a href="http://markalburgerworks.blogspot.com/2009/08/mice-suites-op-68-1998.html"&gt;Op. 68 Mice Suites (1998) for voices and instruments&lt;/a&gt;&lt;br /&gt;&lt;span class="post-count" dir="ltr"&gt;&lt;/span&gt;&lt;a href="http://markalburgerworks.blogspot.com/1998/11/king-david-op-69-1998.html"&gt;Op. 69 King David (1998) for voices and orchestra&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1998/11/solomon-op-70-1998.html"&gt;Op. 70 Solomon (1998) for voices and orchestra&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1998/12/elijah-rock-op-71-1998.html"&gt;Op. 71 Elijah Rock (1998) for voices and orchestra&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2008/02/nativity-according-to-st-matthew-op-72.html"&gt;Op. 72 The Nativity According to St. Matthew (1998) for ensemble&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1999/01/opera-of-daniel-op-73-1999.html"&gt;Op. 73 The Opera of Daniel (1999) for voices and orchestra&lt;/a&gt;&lt;br /&gt;&lt;span class="post-count" dir="ltr"&gt;&lt;/span&gt;&lt;a href="http://markalburgerworks.blogspot.com/1999/01/buddhas-little-instruction-book-op-74.html"&gt;Op. 74 Buddha's Little Instruction Book (1999) for trio&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1999/02/symphony-no-3-recycled-op-75.html"&gt;Op. 75 Symphony No. 3 ("Recycled") (1999) for orchestra&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1999/03/animal-farm-op76.html"&gt;Op. 76 Animal Farm (1999) for orchestra&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2008/01/henry-miller-in-brooklyn-op-77.html"&gt;Op. 77 Henry Miller in Brooklyn (1999) for 3 singers and 9 instruments&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1999/07/esther-xerxes-op-78-1999.html"&gt;Op. 78 Esther Xerxes (1999) for voices and orchestra&lt;/a&gt;&lt;br /&gt;&lt;span class="post-count" dir="ltr"&gt;&lt;/span&gt;&lt;a href="http://markalburgerworks.blogspot.com/1999/08/job-masque-op-79.html"&gt;Op. 79 Job: A Masque (1999) for voices and orchestra&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1999/08/john-and-salome-op-80.html"&gt;Op. 80 John and Salome (1999) for voices and orchestra&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1999/10/beatitudes-op-81.html"&gt;Op. 81 The Beatitudes (1999) for voices and instruments&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1999/11/symphony-no-4-op-82.html"&gt;Op. 82 Symphony No. 4 ("Sequence") (1999) for orchestra&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1999/12/quadruple-concerto-metal-op-83.html"&gt;Op. 83 Quadruple Concerto ("Metal") (1999)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2000/02/flute-concerto-mythological-op-84.html"&gt;Op. 84 Flute Concerto ("Mythological") (2000)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2000/03/gospel-according-to-st-matthew-op-85.html"&gt;Op. 85 The Gospel According to St. Matthew (2000)&lt;/a&gt;&lt;br /&gt;&lt;span class="post-count" dir="ltr"&gt;&lt;/span&gt;&lt;a href="http://markalburgerworks.blogspot.com/2000/04/magnificat-op-86.html"&gt;Op. 86 Magnificat (2000) for voices and orchestra&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2000/05/violin-concerto-ticklish-op-87.html"&gt;Op. 87 Violin Concerto ("Ticklish") (2000)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2000/08/antigone-op-88.html"&gt;Op. 88 Antigone (2000) for voices and orchestra&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2000/08/little-prince-op-89.html"&gt;Op. 89 The Little Prince (2000) for voices and pierrot ensemble&lt;/a&gt;&lt;br /&gt;&lt;span class="post-count" dir="ltr"&gt;&lt;/span&gt;&lt;a href="http://markalburgerworks.blogspot.com/2000/09/diocletian-pagan-opera-op.html"&gt;Op. 90 Diocletian: A Pagan Opera (2000)&lt;/a&gt;&lt;br /&gt;&lt;span class="post-count" dir="ltr"&gt;&lt;/span&gt;&lt;a href="http://markalburgerworks.blogspot.com/2000/11/uncle-vanya-op-91.html"&gt;Op. 91 Uncle Vanya (2000) for voices and orchestra&lt;/a&gt;&lt;br /&gt;&lt;span class="post-count" dir="ltr"&gt;&lt;/span&gt;&lt;a href="http://markalburgerworks.blogspot.com/2000/11/trombone-concerto-flute-players-2000.html"&gt;Op. 92 Trombone Concerto ("Flute Players") (2000)&lt;/a&gt;&lt;br /&gt;&lt;span class="post-count" dir="ltr"&gt;&lt;/span&gt;&lt;a href="http://markalburgerworks.blogspot.com/2000/12/creation-op-93.html"&gt;Op. 93 The Creation (2000) for voices and orchestra&lt;/a&gt;&lt;br /&gt;&lt;span class="post-count" dir="ltr"&gt;&lt;/span&gt;&lt;a href="http://markalburgerworks.blogspot.com/2008/03/bald-soprano-op-94.html"&gt;Op. 94 The Bald Soprano (2001) for voices and orchestra&lt;/a&gt;&lt;br /&gt;&lt;span class="post-count" dir="ltr"&gt;&lt;/span&gt;&lt;a href="http://markalburgerworks.blogspot.com/2001/05/animal-opera-orwellian-comedy-op-95.html"&gt;Op. 95 Animal Opera: An Orwellian Comedy (2001)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2001/08/wind-god-op-96.html"&gt;Op. 96 The Wind God (2001) for voice and keyboard (or orchestra)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2001/08/quartet-for-beginning-of-time-op-97.html"&gt;Op. 97 Quartet for the Beginning of Time: Adam &amp;amp; Eve &amp;amp; Cain &amp;amp; Abel&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2001/08/noahs-flood-noah-noah-op-98.html"&gt;Op. 98 Noah's Flood ("Noah, Noah"): A Mystery Play (2001)&lt;/a&gt;&lt;br /&gt;&lt;span class="post-count" dir="ltr"&gt;&lt;/span&gt;&lt;a href="http://markalburgerworks.blogspot.com/2001/09/symphony-no-5-americans-reply-op-99.html"&gt;Op. 99 Symphony No. 5 ("An American's Reply") (2001)&lt;/a&gt;&lt;br /&gt;&lt;span class="post-count" dir="ltr"&gt;&lt;/span&gt;&lt;a href="http://markalburgerworks.blogspot.com/2001/11/symphony-no-6-apathetic.html"&gt;Op. 100 Symphony No. 6 ("Apathetic") (2001) for orchestra&lt;/a&gt;&lt;br /&gt;Op. 101 Symphony No. 7 ("Tragicomic") (2001) for orchestra&lt;br /&gt;Op. 102 Symphony No. 8 ("Unending") (2001) for orchestra&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2001/12/flying-out-mouth-op-103.html"&gt;Op. 103 Flying Out the Mouth for voice(s) and instrument(s)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2001/12/cats-dogs-and-divas-op-104.html"&gt;Op. 104 Cats, Dogs, and Divas (2001) for voice(s) and instrument(s)&lt;/a&gt;&lt;br /&gt;Op. 105 Gloria (2002) for voices and keyboard (or instruments)&lt;br /&gt;Op. 106 The Nativity According to St. Luke (2002) for ensemble&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2002/02/out-on-porch-op-107.html"&gt;Op. 107 Out on the Porch (2002) for voice(s) and instrument(s)&lt;/a&gt;&lt;br /&gt;Op. 108 Blake House (2002) for voice(s) and keyboard&lt;br /&gt;Op. 109 Six Characters in Search of an Author (2003) for ensemble&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2003/02/camino-real-op-10.html"&gt;Op. 110 Camino Real (2003) for voices and orchestra (or keyboard)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2008/01/playboy-of-western-world-op-111.html"&gt;Op. 111 The Playboy of the Western World (2003) for ensemble&lt;/a&gt;&lt;br /&gt;Op. 112 On the Road (2004) for voices and orchestra (or keyboard)&lt;br /&gt;Op. 113 Endgame (2004) for four voices and orchestra (or keyboard)&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2004/04/horn-concerto-sherlock-op-114.html"&gt;Op. 114 Horn Concerto ("Sherlock") (2004) for horn and orchestra&lt;/a&gt;&lt;br /&gt;Op. 115 Clarinet Concerto ("Matrimonial") (2004)&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2004/12/pied-piper-of-hamelin-op-116.html"&gt;Op. 116 The Pied Piper of Hamelin: A Child's Opera (2004)&lt;/a&gt;&lt;br /&gt;Op. 117 Symphony No. 9 ("From the West") (2004) for orchestra&lt;br /&gt;Op. 118 Oboe Concerto ("Wanderer") (2004)&lt;br /&gt;Op. 119 Viola Concerto ("Felicitations") (2004)&lt;br /&gt;Op. 120 Bassoon Concerto ("Grandmother") (2004)&lt;br /&gt;Op. 121 Tuba Concerto ("Pasteurized") (2004)&lt;br /&gt;Op. 122 Piano Concerto ("Child's Play") (2004)&lt;br /&gt;Op. 123 Harp Concerto ("Ballerina") (2004)&lt;br /&gt;Op. 124 Percussion Concerto ("Dictator") (2004)&lt;br /&gt;Op. 125 Cello Concerto ("Roasted") (2004)&lt;br /&gt;Op. 126 Bass Concerto ("Conrad") (2004)&lt;br /&gt;Op. 127 Twelve Pieces for Orchestra (2005)&lt;br /&gt;&lt;span class="post-count" dir="ltr"&gt;&lt;/span&gt;&lt;a href="http://markalburgerworks.blogspot.com/2008/02/waiting-for-godot-op-128.html"&gt;Op. 128 Waiting for Godot (2005) for voices and instrument(s)&lt;/a&gt;&lt;br /&gt;Op. 129 Ecclesiastes Tropes (2005) for voice(s) and keyboard&lt;br /&gt;Op. 130 Diabolic Variations (2005) for keyboard&lt;br /&gt;Op. 131 Concerto for Orchestra (2005) for orchestra&lt;br /&gt;Op. 132 Pied Piper Suite: Concertino (2005) for orchestra&lt;br /&gt;Op. 133 Rossetti Songs (2006) for voice and orchestra&lt;br /&gt;Op. 134 Grande Suite ("Sol[ar]") (2006) for orchestra&lt;br /&gt;Op. 135 Big Beat Remix (2006) for MIDI orchestra&lt;br /&gt;Op. 136 Sinfonietta-Suite ("En Attendant Godot") (2006) for orchestra&lt;br /&gt;Op. 137 From "Poems of My Heart" (2006) for voice and instrument(s)&lt;br /&gt;Op. 138 New Street Songs (2006) for voice and orchestra&lt;br /&gt;Op. 139 New Crystal Series (2006) for oboe(s) and keyboard&lt;br /&gt;Op. 140 One Page of a Swarthmore College Literary Magazine (2006)&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2006/12/kipling-songs-op-141.html"&gt;Op. 141 Kipling Songs (2006) for voice and keyboard&lt;/a&gt;&lt;br /&gt;Op. 142 The Ring of Harriet (2006) for voices and orchestra&lt;br /&gt;Op. 143 Textbook (2007) for orchestra&lt;br /&gt;Op. 144 Grating Prelude (2007) for orchestra&lt;br /&gt;Op. 145 St. Paul Suite (2007) for voices and instruments&lt;br /&gt;Op. 146 Trout Fishing in America (2007) for voices and instruments&lt;br /&gt;Op. 147 The Musical Orbital (2007) for mixed media&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2007/08/variations-on-americana-op-148.html"&gt;Op. 148 Variations on Americana (2007) for orchestra&lt;/a&gt;&lt;br /&gt;Op. 149 The Desert (2007) for a hopeless array&lt;br /&gt;Op. 150 Halfway Mark (2007) for voices and instruments&lt;br /&gt;Op. 151 A Walk Through California (2007) for found sounds&lt;br /&gt;Op. 152 The Countess Cathleen (2007) for voices and orchestra&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/9007/12/history-phases-op-153.html"&gt;Op. 153 History Phases (2007) for sound files&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2008/02/white-horse-suite-op-154.html"&gt;Op. 154 White Horse Suite (2008) for voice(s) and instrument(s)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2008/03/flying-mixes-op-155.html"&gt;Op. 155 Flying Mixes (2008) for sound files&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2008/03/vocal-sonatina-no-1-spitzer-op-156.html"&gt;Op. 156 Vocal Sonatina No. 1 ("Spitzer") (2008)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2008/03/vocal-sonatina-no-2-vatsyayana-op-157.html"&gt;Op. 157 Vocal Sonatina No. 2 ("Vatsyayana") (2008)&lt;/a&gt;&lt;br /&gt;Op. 158 Vocal Sonatina No. 3 ("Conforte") (2008)&lt;br /&gt;Op. 159 Vocal Sonatina No. 4 ("Khayyam") (2008)&lt;br /&gt;Op. 160 Vocal Sonatina No. 5 ("Angier") (2008)&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2008/03/genre-implosions-op-161.html"&gt;Op. 161 Genre Implosions No. 1 ("Mass Confusion") (2008) for sound&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2008/04/24-preludes-and-fugues-standards-op-162.html"&gt;Op. 162 Twenty-Four Preludes and Fugues ("Standards") (2008)&lt;/a&gt;&lt;br /&gt;Op. 163 Songs of Degrees (2008) for voices and instrument(s)&lt;br /&gt;Op. 164 Alphabetic Homage[inizations] (2008) for sound files&lt;br /&gt;Op. 165 Genre Implosions No. 2 ("Ages East") for sound files&lt;br /&gt;Op. 166 Civic Disobediance (2008) for voice and instrument(s)&lt;br /&gt;Op. 167 Genre Implosions No. 3 ("Time Cyclone") for sound files&lt;br /&gt;Op. 168 The Bible (2008) for voices and instruments&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2009/01/sex-and-bible-op-169.html"&gt;Op. 169 Sex and the Bible: The Opera (Part I) (2009)&lt;/a&gt;&lt;br /&gt;Op. 170 Raga Improvisations (2009) for instrument(s)&lt;br /&gt;Op. 171 Sex and the Orchestra (2009)&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2009/03/psalms-op-172.html"&gt;Op. 172 Psalms, Book I (2009) for voice(s) and instrument(s)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2009/03/sex-and-delilah-op-173.html"&gt;Op. 173 Sex and Delilah (2009) for voices and instrument(s)&lt;/a&gt;&lt;br /&gt;Op. 174 King David Suite (2009) for orchestra&lt;br /&gt;Op. 175 Isaiah (2009) for voices and orchestra&lt;br /&gt;Op. 176 Elijah Ghost (2009) for orchestra&lt;br /&gt;Op. 177 Pini di Surriento (2009) for orchestra&lt;br /&gt;Op. 178 Salome Suite (2009) for orchestra&lt;br /&gt;&lt;span class="post-count" dir="ltr"&gt;&lt;/span&gt;&lt;a href="http://markalburgerworks.blogspot.com/2010/01/vespers-op-179-2010.html"&gt;Op. 179 Vespers (2010) for voices and orchestra&lt;/a&gt;&lt;br /&gt;Op. 180 An American Requiem (2010) for ensemble&lt;br /&gt;&lt;span class="post-count" dir="ltr"&gt;&lt;/span&gt;&lt;a href="http://markalburgerworks.blogspot.com/2010/02/song-of-solomon-op-181.html"&gt;Op. 181 The Song of Solomon (2010)&lt;/a&gt;&lt;br /&gt;Op. 182 Malachi (2010)&lt;br /&gt;Op. 183 John John John (2010)&lt;br /&gt;Op. 184 Ave Maris Stella (2010)&lt;br /&gt;Op. 185 Post-Minimalist Wedding (2010)&lt;br /&gt;Op. 186 Christmas Carrels (2010)&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2011/01/psalms-book-ii-op-187.html"&gt;Op. 187 Psalms, Book II (2011)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2011/01/all-effects-in-garageband-op-188.html"&gt;Op. 188 All the Effects in GarageBand (2011) for sound files&lt;/a&gt;&lt;br /&gt;Op. 189 All the Effects in iMovie (2011)&lt;br /&gt;&lt;div&gt;&lt;div&gt;Op. 190 New Big People Old Trouble So Sunday (2011)&lt;/div&gt;&lt;div&gt;Op. 191 Twilight of the iPods (2011) for performers and sound files&lt;/div&gt;&lt;div&gt;Op. 192 All the BBC Sound Files (2011)&lt;/div&gt;&lt;div&gt;Op. 193 100 Sound Effects (2011) for sound files&lt;/div&gt;&lt;div&gt;Op. 194 Octundre (2011) for woodwind and brass quartets&lt;br /&gt;Op. 195 Acid Loops (2011) for sound files&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2011/08/regime-change-op-196.html"&gt;Op. 196 Regime Change (2011) for (voices and) orchestra&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Op. 197 Psalms, Book III (2011)&lt;/div&gt;&lt;div&gt;Op. 198 The Cop and the Anthem (2011), for singers and instruments&lt;/div&gt;&lt;div&gt;Op. 199 The Inner Circles (2011), for cello, piano, and percussion&lt;/div&gt;&lt;br /&gt;***&lt;br /&gt;&lt;br /&gt;By Genre&lt;br /&gt;&lt;br /&gt;Instrumental Chamber Music&lt;br /&gt;&lt;br /&gt;Solo&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1974/01/psalm-6-op-1.html"&gt;Op. 1 Psalm 6, Op 1 (1974) for oboe(s) (and high-hat cymbals)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Duo&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1978/02/nocturnes-for-insomniacs-op-10.html"&gt;Op. 10 Nocturnes for Insomniacs (1978) for violin and keyboard&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2008/02/op.html"&gt;Op. 11 Portraits of Three Players (1978) for flute and keyboard&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1978/12/seasons-eves-op-14.html"&gt;Op. 14 Seasons' Eves (1978) for double-reed (or harp) duet&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1979/05/yellow-river-concerto-ii-op-18.html"&gt;Op. 18 Yellow River Concerto II (1979) for oboe and violin (percussion)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1981/01/duo-sonata-no-1-hyphenated-op-22.html"&gt;Op. 22 Duo Sonata No. 1 ("Hyphenated") (1981) for violin &amp;amp; trombone&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2008/03/duo-sonata-no-2-op-31.html"&gt;Op. 31 Duo Sonata No. 2 (Wasatch") (1986) for viola and percussion&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1987/07/crystal-series-op-32.html"&gt;Op. 32 Crystal Series (1987) for oboe(s) and keyboard&lt;/a&gt;&lt;br /&gt;Op. 139 New Crystal Series (2006) for oboe(s) and keyboard&lt;br /&gt;&lt;br /&gt;Trio&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1975/04/suite-solar-op-2.html"&gt;Op. 2 Suite ("Sol[ar]") (1975) for oboe, piano, and percussion&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1982/01/sequence-music-op-23.html"&gt;Op. 23 Sequence Music (1982) for a (piano) trio&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Quartet&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2008/07/three-places-in-america-op-13.html"&gt;Op. 13 Three Places in America (For Four) (1978) for quartet&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1979/03/two-and-half-pieces-op-17.html"&gt;Op. 17 Two and a Half Pieces (1979) for flute, 2 trombones, and tuba&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Quintet&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1978/06/four-processions-op-12.html"&gt;Op. 12 Four Processions (1978) for string quintet&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1979/03/some-stuff-op-16.html"&gt;Op. 16 Some Stuff (1979) for mixed quintet&lt;/a&gt;&lt;br /&gt;Op. 170 Raga Improvisations (2009) for instrument(s)&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Octet&lt;/div&gt;&lt;div&gt;&lt;div&gt;Op. 194 Octundre (2011) for woodwind and brass quartets&lt;/div&gt;&lt;br /&gt;Keyboard&lt;br /&gt;&lt;br /&gt;Etudes&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1979/10/embedded-inventions-op-20.html"&gt;Op. 20 Embedded Inventions (1979) for keyboard&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1989/12/spectral-preludes-op-38.html"&gt;Op. 38 Spectral Preludes (1989) for keyboard or ensemble&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/02/deploration-passacaglias-op-43.html"&gt;Op. 43 Deploration Passacaglias (1992) for keyboard&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2008/02/12-preludes-and-fugues-topical-op-60.html"&gt;Op. 60 Twelve Preludes and Fugues ("Topical") (1998) for keyboard&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2008/04/24-preludes-and-fugues-standards-op-162.html"&gt;Op. 162 Twenty-Four Preludes and Fugues ("Standards") (2008)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Sonatas&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1977/04/interrupted-interludes-op-7.html"&gt;Op. 7 Interrupted Interludes (1977) for keyboard&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1983/01/stolen-students-op-25.html"&gt;Op. 25 Stolen Students (1983) for keyboard&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Suites&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1977/10/twelve-fingers-op-8.html"&gt;Op. 8 The Twelve Fingers (1977) for keyboard&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1979/01/book-prehistoric-atlas-op-15.html"&gt;Op. 15 Book (Prehistoric Atlas) (1979) for keyboard&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Variations&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1976/04/variations-and-theme-op-6.html"&gt;Op. 6 Variations and Theme (1976) for keyboard&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1985/02/mary-variations-op-28.html"&gt;Op. 28 Mary Variations (1985) for keyboard&lt;/a&gt;&lt;br /&gt;Op. 130 Diabolic Variations (2005) for keyboard&lt;br /&gt;&lt;br /&gt;Orchestra&lt;br /&gt;&lt;br /&gt;Concerto&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1990/04/trumpet-concerto-macho-concertino-op-40.html"&gt;Op. 40 Trumpet Concerto ("Macho Concertino")&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1999/12/quadruple-concerto-metal-op-83.html"&gt;Op. 83 Quadruple Concerto ("Metal") (1999)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2000/02/flute-concerto-mythological-op-84.html"&gt;Op. 84 Flute Concerto ("Mythological") (2000)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2000/05/violin-concerto-ticklish-op-87.html"&gt;Op. 87 Violin Concerto ("Ticklish") (2000)&lt;/a&gt;&lt;br /&gt;&lt;span class="post-count" dir="ltr"&gt;&lt;/span&gt;&lt;a href="http://markalburgerworks.blogspot.com/2000/11/trombone-concerto-flute-players-2000.html"&gt;Op. 92 Trombone Concerto ("Flute Players") (2000)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2004/04/horn-concerto-sherlock-op-114.html"&gt;Op. 114 Horn Concerto ("Sherlock") (2004) for horn and orchestra&lt;/a&gt;&lt;br /&gt;Op. 115 Clarinet Concerto ("Matrimonial") (2004)&lt;br /&gt;Op. 118 Oboe Concerto ("Wanderer") (2004)&lt;br /&gt;Op. 119 Viola Concerto ("Felicitations") (2004)&lt;br /&gt;Op. 120 Bassoon Concerto ("Grandmother") (2004)&lt;br /&gt;Op. 121 Tuba Concerto ("Pasteurized") (2004)&lt;br /&gt;Op. 122 Piano Concerto ("Child's Play") (2004)&lt;br /&gt;Op. 123 Harp Concerto ("Ballerina") (2004)&lt;br /&gt;Op. 124 Percussion Concerto ("Dictator") (2004)&lt;br /&gt;Op. 125 Cello Concerto ("Roasted") (2004)&lt;br /&gt;Op. 126 Bass Concerto ("Conrad") (2004)&lt;br /&gt;&lt;br /&gt;Overture&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1990/02/big-beat-op-39.html"&gt;Op. 39 Big Beat (1990) for orchestra&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2000/08/antigone-op-88.html"&gt;Op. 88a Overture to Antigone  (2000) for orchestra&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2008/03/bald-soprano-op-94.html"&gt;Op. 94a Overture to The Bald Soprano (2001) for orchestra&lt;/a&gt;&lt;br /&gt;Op. 144 Grating Prelude (2007) for orchestra&lt;br /&gt;&lt;br /&gt;Suite&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1984/02/sinfonietta-op-26.html"&gt;Op. 26 Sinfonietta (1984) for orchestra&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1991/01/mice-suite-no-1-op-41.html"&gt;Op. 41 Mice Suite No. 1 (1991) for orchestra&lt;/a&gt;&lt;br /&gt;Op. 127 Twelve Pieces for Orchestra (2005)&lt;br /&gt;Op. 131 Concerto for Orchestra (2005) for orchestra&lt;br /&gt;Op. 132 Pied Piper Suite: Concertino (2005) for orchestra&lt;br /&gt;Op. 134 Grande Suite ("Sol[ar]") (2006) for orchestra&lt;br /&gt;Op. 136 Sinfonietta-Suite ("En Attendant Godot") (2006) for orchestra&lt;br /&gt;Op. 143 Textbook (2007) for orchestra&lt;br /&gt;Op. 171 Sex and the Orchestra (2009)&lt;br /&gt;Op. 174 King David Suite (2009) for (voices and) and orchestra&lt;br /&gt;Op. 176 Elijah Ghost (2009) for (voices and) orchestra&lt;br /&gt;Op. 177 Pini di Surriento (2009) for orchestra&lt;br /&gt;Op. 178 Salome Suite (2009) for (voices and) orchestra&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2011/08/regime-change-op-196.html"&gt;Op. 196 Regime Change (2011) for (voices and) orchestra&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Symphony&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1998/03/symphony-no-1-it-wasnt-classical-op-61.html"&gt;Op. 61 Symphony No. 1 in C Major, Op. 21 ("It wasn't classical...")&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1998/04/symphony-no-2-tamalpais-op-62.html"&gt;Op. 62 Symphony No. 2 ("Tamalpais") (1998)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1999/02/symphony-no-3-recycled-op-75.html"&gt;Op. 75 Symphony No. 3 ("Recycled") (1999) for orchestra&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1999/11/symphony-no-4-op-82.html"&gt;Op. 82 Symphony No. 4 ("Sequence") (1999) for orchestra&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2001/09/symphony-no-5-americans-reply-op-99.html"&gt;Op. 99 Symphony No. 5 ("An American's Reply") (2001)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2001/11/symphony-no-6-apathetic.html"&gt;Op. 100 Symphony No. 6 ("Apathetic") (2001) for orchestra&lt;/a&gt;&lt;br /&gt;Op. 101 Symphony No. 7 ("Tragicomic") (2001) for orchestra&lt;br /&gt;Op. 102 Symphony No. 8 ("Unending") (2001) for orchestra&lt;br /&gt;Op. 117 Symphony No. 9 ("From the West") (2004) for orchestra&lt;br /&gt;&lt;br /&gt;Variations&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1999/03/animal-farm-op76.html"&gt;Op. 76 Animal Farm (1999) for orchestra&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2007/08/variations-on-americana-op-148.html"&gt;Op. 148 Variations on Americana (2007) for orchestra&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Voice(s) and Instrument(s)&lt;br /&gt;&lt;br /&gt;Anthem&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1975/07/lords-prayer-op-5.html"&gt;Op. 5 The Lord's Prayer (1975) for soloists, choir, and keyboard &lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1997/07/ten-commandments-op-58.html"&gt;Op. 58 The Ten Commandments (1997) for voices and instruments&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1999/10/beatitudes-op-81.html"&gt;Op 81 The Beatitudes (1999) for voices and instruments&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Cantata&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1975/05/eccclesiastes-or-preacher-op-3.html"&gt;Op. 3 Eccclesiastes, or The Preacher, (1975) for voice(s) and orchestra&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1975/06/poems-on-crane-op-4.html"&gt;Op. 4 Poems on Crane (1975) for mixed chorus (after Stephen Crane)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1988/04/san-timoteo-canyontata-op-33.html"&gt;Op. 33 San Timoteo Can[yon]tata (1988) for voices and instruments&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1991/12/westminster-tropes-op-42.html"&gt;Op. 42 Westminster Tropes (1991) for voices and instruments&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/11/iliad-songs-op-46.html"&gt;Op. 46 Iliad Songs (1992) for voices and orchestra&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2000/04/magnificat-op-86.html"&gt;Op. 86 Magnificat (2000) for voices and orchestra&lt;/a&gt;&lt;br /&gt;Op. 129 Ecclesiastes Tropes (2005) for voice(s) and keyboard&lt;br /&gt;Op. 175 Isaiah (2009) for voices and orchestra&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2010/01/vespers-op-179-2010.html"&gt;Op. 179 Vespers (2010) for voices and orchestra&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Mass&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1980/12/missa-a-deux-op-21.html"&gt;Op. 21 Missa "The a deux" (1980) for voices and instruments&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1985/01/aerial-requiem-op-27.html"&gt;Op. 27 Aerial Requiem (1985) for voices and instruments&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1988/06/missa-california-op-35.html"&gt;Op. 35 Missa California (1988) for voices and instruments&lt;/a&gt;&lt;br /&gt;Op. 105 Gloria (2002) for voices and keyboard (or instruments)&lt;br /&gt;Op. 180 An American Requiem (2010) for ensemble&lt;br /&gt;&lt;br /&gt;Opera&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/10/mice-and-men-op-45.html"&gt;Op. 45 Mice and Men (1992) for voices and orchestra&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2009/08/mice-suites-op-68-1998.html"&gt;Op. 68 Mice Suites (1998) for voices and instruments&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2008/01/henry-miller-in-brooklyn-op-77.html"&gt;Op. 77 Henry Miller in Brooklyn (1999) for 3 singers and 9 instruments&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2000/08/antigone-op-88.html"&gt;Op. 88 Antigone (2000) for voices and orchestra&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2000/08/little-prince-op-89.html"&gt;Op. 89 The Little Prince (2000) for voices and Pierrot ensemble&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2000/09/diocletian-pagan-opera-op.html"&gt;Op. 90 Diocletian: A Pagan Opera (2000)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2000/11/uncle-vanya-op-91.html"&gt;Op. 91 Uncle Vanya (2000) for voices and orchestra&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2008/03/bald-soprano-op-94.html"&gt;Op. 94 The Bald Soprano (2001) for voices and orchestra&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2001/05/animal-opera-orwellian-comedy-op-95.html"&gt;Op. 95 Animal Opera: An Orwellian Comedy (2001)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2001/08/wind-god-op-96.html"&gt;Op. 96 The Wind God (2001) for voice and keyboard (or orchestra)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2001/12/flying-out-mouth-op-103.html"&gt;Op. 103 Flying Out the Mouth for voice(s) and instrument(s)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2001/12/cats-dogs-and-divas-op-104.html"&gt;Op. 104 Cats, Dogs, and Divas (2001) for voice(s) and instrument(s)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2002/02/out-on-porch-op-107.html"&gt;Op. 107 Out on the Porch (2002) for voice(s) and instrument(s)&lt;/a&gt;&lt;br /&gt;Op. 109 Six Characters in Search of an Author (2003) for ensemble&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2003/02/camino-real-op-10.html"&gt;Op. 110 Camino Real (2003) for voices and orchestra (or keyboard)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2008/01/playboy-of-western-world-op-111.html"&gt;Op. 111 The Playboy of the Western World (2003) for ensemble&lt;/a&gt;&lt;br /&gt;Op. 112 On the Road (2004) for voices and orchestra (or keyboard)&lt;br /&gt;Op. 113 Endgame (2004) for four voices and orchestra (or keyboard)&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2004/12/pied-piper-of-hamelin-op-116.html"&gt;Op. 116 The Pied Piper of Hamelin: A Child's Opera (2004)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2008/02/waiting-for-godot-op-128.html"&gt;Op. 128 Waiting for Godot (2005) for voices and instrument(s)&lt;/a&gt;&lt;br /&gt;Op. 142 The Ring of Harriet (2006) for voices and orchestra&lt;br /&gt;Op. 146 Trout Fishing in America (2007) for voices and instruments&lt;br /&gt;Op. 152 The Countess Cathleen (2007) for voices and orchestra&lt;br /&gt;&lt;br /&gt;Opera-Oratorio&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2008/02/lot-in-life-op-36.html"&gt;Op. 36 Lot in Life (1988) for voices and instruments (Genesis 18-19)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/12/babel-op-47.html"&gt;Op. 47 Babel (1992) for voices and orchestra&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1996/01/abraham-and-isaac-op-52.html"&gt;Op. 52 Abraham and Isaac (1996) for voices and orchestra&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1997/01/israel-in-trouble-op-54.html"&gt;Op. 54 Israel in Trouble (1997) for voices and instruments&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1997/04/passion-according-to-st-matthew-op-55.html"&gt;Op. 55 The Passion According to St. Matthew (1997) for ensemble&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1997/06/amazing-joseph-op-57.html"&gt;Op. 57 Amazing Joseph (1997) for voices and instruments&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1998/05/moses-and-aaron-op-63.html"&gt;Op. 63 Moses and Aaron (1998) for voices and orchestra&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1998/06/joshua-fought-battle-op-64.html"&gt;Op. 64 Joshua Fought the Battle (1998) for voices and orchestra&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1998/07/samson-and-delilah-op-65-1998.html"&gt;Op. 65 Samson and Delilah (1998) for voices and orchestra&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2009/06/babe-ruth-rhapsodi-israeli-op-66.html"&gt;Op. 66 Babe Ruth (Rhapsodi Israeli) (1998) for voices and orchestra&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1998/09/saul-saul-op-67-1998.html"&gt;Op. 67 Saul! Saul! (1998) for voices and orchestra&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1998/11/king-david-op-69-1998.html"&gt;Op. 69 King David (1998) for voices and orchestra&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1998/11/solomon-op-70-1998.html"&gt;Op. 70 Solomon (1998) for voices and orchestra&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1998/12/elijah-rock-op-71-1998.html"&gt;Op. 71 Elijah Rock (1998) for voices and orchestra&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2008/02/nativity-according-to-st-matthew-op-72.html"&gt;Op. 72 The Nativity According to St. Matthew (1998) for ensemble&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1999/01/opera-of-daniel-op-73-1999.html"&gt;Op. 73 The Opera of Daniel (1999) for voices and orchestra&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1999/07/esther-xerxes-op-78-1999.html"&gt;Op. 78 Esther Xerxes (1999) for voices and orchestra&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1999/08/job-masque-op-79.html"&gt;Op. 79 Job: A Masque (1999) for voices and orchestra&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1999/08/john-and-salome-op-80.html"&gt;Op 80 John and Salome (1999) for voices and orchestra&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2000/03/gospel-according-to-st-matthew-op-85.html"&gt;Op. 85 The Gospel According to St. Matthew (2000)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2000/12/creation-op-93.html"&gt;Op. 93 The Creation (2000) for voices and orchestra&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2001/08/quartet-for-beginning-of-time-op-97.html"&gt;Op. 97 Quartet for the Beginning of Time: Adam &amp;amp; Eve &amp;amp; Cain &amp;amp; Abel&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2001/08/noahs-flood-noah-noah-op-98.html"&gt;Op. 98 Noah's Flood ("Noah, Noah"): A Mystery Play (2001)&lt;/a&gt;&lt;br /&gt;Op. 106 The Nativity According to St. Luke (2002) for ensemble&lt;br /&gt;Op. 145 St. Paul Suite (2007) for voices and instruments&lt;br /&gt;Op. 168 The Bible (2008) for voices and instruments&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2009/01/sex-and-bible-op-169.html"&gt;Op. 169 Sex and the Bible: The Opera (Part I) (2009)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2009/03/sex-and-delilah-op-173.html"&gt;Op. 173 Sex and Delilah (2009) for voices and instrument(s)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Psalms&lt;a href="http://markalburgerworks.blogspot.com/1974/01/psalm-6-op-1.html"&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1977/11/psalm-for-sabbath-day-psalm-92-op-9.html"&gt;Op. 9 Psalm (92) for the Sabbath Day (1977) for voice and keyboard&lt;/a&gt;&lt;br /&gt;Op. 163 Songs of Degrees (2008) for voices and instrument(s)&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2009/03/psalms-op-172.html"&gt;Op. 172 Psalms, Book I (2009) for voice(s) and instrument(s)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2011/01/psalms-book-ii-op-187.html"&gt;Op. 188 Psalms, Book II (2011) for voices and instruments&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Song Cycle&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1979/02/academic-endeavors-op-19.html"&gt;Op. 19 Academic Endeavors (1970) for keyboard and voice&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1982/07/orpheus-op-24.html"&gt;Op. 24 Orpheus Cycle (1982) for voice and keyboard (or instruments)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1985/02/street-songs-op-29.html"&gt;Op. 29 Street Songs (1985) for voice and keyboard (or instruments)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1986/09/merton-songs-op-30.html"&gt;Op. 30 Merton Songs (1986) for voice and keyboard&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1988/05/songs-for-rebecca-op-34.html"&gt;Op. 34 Songs for Rebecca (1988) for voice and keyboard&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1989/10/at-photo-shop-op-37.html"&gt;Op. 38 At a Photo Shop (1989) for voice and keyboard (or instruments)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/02/helena-suite-op-44.html"&gt;Op. 44 Helena Suite (1992) for voice(s) and keyboard(s or instruments)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1993/03/san-fernando-hub-op-48.html"&gt;Op. 48 San Fernando Hub (1993) for voices and instruments&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1993/04/business-as-usual-op-49.html"&gt;Op. 49 Business As Usual (1993) for instrument(s and voice[s])&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1994/01/la-stories-op-50.html"&gt;Op. 40 L.A. Stories (1994) for voices and instruments&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1995/02/san-rafael-news-op-51.html"&gt;Op. 51 San Rafael News (1995) for voice(s) and instrument(s)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1996/12/mice-suite-no-2-op-53.html"&gt;Op. 53 Mice Suite No. 2 (1996) for voice(s) and instruments&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1997/05/for-my-brother-for-my-brother-op-56.html"&gt;Op. 56 For My Brother For My Brother (1997) for solo and keyboard&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1998/01/mice-suite-no-3-op-59.html"&gt;Op. 59 Mice Suite No. 3 (1998) for two voices and ensemble&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1999/01/buddhas-little-instruction-book-op-74.html"&gt;Op. 74 Buddha's Little Instruction Book (1999) for trio&lt;/a&gt;&lt;br /&gt;Op. 108 Blake House (2002) for voice(s) and keyboard&lt;br /&gt;Op. 133 Rossetti Songs (2006) for voice and orchestra&lt;br /&gt;Op. 137 From "Poems of My Heart" (2006) for voice and instrument(s)&lt;br /&gt;Op. 138 New Street Songs (2006) for voice and orchestra&lt;br /&gt;Op. 140 One Page of a Swarthmore College Literary Magazine (2006)&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2006/12/kipling-songs-op-141.html"&gt;Op. 141 Kipling Songs (2006) for voice and keyboard&lt;/a&gt;&lt;br /&gt;Op. 147 The Musical Orbital (2007) for mixed media&lt;br /&gt;Op. 149 The Desert (2007) for a hopeless array&lt;br /&gt;Op. 150 Halfway Mark (2007) for voices and instruments&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2008/02/white-horse-suite-op-154.html"&gt;Op. 154 White Horse Suite (2008) for voice(s) and instrument(s)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2008/03/vocal-sonatina-no-1-spitzer-op-156.html"&gt;Op. 156 Vocal Sonatina No. 1 ("Spitzer") (2008)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2008/03/vocal-sonatina-no-2-vatsyayana-op-157.html"&gt;Op. 157 Vocal Sonatina No. 2 ("Vatsyayana") (2008)&lt;/a&gt;&lt;br /&gt;Op. 158 Vocal Sonatina No. 3 ("Conforte") (2008)&lt;br /&gt;Op. 159 Vocal Sonatina No. 4 ("Khayyam") (2008)&lt;br /&gt;Op. 160 Vocal Sonatina No. 5 ("Angier") (2008)&lt;br /&gt;Op. 166 Civic Disobediance (2008) for voice and instrument(s)&lt;br /&gt;Op. 190 New Big People Old Trouble So Sunday (2011)&lt;br /&gt;&lt;br /&gt;Sound&lt;br /&gt;&lt;br /&gt;Op. 135 Big Beat Remix (2006) for MIDI orchestra&lt;br /&gt;Op. 151 A Walk Through California (2007) for found sounds&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/9007/12/history-phases-op-153.html"&gt;Op. 153 History Phases (2007) for sound files&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2008/03/flying-mixes-op-155.html"&gt;Op. 155 Flying Mixes (2008) for sound files&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2008/03/genre-implosions-op-161.html"&gt;Op. 161 Genre Implosions No. 1 ("Mass Confusion") (2008) for sound&lt;/a&gt;&lt;br /&gt;Op. 164 Alphabetic Homage[inizations] (2008) for sound files&lt;br /&gt;Op. 165 Genre Implosions No. 2 ("Ages East") (2008) for sound files&lt;br /&gt;Op. 167 Genre Implosions No. 3 ("Time Cyclone") (2008) for sound&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2011/01/all-effects-in-garageband-op-188.html"&gt;Op. 188 All the Effects in GarageBand (2011) for sound files&lt;/a&gt;&lt;br /&gt;Op. 189 All the Effects in iMovie (2011) for sound files&lt;div&gt;Op. 191 Twilight of the iPods (2011) for performers and sound files&lt;/div&gt;&lt;div&gt;Op. 192 All the BBC Sound Files (2011)&lt;/div&gt;&lt;div&gt;Op. 193 100 Sound Effects (2011) for sound files&lt;br /&gt;Op. 195 Acid Loops (2011) for sound files&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;***&lt;br /&gt;&lt;br /&gt;Alphabetical&lt;br /&gt;&lt;br /&gt;A&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1996/01/abraham-and-isaac-op-52.html"&gt;Op. 52 Abraham and Isaac (1996) for voices and orchestra&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1979/02/academic-endeavors-op-19.html"&gt;Op. 19 Academic Endeavors (1970) for keyboard and voice&lt;/a&gt;&lt;br /&gt;Op. 195 Acid Loops (2011) for sound files&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1985/01/aerial-requiem-op-27.html"&gt;Op. 27 Aerial Requiem (1985) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;Op. 192 All the BBC Sound Files (2011)&lt;/div&gt;&lt;a href="http://markalburgerworks.blogspot.com/2011/01/all-effects-in-garageband-op-188.html"&gt;Op. 188 All the Effects in GarageBand (2011) for sound files&lt;/a&gt;&lt;br /&gt;Op. 189 All the Effects in iMovie (2011)&lt;br /&gt;Op. 164 Alphabetic Homage[inizations] (2008) for sound files&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1997/06/amazing-joseph-op-57.html"&gt;Op. 57 Amazing Joseph (1997) for voices and instruments&lt;/a&gt;&lt;br /&gt;Op. 180 An American Requiem (2010) for ensemble&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1999/03/animal-farm-op76.html"&gt;Op. 76 Animal Farm (1999) for orchestra&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2001/05/animal-opera-orwellian-comedy-op-95.html"&gt;Op. 95 Animal Opera: An Orwellian Comedy (2001)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2000/08/antigone-op-88.html"&gt;Op. 88 Antigone (2000) for voices and orchestra&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1989/10/at-photo-shop-op-37.html"&gt;Op. 38 At a Photo Shop (1989) for voice and keyboard (or instruments)&lt;/a&gt;&lt;br /&gt;Op. 184 Ave Maris Stella (2010)&lt;br /&gt;&lt;br /&gt;B&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/12/babel-op-47.html"&gt;Op. 47 Babel (1992) for voices and orchestra&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2009/06/babe-ruth-rhapsodi-israeli-op-66.html"&gt;Op. 66 Babe Ruth (Rhapsodi Israeli) (1998) for voices and orchestra&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2008/03/bald-soprano-op-94.html"&gt;Op. 94 The Bald Soprano (2001) for voices and orchestra&lt;/a&gt;&lt;br /&gt;Op. 126 Bass Concerto ("Conrad") (2004)&lt;br /&gt;Op. 120 Bassoon Concerto ("Grandmother") (2004)&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1999/10/beatitudes-op-81.html"&gt;Op. 81 The Beatitudes (1999) for voices and instruments&lt;/a&gt;&lt;br /&gt;Op. 168 The Bible (2008) for voices and instruments&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1990/02/big-beat-op-39.html"&gt;Op. 39 Big Beat (1990) for orchestra&lt;/a&gt;&lt;br /&gt;Op. 135 Big Beat Remix (2006) for MIDI orchestra&lt;br /&gt;Op. 108 Blake House (2002) for voice(s) and keyboard&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1979/01/book-prehistoric-atlas-op-15.html"&gt;Op. 15 Book (Prehistoric Atlas) (1979) for keyboard&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1999/01/buddhas-little-instruction-book-op-74.html"&gt;Op. 74 Buddha's Little Instruction Book (1999) for trio&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1993/04/business-as-usual-op-49.html"&gt;Op. 49 Business As Usual (1993) for instrument(s and voice[s])&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;C&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2003/02/camino-real-op-10.html"&gt;Op. 110 Camino Real (2003) for voices and orchestra (or keyboard)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2001/12/cats-dogs-and-divas-op-104.html"&gt;Op. 104 Cats, Dogs, and Divas (2001) for voice(s) and instrument(s)&lt;/a&gt;&lt;br /&gt;Op. 125 Cello Concerto ("Roasted") (2004)&lt;br /&gt;Op. 186 Christmas Carrels (2010)&lt;br /&gt;Op. 166 Civic Disobediance (2008) for voice and instrument(s)&lt;br /&gt;Op. 115 Clarinet Concerto ("Matrimonial") (2004)&lt;br /&gt;Op. 131 Concerto for Orchestra (2005) for orchestra&lt;/div&gt;&lt;div&gt;&lt;div&gt;Op. 198 The Cop and the Anthem (2011), for singers and instruments&lt;/div&gt;Op. 152 The Countess Cathleen (2007) for voices and orchestra&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2000/12/creation-op-93.html"&gt;Op. 93 The Creation (2000) for voices and orchestra&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1987/07/crystal-series-op-32.html"&gt;Op. 32 Crystal Series (1987) for oboe(s) and keyboard&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;D&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/02/deploration-passacaglias-op-43.html"&gt;Op. 43 Deploration Passacaglias (1992) for keyboard&lt;/a&gt;&lt;br /&gt;Op. 149 The Desert (2007) for a hopeless array&lt;br /&gt;Op. 130 Diabolic Variations (2005) for keyboard&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2000/09/diocletian-pagan-opera-op.html"&gt;Op. 90 Diocletian: A Pagan Opera (2000)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1981/01/duo-sonata-no-1-hyphenated-op-22.html"&gt;Op. 22 Duo Sonata No. 1 ("Hyphenated") (1981)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2008/03/duo-sonata-no-2-op-31.html"&gt;Op. 31 Duo Sonata No. 2 (Wasatch") (1986) for viola and percussion&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;E&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1975/05/eccclesiastes-or-preacher-op-3.html"&gt;Op. 3 Eccclesiastes, or The Preacher, (1975) for voice(s) and orchestra&lt;/a&gt;&lt;br /&gt;Op. 129 Ecclesiastes Tropes (2005) for voice(s) and keyboard&lt;br /&gt;Op. 176 Elijah Ghost (2009) for orchestra&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1998/12/elijah-rock-op-71-1998.html"&gt;Op. 71 Elijah Rock (1998) for voices and orchestra&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1979/10/embedded-inventions-op-20.html"&gt;Op. 20 Embedded Inventions (1979) for keyboard&lt;/a&gt;&lt;br /&gt;Op. 113 Endgame (2004) for four voices and orchestra (or keyboard)&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1999/07/esther-xerxes-op-78-1999.html"&gt;Op. 78 Esther Xerxes (1999) for voices and orchestra&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;F&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2000/02/flute-concerto-mythological-op-84.html"&gt;Op. 84 Flute Concerto ("Mythological") (2000)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2008/03/flying-mixes-op-155.html"&gt;Op. 155 Flying Mixes (2008) for sound files&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2001/12/flying-out-mouth-op-103.html"&gt;Op. 103 Flying Out the Mouth for voice(s) and instrument(s)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1997/05/for-my-brother-for-my-brother-op-56.html"&gt;Op. 56 For My Brother For My Brother (1997) for solo and keyboard&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1978/06/four-processions-op-12.html"&gt;Op. 12 Four Processions (1978) for string quintet&lt;/a&gt;&lt;br /&gt;Op. 137 From "Poems of My Heart" (2006) for voice and instrument(s)&lt;br /&gt;&lt;br /&gt;G&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2008/03/genre-implosions-op-161.html"&gt;Op. 161 Genre Implosions No. 1 ("Mass Confusion") (2008) for sound&lt;/a&gt;&lt;br /&gt;Op. 165 Genre Implosions No. 2 ("Ages East") for sound files&lt;br /&gt;Op. 167 Genre Implosions No. 3 ("Time Cyclone") for sound files&lt;br /&gt;Op. 105 Gloria (2002) for voices and keyboard (or instruments)&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2000/03/gospel-according-to-st-matthew-op-85.html"&gt;Op. 85 The Gospel According to St. Matthew (2000)&lt;/a&gt;&lt;br /&gt;Op. 134 Grande Suite ("Sol[ar]") (2006) for orchestra&lt;br /&gt;Op. 144 Grating Prelude (2007) for orchestra&lt;br /&gt;&lt;br /&gt;H&lt;br /&gt;Op. 150 Halfway Mark (2007) for voices and instruments&lt;br /&gt;Op. 123 Harp Concerto ("Ballerina") (2004)&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/02/helena-suite-op-44.html"&gt;Op. 44 Helena Suite (1992) for voice(s) and keyboard(s or instruments)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2008/01/henry-miller-in-brooklyn-op-77.html"&gt;Op. 77 Henry Miller in Brooklyn (1999) for 3 singers and 9 instruments&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/9007/12/history-phases-op-153.html"&gt;Op. 153 History Phases (2007) for sound files&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2004/04/horn-concerto-sherlock-op-114.html"&gt;Op. 114 Horn Concerto ("Sherlock") (2004) for horn and orchestra&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;I&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/11/iliad-songs-op-46.html"&gt;Op 46 Iliad Songs (1992) for voices and orchestra&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;Op. 199 The Inner Circles (2011), for cello, piano, and percussion&lt;/div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1977/04/interrupted-interludes-op-7.html"&gt;Op. 7 Interrupted Interludes (1977) for keyboard&lt;/a&gt;&lt;br /&gt;Op. 175 Isaiah (2009) for voices and orchestra&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1997/01/israel-in-trouble-op-54.html"&gt;Op. 54 Israel in Trouble (1997) for voices and instruments&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;J&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1999/08/job-masque-op-79.html"&gt;Op. 79 Job: A Masque (1999) for voices and orchestra&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1999/08/john-and-salome-op-80.html"&gt;Op. 80 John and Salome (1999) for voices and orchestra&lt;/a&gt;&lt;br /&gt;Op. 183 John John John (2010)&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1998/06/joshua-fought-battle-op-64.html"&gt;Op. 64 Joshua Fought the Battle (1998) for voices and orchestra&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;K&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1998/11/king-david-op-69-1998.html"&gt;Op. 69 King David (1998) for voices and orchestra&lt;/a&gt;&lt;br /&gt;Op. 174 King David Suite (2009) for orchestra&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2006/12/kipling-songs-op-141.html"&gt;Op. 141 Kipling Songs (2006) for voice and keyboard&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;L&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1994/01/la-stories-op-50.html"&gt;Op. 50 L.A. Stories (1994) for voices and instruments&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2000/08/little-prince-op-89.html"&gt;Op. 89 The Little Prince (2000) for voices and pierrot ensemble&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2008/02/lot-in-life-op-36.html"&gt;Op. 36 Lot in Life (1988) for voices and instruments (Genesis 18-19)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1975/07/lords-prayer-op-5.html"&gt;Op. 5 The Lord's Prayer (1975) for soloists, choir, and keyboard &lt;/a&gt;&lt;br /&gt;&lt;br /&gt;M&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2000/04/magnificat-op-86.html"&gt;Op. 86 Magnificat (2000) for voices and orchestra&lt;/a&gt;&lt;br /&gt;Op. 182 Malachi (2010)&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1985/02/mary-variations-op-28.html"&gt;Op. 28 Mary Variations (1985) for keyboard&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1986/09/merton-songs-op-30.html"&gt;Op. 30 Merton Songs (1986) for voice and keyboard&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/10/mice-and-men-op-45.html"&gt;Op. 45 Mice and Men (1992) for voices and orchestra&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1991/01/mice-suite-no-1-op-41.html"&gt;Op. 41 Mice Suite No. 1 (1991) for orchestra&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1996/12/mice-suite-no-2-op-53.html"&gt;Op. 53 Mice Suite No. 2 (1996) for voice(s) and instruments&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1998/01/mice-suite-no-3-op-59.html"&gt;Op. 59 Mice Suite No. 3 (1998) for two voices and ensemble&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2009/08/mice-suites-op-68-1998.html"&gt;Op. 68 Mice Suites (1998) for voices and instruments&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1988/06/missa-california-op-35.html"&gt;Op. 35 Missa California (1988) for voices and instruments&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1980/12/missa-a-deux-op-21.html"&gt;Op. 21 Missa "The a deux" (1980) for voices and instruments&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1998/05/moses-and-aaron-op-63.html"&gt;Op. 63 Moses and Aaron (1998) for voices and orchestra&lt;/a&gt;&lt;br /&gt;Op. 147 The Musical Orbital (2007) for mixed media&lt;br /&gt;&lt;br /&gt;N&lt;br /&gt;Op. 106 The Nativity According to St. Luke (2002) for ensemble&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2008/02/nativity-according-to-st-matthew-op-72.html"&gt;Op. 72 The Nativity According to St. Matthew (1998) for ensemble&lt;/a&gt;&lt;br /&gt;Op. 190 New Big People Old Trouble So Sunday (2011)&lt;br /&gt;Op. 139 New Crystal Series (2006) for oboe(s) and keyboard&lt;br /&gt;Op. 138 New Street Songs (2006) for voice and orchestra&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2001/08/noahs-flood-noah-noah-op-98.html"&gt;Op. 98 Noah's Flood ("Noah, Noah"): A Mystery Play (2001)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1978/02/nocturnes-for-insomniacs-op-10.html"&gt;Op. 10 Nocturnes for Insomniacs (1978) for violin and keyboard&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;O&lt;br /&gt;Op. 118 Oboe Concerto ("Wanderer") (2004)&lt;/div&gt;&lt;div&gt;&lt;div&gt;Op. 194 Octundre (2011) for woodwind and brass quartets&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;Op. 193 100 Sound Effects (2011) for sound files&lt;/div&gt;Op. 140 One Page of a Swarthmore College Literary Magazine (2006)&lt;br /&gt;Op. 112 On the Road (2004) for voices and orchestra (or keyboard)&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1999/01/opera-of-daniel-op-73-1999.html"&gt;Op. 73 The Opera of Daniel (1999) for voices and orchestra&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1982/07/orpheus-op-24.html"&gt;Op. 24 Orpheus Cycle (1982) for voice and keyboard (or instruments)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2002/02/out-on-porch-op-107.html"&gt;Op. 107 Out on the Porch (2002) for voice(s) and instrument(s)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;P&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1997/04/passion-according-to-st-matthew-op-55.html"&gt;Op. 55 The Passion According to St. Matthew (1997) for ensemble&lt;/a&gt;&lt;br /&gt;Op. 124 Percussion Concerto ("Dictator") (2004)&lt;br /&gt;Op. 122 Piano Concerto ("Child's Play") (2004)&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2004/12/pied-piper-of-hamelin-op-116.html"&gt;Op. 116 The Pied Piper of Hamelin: A Child's Opera (2004)&lt;/a&gt;&lt;br /&gt;Op. 132 Pied Piper Suite: Concertino (2005) for orchestra&lt;br /&gt;Op. 177 Pini di Surriento (2009) for orchestra&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2008/01/playboy-of-western-world-op-111.html"&gt;Op. 111 The Playboy of the Western World (2003) for ensemble&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1975/06/poems-on-crane-op-4.html"&gt;Op. 4 Poems on Crane (1975) for mixed chorus (after Stephen Crane)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2008/02/op.html"&gt;Op. 11 Portraits of Three Players (1978) for flute and keyboard&lt;/a&gt;&lt;br /&gt;Op. 185 Post-Minimalist Weddings (2010)&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1974/01/psalm-6-op-1.html"&gt;Op. 1 Psalm 6 (1974) for oboe(s) (and high-hat cymbals)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1977/11/psalm-for-sabbath-day-psalm-92-op-9.html"&gt;Op. 9 Psalm (92) for the Sabbath Day (1977) for voice and keyboard&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2009/03/psalms-op-172.html"&gt;Op. 172 Psalms, Book I (2009) for voice(s) and instrument(s)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2011/01/psalms-book-ii-op-187.html"&gt;Op. 197 Psalms, Book II (2011)&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;Op. 197 Psalms, Book III (2011)&lt;/div&gt;&lt;br /&gt;Q&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1999/12/quadruple-concerto-metal-op-83.html"&gt;Op. 83 Quadruple Concerto ("Metal") (1999)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2001/08/quartet-for-beginning-of-time-op-97.html"&gt;Op. 97 Quartet for the Beginning of Time: Adam &amp;amp; Eve &amp;amp; Cain &amp;amp; Abel&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;R&lt;br /&gt;Op. 170 Raga Improvisations (2009) for instrument(s)&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2011/08/regime-change-op-196.html"&gt;Op. 196 Regime Change (2011) for (voices and) orchestra&lt;/a&gt;&lt;br /&gt;Op. 142 The Ring of Harriet (2006) for voices and orchestra&lt;br /&gt;Op. 133 Rossetti Songs (2006) for voice and orchestra&lt;br /&gt;&lt;br /&gt;S&lt;br /&gt;Op. 178 Salome Suite (2009) for orchestra&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1998/07/samson-and-delilah-op-65-1998.html"&gt;Op. 65 Samson and Delilah (1998) for voices and orchestra&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1993/03/san-fernando-hub-op-48.html"&gt;Op. 48 San Fernando Hub (1993) for voices and instruments&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1995/02/san-rafael-news-op-51.html"&gt;Op. 51 San Rafael News (1995) for voice(s) and instrument(s)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1988/04/san-timoteo-canyontata-op-33.html"&gt;Op. 33 San Timoteo Can[yon]tata (1988) for voices and instruments&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1998/09/saul-saul-op-67-1998.html"&gt;Op. 67 Saul! Saul! (1998) for voices and orchestra&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1978/12/seasons-eves-op-14.html"&gt;Op. 14 Seasons' Eves (1978) for double-reed (or harp) duet&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1982/01/sequence-music-op-23.html"&gt;Op. 23 Sequence Music (1982) for a (piano) trio&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2009/03/sex-and-delilah-op-173.html"&gt;Op. 173 Sex and Delilah (2009) for voices and instrument(s)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2009/01/sex-and-bible-op-169.html"&gt;Op. 169 Sex and the Bible: The Opera (Part I) (2009)&lt;/a&gt;&lt;br /&gt;Op. 171 Sex and the Orchestra (2009)&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1984/02/sinfonietta-op-26.html"&gt;Op. 26 Sinfonietta (1984) for orchestra&lt;/a&gt;&lt;br /&gt;Op. 136 Sinfonietta-Suite ("En Attendant Godot") (2006) for orchestra&lt;br /&gt;Op. 109 Six Characters in Search of an Author (2003) for ensemble&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1998/11/solomon-op-70-1998.html"&gt;Op. 70 Solomon (1998) for voices and orchestra&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1979/03/some-stuff-op-16.html"&gt;Op. 16 Some Stuff (1979) for mixed quintet&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2010/02/song-of-solomon-op-181.html"&gt;Op. 181 The Song of Solomon (2010)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1988/05/songs-for-rebecca-op-34.html"&gt;Op. 34 Songs for Rebecca (1988) for voice and keyboard&lt;/a&gt;&lt;br /&gt;Op. 163 Songs of Degrees (2008) for voices and instrument(s)&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1989/12/spectral-preludes-op-38.html"&gt;Op. 38 Spectral Preludes (1989) for keyboard or ensemble&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1983/01/stolen-students-op-25.html"&gt;Op. 25 Stolen Students (1983) for keyboard&lt;/a&gt;&lt;br /&gt;Op. 145 St. Paul Suite (2007) for voices and instruments&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1985/02/street-songs-op-29.html"&gt;Op. 29 Street Songs (1985) for voice and keyboard (or instruments)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1975/04/suite-solar-op-2.html"&gt;Op. 2 Suite ("Sol[ar]") (1975) for oboe, piano, and percussion&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1998/03/symphony-no-1-it-wasnt-classical-op-61.html"&gt;Op. 61 Symphony No. 1 in C Major, Op. 21 ("It wasn't classical...")&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1998/04/symphony-no-2-tamalpais-op-62.html"&gt;Op. 62 Symphony No. 2 ("Tamalpais") (1998)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1999/02/symphony-no-3-recycled-op-75.html"&gt;Op. 75 Symphony No. 3 ("Recycled") (1999) for orchestra&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1999/11/symphony-no-4-op-82.html"&gt;Op. 82 Symphony No. 4 ("Sequence") (1999) for orchestra&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2001/09/symphony-no-5-americans-reply-op-99.html"&gt;Op. 99 Symphony No. 5 ("An American's Reply") (2001)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2001/11/symphony-no-6-apathetic.html"&gt;Op. 100 Symphony No. 6 ("Apathetic") (2001) for orchestra&lt;/a&gt;&lt;br /&gt;Op. 101 Symphony No. 7 ("Tragicomic") (2001) for orchestra&lt;br /&gt;Op. 102 Symphony No. 8 ("Unending") (2001) for orchestra&lt;br /&gt;Op. 117 Symphony No. 9 ("From the West") (2004) for orchestra&lt;br /&gt;&lt;br /&gt;T&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1997/07/ten-commandments-op-58.html"&gt;Op. 58 The Ten Commandments (1997) for voices and instruments&lt;/a&gt;&lt;br /&gt;Op. 143 Textbook (2007) for orchestra&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2008/07/three-places-in-america-op-13.html"&gt;Op. 13 Three Places in America (For Four) (1978) for quartet&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2000/11/trombone-concerto-flute-players-2000.html"&gt;Op. 92 Trombone Concerto ("Flute Players") (2000)&lt;/a&gt;&lt;br /&gt;Op. 146 Trout Fishing in America (2007) for voices and instruments&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1990/04/trumpet-concerto-macho-concertino-op-40.html"&gt;Op. 40 Trumpet Concerto ("Macho Concertino")&lt;/a&gt;&lt;br /&gt;Op. 121 Tuba Concerto ("Pasteurized") (2004)&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1977/10/twelve-fingers-op-8.html"&gt;Op. 8 The Twelve Fingers (1977) for keyboard&lt;/a&gt;&lt;br /&gt;Op. 127 Twelve Pieces for Orchestra (2005)&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2008/02/12-preludes-and-fugues-topical-op-60.html"&gt;Op. 60 Twelve Preludes and Fugues ("Topical") (1998) for keyboard&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2008/04/24-preludes-and-fugues-standards-op-162.html"&gt;Op. 162 Twenty-Four Preludes and Fugues ("Standards") (2008)&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;Op. 191 Twilight of the iPods (2011) for performers and sound files&lt;/div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1979/03/two-and-half-pieces-op-17.html"&gt;Op. 17 Two and a Half Pieces (1979) for flute, 2 trombones, and tuba&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;U&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2000/11/uncle-vanya-op-91.html"&gt;Op. 91 Uncle Vanya (2000) for voices and orchestra&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;V&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1976/04/variations-and-theme-op-6.html"&gt;Op. 6 Variations and Theme (1976) for keyboard&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2007/08/variations-on-americana-op-148.html"&gt;Op. 148 Variations on Americana (2007) for orchestra&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2010/01/vespers-op-179-2010.html"&gt;Op. 179 Vespers (2010) for voices and orchestra&lt;/a&gt;&lt;br /&gt;Op. 119 Viola Concerto ("Felicitations") (2004)&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2000/05/violin-concerto-ticklish-op-87.html"&gt;Op. 87 Violin Concerto ("Ticklish") (2000)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2008/03/vocal-sonatina-no-1-spitzer-op-156.html"&gt;Op. 156 Vocal Sonatina No. 1 ("Spitzer") (2008)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2008/03/vocal-sonatina-no-2-vatsyayana-op-157.html"&gt;Op. 157 Vocal Sonatina No. 2 ("Vatsyayana") (2008)&lt;/a&gt;&lt;br /&gt;Op. 158 Vocal Sonatina No. 3 ("Conforte") (2008)&lt;br /&gt;Op. 159 Vocal Sonatina No. 4 ("Khayyam") (2008)&lt;br /&gt;Op. 160 Vocal Sonatina No. 5 ("Angier") (2008)&lt;br /&gt;&lt;br /&gt;W&lt;br /&gt;Op. 151 A Walk Through California (2007) for found sounds&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2008/02/waiting-for-godot-op-128.html"&gt;Op. 128 Waiting for Godot (2005) for voices and instrument(s)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1991/12/westminster-tropes-op-42.html"&gt;Op. 42 Westminster Tropes (1991) for voices and instruments&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2008/02/white-horse-suite-op-154.html"&gt;Op. 154 White Horse Suite (2008) for voice(s) and instrument(s)&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/2001/08/wind-god-op-96.html"&gt;Op. 96 The Wind God (2001) for voice and keyboard (or orchestra)&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Y&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1979/05/yellow-river-concerto-ii-op-18.html"&gt;Op. 18 Yellow River Concerto II (1979) for oboe and violin (percussion)&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2644809515193175639-4681870235964252557?l=markalburgerworks.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2644809515193175639/posts/default/4681870235964252557'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2644809515193175639/posts/default/4681870235964252557'/><link rel='alternate' type='text/html' href='http://markalburgerworks.blogspot.com/2057/04/works-1974-2008.html' title='Works (1974-Present)'/><author><name>Mark Alburger</name><uri>http://www.blogger.com/profile/07603011736512071903</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://bp3.blogger.com/_9etVnS4R1As/R5whmtXnBHI/AAAAAAAAABM/nVh363-S8DM/S220/1957Alburger001Halfway.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_9etVnS4R1As/R6zVo9XnG-I/AAAAAAAAAw0/th1_gaVzpgE/s72-c/000015CaliforniaSanBernardinoJoshuaTree.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-2644809515193175639.post-5415600476375368636</id><published>2057-04-01T14:04:00.000-07:00</published><updated>2012-01-16T10:00:41.485-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Influences'/><category scheme='http://www.blogger.com/atom/ns#' term='Mark Alburger'/><category scheme='http://www.blogger.com/atom/ns#' term='Troping Sources'/><title type='text'>Grids, Influences, Quotations, Tropes</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/-j42M5KJgE5E/TxI58PZCSeI/AAAAAAAAQ-E/5wI67zfIQQE/s1600/1957AlburgerDelusionsOfBeethoven940901.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 300px;" src="http://3.bp.blogspot.com/-j42M5KJgE5E/TxI58PZCSeI/AAAAAAAAQ-E/5wI67zfIQQE/s400/1957AlburgerDelusionsOfBeethoven940901.jpg" border="0" alt="" id="BLOGGER_PHOTO_ID_5697680185663572450" /&gt;&lt;/a&gt;&lt;br /&gt;[Delusions of Beethoven, September 1, 1994]&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;span style=" ;font-size:100%;"&gt;Overtone Series&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1985/02/street-songs-op-29.html"&gt;Op. 29 Street Songs (1985) for voice and keyboard (or instruments)&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1991/01/mice-suite-no-1-op-41.html"&gt;Op. 41 Mice Suite No. 1 (1991) for orchestra&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/10/mice-and-men-op-45.html"&gt;Op. 45 Mice and Men (1992) for voices and orchestra&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;The Universal Children's Taunt&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1975/04/suite-solar-op-2.html"&gt;Op. 2 Suite ("Sol[ar]") (1975) for oboe, piano, and percussion&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1976/04/variations-and-theme-op-6.html"&gt;Op. 6 Variations and Theme (1976) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1982/07/orpheus-op-24.html"&gt;Op. 24 Orpheus Cycle (1982) for voice and keyboard (or instruments)&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1984/02/sinfonietta-op-26.html"&gt;Op. 26 Sinfonietta (1984) for orchestra&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/10/mice-and-men-op-45.html"&gt;Op. 45 Mice and Men (1992) for voices and orchestra&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1998/01/mice-suite-no-3-op-59.html"&gt;Op. 59 Mice Suite No. 3 (1998) for two voices and ensemble&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;African Music&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1980/12/missa-a-deux-op-21.html"&gt;Op. 21 Missa "The a deux" (1980) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1985/02/street-songs-op-29.html"&gt;Op. 29 Street Songs (1985) for voice and keyboard (or instruments)&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/2008/03/duo-sonata-no-2-op-31.html"&gt;Op. 31 Duo Sonata No. 2 (Wasatch") (1986) for viola and percussion&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Chinese Music&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1977/10/twelve-fingers-op-8.html"&gt;Op. 8 The Twelve Fingers (1977) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1979/03/some-stuff-op-16.html"&gt;Op. 16 Some Stuff (1979) for mixed quintet&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1985/02/mary-variations-op-28.html"&gt;Op. 28 Mary Variations (1985) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1985/02/street-songs-op-29.html"&gt;Op. 29 Street Songs (1985) for voice and keyboard (or instruments)&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1989/10/at-photo-shop-op-37.html"&gt;Op. 38 At a Photo Shop (1989) for voice and keyboard (or instruments)&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1993/04/business-as-usual-op-49.html"&gt;Op. 49 Business As Usual (1993) for instrument(s and voice[s])&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1994/01/la-stories-op-50.html"&gt;Op. 50 L.A. Stories (1994) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1997/05/for-my-brother-for-my-brother-op-56.html"&gt;Op. 56 For My Brother For My Brother (1997) for solo and keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Japanese Music&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1989/10/at-photo-shop-op-37.html"&gt;Op. 38 At a Photo Shop (1989) for voice and keyboard (or instruments)&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Balinese Music&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1981/01/duo-sonata-no-1-hyphenated-op-22.html"&gt;Op. 22 Duo Sonata No. 1 ("Hyphenated") (1981)&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1982/07/orpheus-op-24.html"&gt;Op. 24 Orpheus Cycle (1982) for voice and keyboard (or instruments)&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1985/02/street-songs-op-29.html"&gt;Op. 29 Street Songs (1985) for voice and keyboard (or instruments)&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/2008/03/duo-sonata-no-2-op-31.html"&gt;Op. 31 Duo Sonata No. 2 (Wasatch") (1986) for viola and percussion&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1988/05/songs-for-rebecca-op-34.html"&gt;Op. 34 Songs for Rebecca (1988) for voice and keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1991/01/mice-suite-no-1-op-41.html"&gt;Op. 41 Mice Suite No. 1 (1991) for orchestra&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/10/mice-and-men-op-45.html"&gt;Op. 45 Mice and Men (1992) for voices and orchestra&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Music of India&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1979/01/book-prehistoric-atlas-op-15.html"&gt;Op. 15 Book (Prehistoric Atlas) (1979) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1985/02/mary-variations-op-28.html"&gt;Op. 28 Mary Variations (1985) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/10/mice-and-men-op-45.html"&gt;Op. 45 Mice and Men (1992) for voices and orchestra&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Middle-Eastern Music&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1975/04/suite-solar-op-2.html"&gt;Op. 2 Suite ("Sol[ar]") (1975) for oboe, piano, and percussion&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1985/02/street-songs-op-29.html"&gt;Op. 29 Street Songs (1985) for voice and keyboard (or instruments)&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/2008/03/duo-sonata-no-2-op-31.html"&gt;Op. 31 Duo Sonata No. 2 (Wasatch") (1986) for viola and percussion&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/10/mice-and-men-op-45.html"&gt;Op. 45 Mice and Men (1992) for voices and orchestra&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1995/02/san-rafael-news-op-51.html"&gt;Op. 51 San Rafael News (1995) for voice(s) and instrument(s)&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1997/06/amazing-joseph-op-57.html"&gt;Op. 57 Amazing Joseph (1997) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;French Celtic Music&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1987/07/crystal-series-op-32.html"&gt;Op. 32 Crystal Series (1987) for oboe(s) and keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/10/mice-and-men-op-45.html"&gt;Op. 45 Mice and Men (1992) for voices and orchestra&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Native-American Music&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1993/04/business-as-usual-op-49.html"&gt;Op. 49 Business As Usual (1993) for instrument(s and voice[s])&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1994/01/la-stories-op-50.html"&gt;Op. 50 L.A. Stories (1994) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Latin-American Music&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1977/10/twelve-fingers-op-8.html"&gt;Op. 8 The Twelve Fingers (1977) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1985/01/aerial-requiem-op-27.html"&gt;Op. 27 Aerial Requiem (1985) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1988/04/san-timoteo-canyontata-op-33.html"&gt;Op. 33 San Timoteo Can[yon]tata (1988) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1989/12/spectral-preludes-op-38.html"&gt;Op. 38 Spectral Preludes (1989) for keyboard or ensemble&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/02/deploration-passacaglias-op-43.html"&gt;Op. 43 Deploration Passacaglias (1992) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/02/helena-suite-op-44.html"&gt;Op. 44 Helena Suite (1992) for voice(s) and keyboard(s or instruments)&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/10/mice-and-men-op-45.html"&gt;Op. 45 Mice and Men (1992) for voices and orchestra&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/12/babel-op-47.html"&gt;Op. 47 Babel (1992) for voices and orchestra&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1994/01/la-stories-op-50.html"&gt;Op. 50 L.A. Stories (1994) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1996/12/mice-suite-no-2-op-53.html"&gt;Op. 53 Mice Suite No. 2 (1996) for voice(s) and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1997/04/passion-according-to-st-matthew-op-55.html"&gt;Op. 55 The Passion According to St. Matthew (1997) for ensemble&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;396 BC Heraldic Trumpets&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1989/12/spectral-preludes-op-38.html"&gt;Op. 38 Spectral Preludes (1989) for keyboard or ensemble&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;168 BC First Delphic Hymn&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1986/09/merton-songs-op-30.html"&gt;Op. 30 Merton Songs (1986) for voice and keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;AD 540 Gregorian Chant&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/2008/07/three-places-in-america-op-13.html"&gt;Op. 13 Three Places in America (For Four) (1978) for quartet&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1980/12/missa-a-deux-op-21.html"&gt;Op. 21 Missa "The a deux" (1980) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1997/04/passion-according-to-st-matthew-op-55.html"&gt;Op. 55 The Passion According to St. Matthew (1997) for ensemble&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;700 O Come, O Come, Emmanuel&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1984/02/sinfonietta-op-26.html"&gt;Op. 26 Sinfonietta (1984) for orchestra&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;800 Neumatic Notation&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1993/04/business-as-usual-op-49.html"&gt;Op. 49 Business As Usual (1993) for instrument(s and voice[s])&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1994/01/la-stories-op-50.html"&gt;Op. 50 L.A. Stories (1994) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;850 Musica Enchiriadis, Early Organum&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1977/10/twelve-fingers-op-8.html"&gt;Op. 8 The Twelve Fingers (1977) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1985/01/aerial-requiem-op-27.html"&gt;Op. 27 Aerial Requiem (1985) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/10/mice-and-men-op-45.html"&gt;Op. 45 Mice and Men (1992) for voices and orchestra&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1996/12/mice-suite-no-2-op-53.html"&gt;Op. 53 Mice Suite No. 2 (1996) for voice(s) and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1997/04/passion-according-to-st-matthew-op-55.html"&gt;Op. 55 The Passion According to St. Matthew (1997) for ensemble&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/2008/02/12-preludes-and-fugues-topical-op-60.html"&gt;Op. 60 Twelve Preludes and Fugues ("Topical") (1998) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;991 Guido d'Arezzo&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1993/04/business-as-usual-op-49.html"&gt;Op. 49 Business As Usual (1993) for instrument(s and voice[s])&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1994/01/la-stories-op-50.html"&gt;Op. 50 L.A. Stories (1994) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1170 Perotin&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1990/02/big-beat-op-39.html"&gt;Op. 39 Big Beat (1990) for orchestra&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/02/helena-suite-op-44.html"&gt;Op. 44 Helena Suite (1992) for voice(s) and keyboard(s or instruments)&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1994/01/la-stories-op-50.html"&gt;Op. 50 L.A. Stories (1994) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1200 Medieval Ductia&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1980/12/missa-a-deux-op-21.html"&gt;Op. 21 Missa "The a deux" (1980) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1210 Thomas of Celano, Dies Irae&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1985/01/aerial-requiem-op-27.html"&gt;Op. 27 Aerial Requiem (1985) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1985/02/mary-variations-op-28.html"&gt;Op. 28 Mary Variations (1985) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1985/02/street-songs-op-29.html"&gt;Op. 29 Street Songs (1985) for voice and keyboard (or instruments)&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/10/mice-and-men-op-45.html"&gt;Op. 45 Mice and Men (1992) for voices and orchestra&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1995/02/san-rafael-news-op-51.html"&gt;Op. 51 San Rafael News (1995) for voice(s) and instrument(s)&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/2008/02/12-preludes-and-fugues-topical-op-60.html"&gt;Op. 60 Twelve Preludes and Fugues ("Topical") (1998) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1225 Motets for Hec Dies&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1997/04/passion-according-to-st-matthew-op-55.html"&gt;Op. 55 The Passion According to St. Matthew (1997) for ensemble&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1250 Ars Antiqua Motets&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1997/04/passion-according-to-st-matthew-op-55.html"&gt;Op. 55 The Passion According to St. Matthew (1997) for ensemble&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1300 Lamento di Tristano&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1997/04/passion-according-to-st-matthew-op-55.html"&gt;Op. 55 The Passion According to St. Matthew (1997) for ensemble&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1300 Guillaume de Machaut&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1979/03/two-and-half-pieces-op-17.html"&gt;Op. 17 Two and a Half Pieces (1979) for flute, 2 trombones, and tuba&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1980/12/missa-a-deux-op-21.html"&gt;Op. 21 Missa "The a deux" (1980) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1985/01/aerial-requiem-op-27.html"&gt;Op. 27 Aerial Requiem (1985) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1985/02/mary-variations-op-28.html"&gt;Op. 28 Mary Variations (1985) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1986/09/merton-songs-op-30.html"&gt;Op. 30 Merton Songs (1986) for voice and keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1300 Sumer Is Icumen In&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1985/02/mary-variations-op-28.html"&gt;Op. 28 Mary Variations (1985) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1320 Robertsbridge Codex, Organ Estampies&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1997/04/passion-according-to-st-matthew-op-55.html"&gt;Op. 55 The Passion According to St. Matthew (1997) for ensemble&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1325 Gherardello da Firenze&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1995/02/san-rafael-news-op-51.html"&gt;Op. 51 San Rafael News (1995) for voice(s) and instrument(s)&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1997/01/israel-in-trouble-op-54.html"&gt;Op. 54 Israel in Trouble (1997) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1430 Antoine Busnois&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1980/12/missa-a-deux-op-21.html"&gt;Op. 21 Missa "The a deux" (1980) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/02/deploration-passacaglias-op-43.html"&gt;Op. 43 Deploration Passacaglias (1992) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1430 Johannes Ockeghem&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1985/01/aerial-requiem-op-27.html"&gt;Op. 27 Aerial Requiem (1985) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/02/deploration-passacaglias-op-43.html"&gt;Op. 43 Deploration Passacaglias (1992) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1450 Josquin des Pres&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1988/05/songs-for-rebecca-op-34.html"&gt;Op. 34 Songs for Rebecca (1988) for voice and keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1995/02/san-rafael-news-op-51.html"&gt;Op. 51 San Rafael News (1995) for voice(s) and instrument(s)&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1483 Martin Luther&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1988/04/san-timoteo-canyontata-op-33.html"&gt;Op. 33 San Timoteo Can[yon]tata (1988) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1500 Tielman Susato&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/02/deploration-passacaglias-op-43.html"&gt;Op. 43 Deploration Passacaglias (1992) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1517 Gioseffo Zarlino&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1997/04/passion-according-to-st-matthew-op-55.html"&gt;Op. 55 The Passion According to St. Matthew (1997) for ensemble&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1558 Philipp Nicolai, Wachet Auf&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1988/04/san-timoteo-canyontata-op-33.html"&gt;Op. 33 San Timoteo Can[yon]tata (1988) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1567 Claudio Monteverdi&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1985/02/mary-variations-op-28.html"&gt;Op. 28 Mary Variations (1985) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1585 Heinrich Schutz&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/02/deploration-passacaglias-op-43.html"&gt;Op. 43 Deploration Passacaglias (1992) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1612 English Change Ringing&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/2008/02/op.html"&gt;Op. 11 Portraits of Three Players (1978) for flute and keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1653 Arcangelo Corelli&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1982/01/sequence-music-op-23.html"&gt;Op. 23 Sequence Music (1982) for a (piano) trio&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1659 Henry Purcell&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1982/07/orpheus-op-24.html"&gt;Op. 24 Orpheus Cycle (1982) for voice and keyboard (or instruments)&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/02/deploration-passacaglias-op-43.html"&gt;Op. 43 Deploration Passacaglias (1992) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1668 Francois Couperin&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/02/deploration-passacaglias-op-43.html"&gt;Op. 43 Deploration Passacaglias (1992) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1678 Antonio Vivaldi&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1978/12/seasons-eves-op-14.html"&gt;Op. 14 Seasons' Eves (1978) for double-reed (or harp) duet&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1997/04/passion-according-to-st-matthew-op-55.html"&gt;Op. 55 The Passion According to St. Matthew (1997) for ensemble&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1685 J.S. Bach&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1975/04/suite-solar-op-2.html"&gt;Op. 2 Suite ("Sol[ar]") (1975) for oboe, piano, and percussion&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1977/10/twelve-fingers-op-8.html"&gt;Op. 8 The Twelve Fingers (1977) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1979/01/book-prehistoric-atlas-op-15.html"&gt;Op. 15 Book (Prehistoric Atlas) (1979) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1979/10/embedded-inventions-op-20.html"&gt;Op. 20 Embedded Inventions (1979) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1982/07/orpheus-op-24.html"&gt;Op. 24 Orpheus Cycle (1982) for voice and keyboard (or instruments)&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1986/09/merton-songs-op-30.html"&gt;Op. 30 Merton Songs (1986) for voice and keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1988/04/san-timoteo-canyontata-op-33.html"&gt;Op. 33 San Timoteo Can[yon]tata (1988) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1991/01/mice-suite-no-1-op-41.html"&gt;Op. 41 Mice Suite No. 1 (1991) for orchestra&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/02/deploration-passacaglias-op-43.html"&gt;Op. 43 Deploration Passacaglias (1992) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/10/mice-and-men-op-45.html"&gt;Op. 45 Mice and Men (1992) for voices and orchestra&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1997/04/passion-according-to-st-matthew-op-55.html"&gt;Op. 55 The Passion According to St. Matthew (1997) for ensemble&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/2008/02/12-preludes-and-fugues-topical-op-60.html"&gt;Op. 60 Twelve Preludes and Fugues ("Topical") (1998) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/2008/04/24-preludes-and-fugues-standards-op-162.html"&gt;Op. 162 Twenty-Four Preludes and Fugues ("Standards") (2008)&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1685 G.F. Handel&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1975/05/eccclesiastes-or-preacher-op-3.html"&gt;Op. 3 Eccclesiastes, or The Preacher, (1975) for voice(s) and orchestra&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1979/10/embedded-inventions-op-20.html"&gt;Op. 20 Embedded Inventions (1979) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1981/01/duo-sonata-no-1-hyphenated-op-22.html"&gt;Op. 22 Duo Sonata No. 1 ("Hyphenated") (1981)&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/2008/03/duo-sonata-no-2-op-31.html"&gt;Op. 31 Duo Sonata No. 2 (Wasatch") (1986) for viola and percussion&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/02/deploration-passacaglias-op-43.html"&gt;Op. 43 Deploration Passacaglias (1992) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1997/01/israel-in-trouble-op-54.html"&gt;Op. 54 Israel in Trouble (1997) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/2008/02/12-preludes-and-fugues-topical-op-60.html"&gt;Op. 60 Twelve Preludes and Fugues ("Topical") (1998) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1732 F.J. Haydn&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1983/01/stolen-students-op-25.html"&gt;Op. 25 Stolen Students (1983) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1750 Antonio Salieri&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1985/02/mary-variations-op-28.html"&gt;Op. 28 Mary Variations (1985) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1756 W.A. Mozart&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1977/10/twelve-fingers-op-8.html"&gt;Op. 8 The Twelve Fingers (1977) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/2008/07/three-places-in-america-op-13.html"&gt;Op. 13 Three Places in America (For Four) (1978) for quartet&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1985/02/mary-variations-op-28.html"&gt;Op. 28 Mary Variations (1985) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1991/01/mice-suite-no-1-op-41.html"&gt;Op. 41 Mice Suite No. 1 (1991) for orchestra&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/02/deploration-passacaglias-op-43.html"&gt;Op. 43 Deploration Passacaglias (1992) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/10/mice-and-men-op-45.html"&gt;Op. 45 Mice and Men (1992) for voices and orchestra&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1770 Ludwig van Beethoven&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1979/10/embedded-inventions-op-20.html"&gt;Op. 20 Embedded Inventions (1979) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1982/07/orpheus-op-24.html"&gt;Op. 24 Orpheus Cycle (1982) for voice and keyboard (or instruments)&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/2008/02/lot-in-life-op-36.html"&gt;Op. 36 Lot in Life (1988) for voices and instruments (Genesis 18-19)&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/02/deploration-passacaglias-op-43.html"&gt;Op. 43 Deploration Passacaglias (1992) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/10/mice-and-men-op-45.html"&gt;Op. 45 Mice and Men (1992) for voices and orchestra&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1784 Thomas Hastings, Rock of Ages&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1997/05/for-my-brother-for-my-brother-op-56.html"&gt;Op. 56 For My Brother For My Brother (1997) for solo and keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1792 Lowell Mason&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1979/10/embedded-inventions-op-20.html"&gt;Op. 20 Embedded Inventions (1979) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1987/07/crystal-series-op-32.html"&gt;Op. 32 Crystal Series (1987) for oboe(s) and keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/02/deploration-passacaglias-op-43.html"&gt;Op. 43 Deploration Passacaglias (1992) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/10/mice-and-men-op-45.html"&gt;Op. 45 Mice and Men (1992) for voices and orchestra&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1797 Franz Schubert&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1975/04/suite-solar-op-2.html"&gt;Op. 2 Suite ("Sol[ar]") (1975) for oboe, piano, and percussion&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1977/11/psalm-for-sabbath-day-psalm-92-op-9.html"&gt;Op. 9 Psalm (92) for the Sabbath Day (1977) for voice and keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/02/deploration-passacaglias-op-43.html"&gt;Op. 43 Deploration Passacaglias (1992) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/10/mice-and-men-op-45.html"&gt;Op. 45 Mice and Men (1992) for voices and orchestra&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1996/12/mice-suite-no-2-op-53.html"&gt;Op. 53 Mice Suite No. 2 (1996) for voice(s) and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1803 Hector Berlioz&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/02/deploration-passacaglias-op-43.html"&gt;Op. 43 Deploration Passacaglias (1992) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1807 John Roberts of Henllan, Immortal, Invisible&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1988/04/san-timoteo-canyontata-op-33.html"&gt;Op. 33 San Timoteo Can[yon]tata (1988) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1809 Felix Mendelssohn&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1980/12/missa-a-deux-op-21.html"&gt;Op. 21 Missa "The a deux" (1980) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/10/mice-and-men-op-45.html"&gt;Op. 45 Mice and Men (1992) for voices and orchestra&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1810 Frederic Chopin&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1978/02/nocturnes-for-insomniacs-op-10.html"&gt;Op. 10 Nocturnes for Insomniacs (1978) for violin and keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1989/12/spectral-preludes-op-38.html"&gt;Op. 38 Spectral Preludes (1989) for keyboard or ensemble&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/02/deploration-passacaglias-op-43.html"&gt;Op. 43 Deploration Passacaglias (1992) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1810 Robert Schumann&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1991/12/westminster-tropes-op-42.html"&gt;Op. 42 Westminster Tropes (1991) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1811 Rowland Pritchard, Come Thou Long Expected Jesus&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1991/12/westminster-tropes-op-42.html"&gt;Op. 42 Westminster Tropes (1991) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1813 Giuseppe Verdi&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/02/deploration-passacaglias-op-43.html"&gt;Op. 43 Deploration Passacaglias (1992) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/10/mice-and-men-op-45.html"&gt;Op. 45 Mice and Men (1992) for voices and orchestra&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1998/01/mice-suite-no-3-op-59.html"&gt;Op. 59 Mice Suite No. 3 (1998) for two voices and ensemble&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1813 Richard Wagner&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1979/10/embedded-inventions-op-20.html"&gt;Op. 20 Embedded Inventions (1979) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1982/07/orpheus-op-24.html"&gt;Op. 24 Orpheus Cycle (1982) for voice and keyboard (or instruments)&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1989/12/spectral-preludes-op-38.html"&gt;Op. 38 Spectral Preludes (1989) for keyboard or ensemble&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/02/deploration-passacaglias-op-43.html"&gt;Op. 43 Deploration Passacaglias (1992) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/10/mice-and-men-op-45.html"&gt;Op. 45 Mice and Men (1992) for voices and orchestra&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1816 William Bradbury&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/10/mice-and-men-op-45.html"&gt;Op. 45 Mice and Men (1992) for voices and orchestra&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1998/01/mice-suite-no-3-op-59.html"&gt;Op. 59 Mice Suite No. 3 (1998) for two voices and ensemble&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/2008/02/12-preludes-and-fugues-topical-op-60.html"&gt;Op. 60 Twelve Preludes and Fugues ("Topical") (1998) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1826 Stephen Foster&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/02/helena-suite-op-44.html"&gt;Op. 44 Helena Suite (1992) for voice(s) and keyboard(s or instruments)&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1994/01/la-stories-op-50.html"&gt;Op. 50 L.A. Stories (1994) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1833 Johannes Brahms&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1987/07/crystal-series-op-32.html"&gt;Op. 32 Crystal Series (1987) for oboe(s) and keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/02/deploration-passacaglias-op-43.html"&gt;Op. 43 Deploration Passacaglias (1992) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/2008/02/12-preludes-and-fugues-topical-op-60.html"&gt;Op. 60 Twelve Preludes and Fugues ("Topical") (1998) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1834 Charles Lomas, Christ of the Upward Way&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1991/12/westminster-tropes-op-42.html"&gt;Op. 42 Westminster Tropes (1991) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1839 Modest Mussorgsky&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1997/05/for-my-brother-for-my-brother-op-56.html"&gt;Op. 56 For My Brother For My Brother (1997) for solo and keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1840 John Stainer&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1997/04/passion-according-to-st-matthew-op-55.html"&gt;Op. 55 The Passion According to St. Matthew (1997) for ensemble&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1840 Peter Tchaikovsky&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1988/04/san-timoteo-canyontata-op-33.html"&gt;Op. 33 San Timoteo Can[yon]tata (1988) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;1842 Arthur Sullivan&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1975/06/poems-on-crane-op-4.html"&gt;Op. 4 Poems on Crane (1975) for mixed chorus (after Stephen Crane)&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1997/05/for-my-brother-for-my-brother-op-56.html"&gt;Op. 56 For My Brother For My Brother (1997) for solo and keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1844 Frederick Maker, Beneath the Cross of Jesus&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1988/04/san-timoteo-canyontata-op-33.html"&gt;Op. 33 San Timoteo Can[yon]tata (1988) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1844 Nicolai Rimsky-Korsakov&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1975/04/suite-solar-op-2.html"&gt;Op. 2 Suite ("Sol[ar]") (1975) for oboe, piano, and percussion&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1984/02/sinfonietta-op-26.html"&gt;Op. 26 Sinfonietta (1984) for orchestra&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1993/04/business-as-usual-op-49.html"&gt;Op. 49 Business As Usual (1993) for instrument(s and voice[s])&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1994/01/la-stories-op-50.html"&gt;Op. 50 L.A. Stories (1994) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1854 Leos Janacek&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1984/02/sinfonietta-op-26.html"&gt;Op. 26 Sinfonietta (1984) for orchestra&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1860 Gustav Mahler&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1979/10/embedded-inventions-op-20.html"&gt;Op. 20 Embedded Inventions (1979) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1986/09/merton-songs-op-30.html"&gt;Op. 30 Merton Songs (1986) for voice and keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1861 Euphemia Allen, Chopsticks&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1977/10/twelve-fingers-op-8.html"&gt;Op. 8 The Twelve Fingers (1977) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1978/06/four-processions-op-12.html"&gt;Op. 12 Four Processions (1978) for string quintet&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1861 Angel Villolda, Tango&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1975/04/suite-solar-op-2.html"&gt;Op. 2 Suite ("Sol[ar]") (1975) for oboe, piano, and percussion&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/10/mice-and-men-op-45.html"&gt;Op. 45 Mice and Men (1992) for voices and orchestra&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1862 Claude Debussy&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1975/04/suite-solar-op-2.html"&gt;Op. 2 Suite ("Sol[ar]") (1975) for oboe, piano, and percussion&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/2008/07/three-places-in-america-op-13.html"&gt;Op. 13 Three Places in America (For Four) (1978) for quartet&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1979/01/book-prehistoric-atlas-op-15.html"&gt;Op. 15 Book (Prehistoric Atlas) (1979) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1986/09/merton-songs-op-30.html"&gt;Op. 30 Merton Songs (1986) for voice and keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/10/mice-and-men-op-45.html"&gt;Op. 45 Mice and Men (1992) for voices and orchestra&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1997/06/amazing-joseph-op-57.html"&gt;Op. 57 Amazing Joseph (1997) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1864 Richard Strauss&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1985/01/aerial-requiem-op-27.html"&gt;Op. 27 Aerial Requiem (1985) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1866 Erik Satie&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1997/01/israel-in-trouble-op-54.html"&gt;Op. 54 Israel in Trouble (1997) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1993/04/business-as-usual-op-49.html"&gt;Op. 49 Business As Usual (1993) for instrument(s and voice[s])&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1994/01/la-stories-op-50.html"&gt;Op. 50 L.A. Stories (1994) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1867 Scott Joplin&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1981/01/duo-sonata-no-1-hyphenated-op-22.html"&gt;Op. 22 Duo Sonata No. 1 ("Hyphenated") (1981)&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1985/01/aerial-requiem-op-27.html"&gt;Op. 27 Aerial Requiem (1985) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1985/02/mary-variations-op-28.html"&gt;Op. 28 Mary Variations (1985) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1987/07/crystal-series-op-32.html"&gt;Op. 32 Crystal Series (1987) for oboe(s) and keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/10/mice-and-men-op-45.html"&gt;Op. 45 Mice and Men (1992) for voices and orchestra&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1996/01/abraham-and-isaac-op-52.html"&gt;Op. 52 Abraham and Isaac (1996) for voices and orchestra&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1997/04/passion-according-to-st-matthew-op-55.html"&gt;Op. 55 The Passion According to St. Matthew (1997) for ensemble&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1870 Sol Bloom, Snake Charmer&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1979/10/embedded-inventions-op-20.html"&gt;Op. 20 Embedded Inventions (1979) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1997/06/amazing-joseph-op-57.html"&gt;Op. 57 Amazing Joseph (1997) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1871, Daniel Alomia Robles, El Condor Pasa&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1979/01/book-prehistoric-atlas-op-15.html"&gt;Op. 15 Book (Prehistoric Atlas) (1979) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1872 Ralph Vaughan Williams&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1982/01/sequence-music-op-23.html"&gt;Op. 23 Sequence Music (1982) for a (piano) trio&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1982/07/orpheus-op-24.html"&gt;Op. 24 Orpheus Cycle (1982) for voice and keyboard (or instruments)&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1987/07/crystal-series-op-32.html"&gt;Op. 32 Crystal Series (1987) for oboe(s) and keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1991/01/mice-suite-no-1-op-41.html"&gt;Op. 41 Mice Suite No. 1 (1991) for orchestra&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/02/deploration-passacaglias-op-43.html"&gt;Op. 43 Deploration Passacaglias (1992) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/10/mice-and-men-op-45.html"&gt;Op. 45 Mice and Men (1992) for voices and orchestra&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;span style=" ;font-size:100%;"&gt;1873, W.C. Handy, (12-Bar) Blues&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1977/04/interrupted-interludes-op-7.html"&gt;Op. 7 Interrupted Interludes (1977) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1981/01/duo-sonata-no-1-hyphenated-op-22.html"&gt;Op. 22 Duo Sonata No. 1 ("Hyphenated") (1981)&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1982/01/sequence-music-op-23.html"&gt;Op. 23 Sequence Music (1982) for a (piano) trio&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1982/07/orpheus-op-24.html"&gt;Op. 24 Orpheus Cycle (1982) for voice and keyboard (or instruments)&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1985/02/mary-variations-op-28.html"&gt;Op. 28 Mary Variations (1985) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1987/07/crystal-series-op-32.html"&gt;Op. 32 Crystal Series (1987) for oboe(s) and keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1990/04/trumpet-concerto-macho-concertino-op-40.html"&gt;Op. 40 Trumpet Concerto ("Macho Concertino")&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1991/01/mice-suite-no-1-op-41.html"&gt;Op. 41 Mice Suite No. 1 (1991) for orchestra&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1991/12/westminster-tropes-op-42.html"&gt;Op. 42 Westminster Tropes (1991) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/10/mice-and-men-op-45.html"&gt;Op. 45 Mice and Men (1992) for voices and orchestra&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/12/babel-op-47.html"&gt;Op. 47 Babel (1992) for voices and orchestra&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1993/03/san-fernando-hub-op-48.html"&gt;Op. 48 San Fernando Hub (1993) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1993/04/business-as-usual-op-49.html"&gt;Op. 49 Business As Usual (1993) for instrument(s and voice[s])&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1994/01/la-stories-op-50.html"&gt;Op. 50 L.A. Stories (1994) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1995/02/san-rafael-news-op-51.html"&gt;Op. 51 San Rafael News (1995) for voice(s) and instrument(s)&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1996/01/abraham-and-isaac-op-52.html"&gt;Op. 52 Abraham and Isaac (1996) for voices and orchestra&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1997/04/passion-according-to-st-matthew-op-55.html"&gt;Op. 55 The Passion According to St. Matthew (1997) for ensemble&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1874 Charles Ives&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1975/04/suite-solar-op-2.html"&gt;Op. 2 Suite ("Sol[ar]") (1975) for oboe, piano, and percussion&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1977/10/twelve-fingers-op-8.html"&gt;Op. 8 The Twelve Fingers (1977) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1979/03/some-stuff-op-16.html"&gt;Op. 16 Some Stuff (1979) for mixed quintet&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1984/02/sinfonietta-op-26.html"&gt;Op. 26 Sinfonietta (1984) for orchestra&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1985/02/street-songs-op-29.html"&gt;Op. 29 Street Songs (1985) for voice and keyboard (or instruments)&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/10/mice-and-men-op-45.html"&gt;Op. 45 Mice and Men (1992) for voices and orchestra&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1874 Serge Koussevitzky&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1990/04/trumpet-concerto-macho-concertino-op-40.html"&gt;Op. 40 Trumpet Concerto ("Macho Concertino")&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1874 Arnold Schoenberg&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1975/05/eccclesiastes-or-preacher-op-3.html"&gt;Op. 3 Eccclesiastes, or The Preacher, (1975) for voice(s) and orchestra&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1977/10/twelve-fingers-op-8.html"&gt;Op. 8 The Twelve Fingers (1977) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1978/06/four-processions-op-12.html"&gt;Op. 12 Four Processions (1978) for string quintet&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1979/02/academic-endeavors-op-19.html"&gt;Op. 19 Academic Endeavors (1970) for keyboard and voice&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1980/12/missa-a-deux-op-21.html"&gt;Op. 21 Missa "The a deux" (1980) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1982/07/orpheus-op-24.html"&gt;Op. 24 Orpheus Cycle (1982) for voice and keyboard (or instruments)&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1985/02/street-songs-op-29.html"&gt;Op. 29 Street Songs (1985) for voice and keyboard (or instruments)&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1986/09/merton-songs-op-30.html"&gt;Op. 30 Merton Songs (1986) for voice and keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/2008/02/lot-in-life-op-36.html"&gt;Op. 36 Lot in Life (1988) for voices and instruments (Genesis 18-19)&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/02/deploration-passacaglias-op-43.html"&gt;Op. 43 Deploration Passacaglias (1992) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/10/mice-and-men-op-45.html"&gt;Op. 45 Mice and Men (1992) for voices and orchestra&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1995/02/san-rafael-news-op-51.html"&gt;Op. 51 San Rafael News (1995) for voice(s) and instrument(s)&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1997/04/passion-according-to-st-matthew-op-55.html"&gt;Op. 55 The Passion According to St. Matthew (1997) for ensemble&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1997/05/for-my-brother-for-my-brother-op-56.html"&gt;Op. 56 For My Brother For My Brother (1997) for solo and keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1997/06/amazing-joseph-op-57.html"&gt;Op. 57 Amazing Joseph (1997) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1998/01/mice-suite-no-3-op-59.html"&gt;Op. 59 Mice Suite No. 3 (1998) for two voices and ensemble&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/2008/02/12-preludes-and-fugues-topical-op-60.html"&gt;Op. 60 Twelve Preludes and Fugues ("Topical") (1998) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1875 Maurice Ravel&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1978/02/nocturnes-for-insomniacs-op-10.html"&gt;Op. 10 Nocturnes for Insomniacs (1978) for violin and keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/02/deploration-passacaglias-op-43.html"&gt;Op. 43 Deploration Passacaglias (1992) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;1881 Bela Bartok&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1978/02/nocturnes-for-insomniacs-op-10.html"&gt;Op. 10 Nocturnes for Insomniacs (1978) for violin and keyboard&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1978/06/four-processions-op-12.html"&gt;Op. 12 Four Processions (1978) for string quintet&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1987/07/crystal-series-op-32.html"&gt;Op. 32 Crystal Series (1987) for oboe(s) and keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1993/04/business-as-usual-op-49.html"&gt;Op. 49 Business As Usual (1993) for instrument(s and voice[s])&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1994/01/la-stories-op-50.html"&gt;Op. 50 L.A. Stories (1994) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1997/04/passion-according-to-st-matthew-op-55.html"&gt;Op. 55 The Passion According to St. Matthew (1997) for ensemble&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1882 Igor Stravinsky&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1975/04/suite-solar-op-2.html"&gt;Op. 2 Suite ("Sol[ar]") (1975) for oboe, piano, and percussion&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1975/07/lords-prayer-op-5.html"&gt;Op. 5 The Lord's Prayer (1975) for soloists, choir, and keyboard &lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1977/10/twelve-fingers-op-8.html"&gt;Op. 8 The Twelve Fingers (1977) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1979/03/some-stuff-op-16.html"&gt;Op. 16 Some Stuff (1979) for mixed quintet&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1979/03/two-and-half-pieces-op-17.html"&gt;Op. 17 Two and a Half Pieces (1979) for flute, 2 trombones, and tuba&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1979/10/embedded-inventions-op-20.html"&gt;Op. 20 Embedded Inventions (1979) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1980/12/missa-a-deux-op-21.html"&gt;Op. 21 Missa "The a deux" (1980) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1981/01/duo-sonata-no-1-hyphenated-op-22.html"&gt;Op. 22 Duo Sonata No. 1 ("Hyphenated") (1981)&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1985/01/aerial-requiem-op-27.html"&gt;Op. 27 Aerial Requiem (1985) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1985/02/mary-variations-op-28.html"&gt;Op. 28 Mary Variations (1985) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/2008/03/duo-sonata-no-2-op-31.html"&gt;Op. 31 Duo Sonata No. 2 (Wasatch") (1986) for viola and percussion&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1987/07/crystal-series-op-32.html"&gt;Op. 32 Crystal Series (1987) for oboe(s) and keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1988/05/songs-for-rebecca-op-34.html"&gt;Op. 34 Songs for Rebecca (1988) for voice and keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1988/06/missa-california-op-35.html"&gt;Op. 35 Missa California (1988) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1991/01/mice-suite-no-1-op-41.html"&gt;Op. 41 Mice Suite No. 1 (1991) for orchestra&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/02/deploration-passacaglias-op-43.html"&gt;Op. 43 Deploration Passacaglias (1992) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/10/mice-and-men-op-45.html"&gt;Op. 45 Mice and Men (1992) for voices and orchestra&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/11/iliad-songs-op-46.html"&gt;Op. 46 Iliad Songs (1992) for voices and orchestra&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1993/04/business-as-usual-op-49.html"&gt;Op. 49 Business As Usual (1993) for instrument(s and voice[s])&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1994/01/la-stories-op-50.html"&gt;Op. 50 L.A. Stories (1994) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1996/01/abraham-and-isaac-op-52.html"&gt;Op. 52 Abraham and Isaac (1996) for voices and orchestra&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1997/01/israel-in-trouble-op-54.html"&gt;Op. 54 Israel in Trouble (1997) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1997/04/passion-according-to-st-matthew-op-55.html"&gt;Op. 55 The Passion According to St. Matthew (1997) for ensemble&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1997/06/amazing-joseph-op-57.html"&gt;Op. 57 Amazing Joseph (1997) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/2008/02/12-preludes-and-fugues-topical-op-60.html"&gt;Op. 60 Twelve Preludes and Fugues ("Topical") (1998) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1883 Edgar Varese&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1975/04/suite-solar-op-2.html"&gt;Op. 2 Suite ("Sol[ar]") (1975) for oboe, piano, and percussion&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1984/02/sinfonietta-op-26.html"&gt;Op. 26 Sinfonietta (1984) for orchestra&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1986/09/merton-songs-op-30.html"&gt;Op. 30 Merton Songs (1986) for voice and keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1993/04/business-as-usual-op-49.html"&gt;Op. 49 Business As Usual (1993) for instrument(s and voice[s])&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1994/01/la-stories-op-50.html"&gt;Op. 50 L.A. Stories (1994) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;span style=" ;font-size:100%;"&gt;1883 Anton Webern&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style=" ;font-size:100%;"&gt;&lt;a href="http://markalburgerworks.blogspot.com/1974/01/psalm-6-op-1.html"&gt;Op. 1 Psalm 6 (1974) for oboe(s) (and high-hat cymbals)&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1975/04/suite-solar-op-2.html"&gt;Op. 2 Suite ("Sol[ar]") (1975) for oboe, piano, and percussion&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1985/02/mary-variations-op-28.html"&gt;Op. 28 Mary Variations (1985) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1985/02/street-songs-op-29.html"&gt;Op. 29 Street Songs (1985) for voice and keyboard (or instruments)&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;span style=" ;font-size:100%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style=" ;font-size:100%;"&gt;1885 Alban Berg&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style=" ;font-size:100%;"&gt;&lt;a href="http://markalburgerworks.blogspot.com/1982/07/orpheus-op-24.html"&gt;Op. 24 Orpheus Cycle (1982) for voice and keyboard (or instruments)&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1991/01/mice-suite-no-1-op-41.html"&gt;Op. 41 Mice Suite No. 1 (1991) for orchestra&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/10/mice-and-men-op-45.html"&gt;Op. 45 Mice and Men (1992) for voices and orchestra&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1996/12/mice-suite-no-2-op-53.html"&gt;Op. 53 Mice Suite No. 2 (1996) for voice(s) and instruments&lt;/a&gt;&lt;/div&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1997/01/israel-in-trouble-op-54.html"&gt;Op. 54 Israel in Trouble (1997) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1998/01/mice-suite-no-3-op-59.html"&gt;Op. 59 Mice Suite No. 3 (1998) for two voices and ensemble&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;span style=" ;font-size:100%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style=" ;font-size:100%;"&gt;1885 Jerome Kern&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style=" ;font-size:100%;"&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/10/mice-and-men-op-45.html"&gt;Op. 45 Mice and Men (1992) for voices and orchestra&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style=" ;font-size:100%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style=" ;font-size:100%;"&gt;1887 Boris Karloff&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style=" ;font-size:100%;"&gt;&lt;a href="http://markalburgerworks.blogspot.com/1982/07/orpheus-op-24.html"&gt;Op. 24 Orpheus Cycle (1982) for voice and keyboard (or instruments)&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style=" ;font-size:100%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style=" ;font-size:100%;"&gt;1891 Cole Porter, Begin the Beguine&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1977/10/twelve-fingers-op-8.html"&gt;Op. 8 The Twelve Fingers (1977) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1979/10/embedded-inventions-op-20.html"&gt;Op. 20 Embedded Inventions (1979) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;span style=" ;font-size:100%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;1891 Sergei Prokofiev&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1977/10/twelve-fingers-op-8.html"&gt;Op. 8 The Twelve Fingers (1977) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1985/02/mary-variations-op-28.html"&gt;Op. 28 Mary Variations (1985) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1985/02/street-songs-op-29.html"&gt;Op. 29 Street Songs (1985) for voice and keyboard (or instruments)&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/11/iliad-songs-op-46.html"&gt;Op. 46 Iliad Songs (1992) for voices and orchestra&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1892 Eddie Cantor, Vaudeville&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1977/11/psalm-for-sabbath-day-psalm-92-op-9.html"&gt;Op. 9 Psalm (92) for the Sabbath Day (1977) for voice and keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1982/07/orpheus-op-24.html"&gt;Op. 24 Orpheus Cycle (1982) for voice and keyboard (or instruments)&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1986/09/merton-songs-op-30.html"&gt;Op. 30 Merton Songs (1986) for voice and keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1988/04/san-timoteo-canyontata-op-33.html"&gt;Op. 33 San Timoteo Can[yon]tata (1988) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1989/12/spectral-preludes-op-38.html"&gt;Op. 38 Spectral Preludes (1989) for keyboard or ensemble&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1892 Darius Milhaud&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/10/mice-and-men-op-45.html"&gt;Op. 45 Mice and Men (1992) for voices and orchestra&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1996/12/mice-suite-no-2-op-53.html"&gt;Op. 53 Mice Suite No. 2 (1996) for voice(s) and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1998/01/mice-suite-no-3-op-59.html"&gt;Op. 59 Mice Suite No. 3 (1998) for two voices and ensemble&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1893 Harry Warren, Chattanooga Choo-Choo&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1986/09/merton-songs-op-30.html"&gt;Op. 30 Merton Songs (1986) for voice and keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1895 Albert Hay Malotte&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1997/07/ten-commandments-op-58.html"&gt;Op. 58 The Ten Commandments (1997) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1895 Carl Orff&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1977/10/twelve-fingers-op-8.html"&gt;Op. 8 The Twelve Fingers (1977) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/10/mice-and-men-op-45.html"&gt;Op. 45 Mice and Men (1992) for voices and orchestra&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1896 Paul Hindemith&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/10/mice-and-men-op-45.html"&gt;Op. 45 Mice and Men (1992) for voices and orchestra&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1997/04/passion-according-to-st-matthew-op-55.html"&gt;Op. 55 The Passion According to St. Matthew (1997) for ensemble&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/10/mice-and-men-op-45.html"&gt;Op. 45 Mice and Men (1992) for voices and orchestra&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1896 Virgil Thomson&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1991/12/westminster-tropes-op-42.html"&gt;Op. 42 Westminster Tropes (1991) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1897 Henry Cowell&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1985/02/street-songs-op-29.html"&gt;Op. 29 Street Songs (1985) for voice and keyboard (or instruments)&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1995/02/san-rafael-news-op-51.html"&gt;Op. 51 San Rafael News (1995) for voice(s) and instrument(s)&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1997/04/passion-according-to-st-matthew-op-55.html"&gt;Op. 55 The Passion According to St. Matthew (1997) for ensemble&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1898 George Gershwin&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1978/02/nocturnes-for-insomniacs-op-10.html"&gt;Op. 10 Nocturnes for Insomniacs (1978) for violin and keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1978/06/four-processions-op-12.html"&gt;Op. 12 Four Processions (1978) for string quintet&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1985/02/street-songs-op-29.html"&gt;Op. 29 Street Songs (1985) for voice and keyboard (or instruments)&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1988/04/san-timoteo-canyontata-op-33.html"&gt;Op. 33 San Timoteo Can[yon]tata (1988) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/10/mice-and-men-op-45.html"&gt;Op. 45 Mice and Men (1992) for voices and orchestra&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1997/06/amazing-joseph-op-57.html"&gt;Op. 57 Amazing Joseph (1997) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1899 Duke Ellington&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1985/02/mary-variations-op-28.html"&gt;Op. 28 Mary Variations (1985) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1986/09/merton-songs-op-30.html"&gt;Op. 30 Merton Songs (1986) for voice and keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1899 Vincent Youmans&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1980/12/missa-a-deux-op-21.html"&gt;Op. 21 Missa "The a deux" (1980) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1899 Hoagy Carmichael, Heart and Soul&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1977/10/twelve-fingers-op-8.html"&gt;Op. 8 The Twelve Fingers (1977) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1899 Francis Poulenc&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1980/12/missa-a-deux-op-21.html"&gt;Op. 21 Missa "The a deux" (1980) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1993/04/business-as-usual-op-49.html"&gt;Op. 49 Business As Usual (1993) for instrument(s and voice[s])&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1900 Aaron Copland&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1985/02/mary-variations-op-28.html"&gt;Op. 28 Mary Variations (1985) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/10/mice-and-men-op-45.html"&gt;Op. 45 Mice and Men (1992) for voices and orchestra&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1996/12/mice-suite-no-2-op-53.html"&gt;Op. 53 Mice Suite No. 2 (1996) for voice(s) and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1997/06/amazing-joseph-op-57.html"&gt;Op. 57 Amazing Joseph (1997) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/2008/02/12-preludes-and-fugues-topical-op-60.html"&gt;Op. 60 Twelve Preludes and Fugues ("Topical") (1998) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1900 Kurt Weill&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/02/deploration-passacaglias-op-43.html"&gt;Op. 43 Deploration Passacaglias (1992) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1901 Harry Partch&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1979/03/two-and-half-pieces-op-17.html"&gt;Op. 17 Two and a Half Pieces (1979) for flute, 2 trombones, and tuba&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/02/helena-suite-op-44.html"&gt;Op. 44 Helena Suite (1992) for voice(s) and keyboard(s or instruments)&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1993/03/san-fernando-hub-op-48.html"&gt;Op. 48 San Fernando Hub (1993) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1993/04/business-as-usual-op-49.html"&gt;Op. 49 Business As Usual (1993) for instrument(s and voice[s])&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1994/01/la-stories-op-50.html"&gt;Op. 50 L.A. Stories (1994) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1903 Joe Garland, In the Mood&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1987/07/crystal-series-op-32.html"&gt;Op. 32 Crystal Series (1987) for oboe(s) and keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1991/01/mice-suite-no-1-op-41.html"&gt;Op. 41 Mice Suite No. 1 (1991) for orchestra&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/10/mice-and-men-op-45.html"&gt;Op. 45 Mice and Men (1992) for voices and orchestra&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1904 Luigi Dallapiccola&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1982/07/orpheus-op-24.html"&gt;Op. 24 Orpheus Cycle (1982) for voice and keyboard (or instruments)&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1904 Pinetop Smith, Boogie-Woogie&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1977/10/twelve-fingers-op-8.html"&gt;Op. 8 The Twelve Fingers (1977) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1982/07/orpheus-op-24.html"&gt;Op. 24 Orpheus Cycle (1982) for voice and keyboard (or instruments)&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/2008/02/lot-in-life-op-36.html"&gt;Op. 36 Lot in Life (1988) for voices and instruments (Genesis 18-19)&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1989/12/spectral-preludes-op-38.html"&gt;Op. 38 Spectral Preludes (1989) for keyboard or ensemble&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1905 Joseph Kosma, Autumn Leaves&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/2008/04/24-preludes-and-fugues-standards-op-162.html"&gt;Op. 162 Twenty-Four Preludes and Fugues ("Standards") (2008)&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1905 Bob Wills, Texas Playboys&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1981/01/duo-sonata-no-1-hyphenated-op-22.html"&gt;Op. 22 Duo Sonata No. 1 ("Hyphenated") (1981)&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1993/04/business-as-usual-op-49.html"&gt;Op. 49 Business As Usual (1993) for instrument(s and voice[s])&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1994/01/la-stories-op-50.html"&gt;Op. 50 L.A. Stories (1994) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1906 Dmitri Shostakovich&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1975/04/suite-solar-op-2.html"&gt;Op. 2 Suite ("Sol[ar]") (1975) for oboe, piano, and percussion&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1984/02/sinfonietta-op-26.html"&gt;Op. 26 Sinfonietta (1984) for orchestra&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1989/12/spectral-preludes-op-38.html"&gt;Op. 38 Spectral Preludes (1989) for keyboard or ensemble&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/10/mice-and-men-op-45.html"&gt;Op. 45 Mice and Men (1992) for voices and orchestra&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1993/04/business-as-usual-op-49.html"&gt;Op. 49 Business As Usual (1993) for instrument(s and voice[s])&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1994/01/la-stories-op-50.html"&gt;Op. 50 L.A. Stories (1994) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1998/01/mice-suite-no-3-op-59.html"&gt;Op. 59 Mice Suite No. 3 (1998) for two voices and ensemble&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/2008/02/12-preludes-and-fugues-topical-op-60.html"&gt;Op. 60 Twelve Preludes and Fugues ("Topical") (1998) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1908 Olivier Messiaen&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1980/12/missa-a-deux-op-21.html"&gt;Op. 21 Missa "The a deux" (1980) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1985/02/mary-variations-op-28.html"&gt;Op. 28 Mary Variations (1985) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1910 William Schuman&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1979/01/book-prehistoric-atlas-op-15.html"&gt;Op. 15 Book (Prehistoric Atlas) (1979) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1910 T-Bone Walker&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1985/02/street-songs-op-29.html"&gt;Op. 29 Street Songs (1985) for voice and keyboard (or instruments)&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1911 Bruno Bartolozzi&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1979/05/yellow-river-concerto-ii-op-18.html"&gt;Op. 18 Yellow River Concerto II (1979) for oboe and violin (percussion)&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1911 Alan Hovhaness&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1986/09/merton-songs-op-30.html"&gt;Op. 30 Merton Songs (1986) for voice and keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1911 Roy Rogers&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1997/01/israel-in-trouble-op-54.html"&gt;Op. 54 Israel in Trouble (1997) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1911 Big Joe Turner&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1990/02/big-beat-op-39.html"&gt;Op. 39 Big Beat (1990) for orchestra&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1990/04/trumpet-concerto-macho-concertino-op-40.html"&gt;Op. 40 Trumpet Concerto ("Macho Concertino")&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/10/mice-and-men-op-45.html"&gt;Op. 45 Mice and Men (1992) for voices and orchestra&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/12/babel-op-47.html"&gt;Op. 47 Babel (1992) for voices and orchestra&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1912 John Cage&lt;/div&gt;&lt;span class="post-count" dir="ltr"&gt;&lt;/span&gt;&lt;a href="http://markalburgerworks.blogspot.com/1974/01/psalm-6-op-1.html"&gt;Op. 1 Psalm 6 (1974) for oboe(s) (and high-hat cymbals)&lt;/a&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1976/04/variations-and-theme-op-6.html"&gt;Op. 6 Variations and Theme (1976) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1977/04/interrupted-interludes-op-7.html"&gt;Op. 7 Interrupted Interludes (1977) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/2008/02/op.html"&gt;Op. 11 Portraits of Three Players (1978) for flute and keyboard&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1979/03/some-stuff-op-16.html"&gt;Op. 16 Some Stuff (1979) for mixed quintet&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1979/03/two-and-half-pieces-op-17.html"&gt;Op. 17 Two and a Half Pieces (1979) for flute, 2 trombones, and tuba&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1979/05/yellow-river-concerto-ii-op-18.html"&gt;Op. 18 Yellow River Concerto II (1979) for oboe and violin (percussion)&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1979/02/academic-endeavors-op-19.html"&gt;Op. 19 Academic Endeavors (1970) for keyboard and voice&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1983/01/stolen-students-op-25.html"&gt;Op. 25 Stolen Students (1983) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1985/02/street-songs-op-29.html"&gt;Op. 29 Street Songs (1985) for voice and keyboard (or instruments)&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1991/12/westminster-tropes-op-42.html"&gt;Op. 42 Westminster Tropes (1991) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/10/mice-and-men-op-45.html"&gt;Op. 45 Mice and Men (1992) for voices and orchestra&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1993/03/san-fernando-hub-op-48.html"&gt;Op. 48 San Fernando Hub (1993) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1993/04/business-as-usual-op-49.html"&gt;Op. 49 Business As Usual (1993) for instrument(s and voice[s])&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1994/01/la-stories-op-50.html"&gt;Op. 50 L.A. Stories (1994) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1995/02/san-rafael-news-op-51.html"&gt;Op. 51 San Rafael News (1995) for voice(s) and instrument(s)&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1996/12/mice-suite-no-2-op-53.html"&gt;Op. 53 Mice Suite No. 2 (1996) for voice(s) and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1997/05/for-my-brother-for-my-brother-op-56.html"&gt;Op. 56 For My Brother For My Brother (1997) for solo and keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1912 Lovey's String Band, Calypso&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1980/12/missa-a-deux-op-21.html"&gt;Op. 21 Missa "The a deux" (1980) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1985/01/aerial-requiem-op-27.html"&gt;Op. 27 Aerial Requiem (1985) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1913 Benjamin Britten&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1982/07/orpheus-op-24.html"&gt;Op. 24 Orpheus Cycle (1982) for voice and keyboard (or instruments)&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1985/01/aerial-requiem-op-27.html"&gt;Op. 27 Aerial Requiem (1985) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1986/09/merton-songs-op-30.html"&gt;Op. 30 Merton Songs (1986) for voice and keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1991/12/westminster-tropes-op-42.html"&gt;Op. 42 Westminster Tropes (1991) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/02/deploration-passacaglias-op-43.html"&gt;Op. 43 Deploration Passacaglias (1992) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/11/iliad-songs-op-46.html"&gt;Op. 46 Iliad Songs (1992) for voices and orchestra&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1996/01/abraham-and-isaac-op-52.html"&gt;Op. 52 Abraham and Isaac (1996) for voices and orchestra&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1913 Richard Nixon&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1997/05/for-my-brother-for-my-brother-op-56.html"&gt;Op. 56 For My Brother For My Brother (1997) for solo and keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1917 Dizzy Gillespie, Bebop&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1974/01/psalm-6-op-1.html"&gt;Op. 1 Psalm 6 (1974) for oboe(s) (and high-hat cymbals)&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1985/02/street-songs-op-29.html"&gt;Op. 29 Street Songs (1985) for voice and keyboard (or instruments)&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/10/mice-and-men-op-45.html"&gt;Op. 45 Mice and Men (1992) for voices and orchestra&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1998/01/mice-suite-no-3-op-59.html"&gt;Op. 59 Mice Suite No. 3 (1998) for two voices and ensemble&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1917 Lena Horne, Female Jazz Singing&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1982/07/orpheus-op-24.html"&gt;Op. 24 Orpheus Cycle (1982) for voice and keyboard (or instruments)&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1917 The John B. Sails&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/10/mice-and-men-op-45.html"&gt;Op. 45 Mice and Men (1992) for voices and orchestra&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1996/12/mice-suite-no-2-op-53.html"&gt;Op. 53 Mice Suite No. 2 (1996) for voice(s) and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1918 Leonard Bernstein&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1979/03/some-stuff-op-16.html"&gt;Op. 16 Some Stuff (1979) for mixed quintet&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1981/01/duo-sonata-no-1-hyphenated-op-22.html"&gt;Op. 22 Duo Sonata No. 1 ("Hyphenated") (1981)&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1986/09/merton-songs-op-30.html"&gt;Op. 30 Merton Songs (1986) for voice and keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/02/deploration-passacaglias-op-43.html"&gt;Op. 43 Deploration Passacaglias (1992) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/02/helena-suite-op-44.html"&gt;Op. 44 Helena Suite (1992) for voice(s) and keyboard(s or instruments)&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/10/mice-and-men-op-45.html"&gt;Op. 45 Mice and Men (1992) for voices and orchestra&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1994/01/la-stories-op-50.html"&gt;Op. 50 L.A. Stories (1994) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1998/01/mice-suite-no-3-op-59.html"&gt;Op. 59 Mice Suite No. 3 (1998) for two voices and ensemble&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/2008/02/12-preludes-and-fugues-topical-op-60.html"&gt;Op. 60 Twelve Preludes and Fugues ("Topical") (1998) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1921 Bob Merrill, How Much Is That Doggie in the Window&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1997/04/passion-according-to-st-matthew-op-55.html"&gt;Op. 55 The Passion According to St. Matthew (1997) for ensemble&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1922 Lukas Foss&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1997/04/passion-according-to-st-matthew-op-55.html"&gt;Op. 55 The Passion According to St. Matthew (1997) for ensemble&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1923 Ed McMahon&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1993/04/business-as-usual-op-49.html"&gt;Op. 49 Business As Usual (1993) for instrument(s and voice[s])&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1994/01/la-stories-op-50.html"&gt;Op. 50 L.A. Stories (1994) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1924 Maurice Jarre&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1979/03/two-and-half-pieces-op-17.html"&gt;Op. 17 Two and a Half Pieces (1979) for flute, 2 trombones, and tuba&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1926 Enrique Jorrin, Cha-Cha&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1979/10/embedded-inventions-op-20.html"&gt;Op. 20 Embedded Inventions (1979) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1929 Charles Albertine, Bandstand Boogie&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/2008/02/12-preludes-and-fugues-topical-op-60.html"&gt;Op. 60 Twelve Preludes and Fugues ("Topical") (1998) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1929 George Crumb&lt;br /&gt;&lt;span class="post-count" dir="ltr"&gt;&lt;/span&gt;&lt;a href="http://markalburgerworks.blogspot.com/1975/04/suite-solar-op-2.html"&gt;Op. 2 Suite ("Sol[ar]") (1975) for oboe, piano, and percussion&lt;/a&gt;&lt;br /&gt;&lt;a href="http://markalburgerworks.blogspot.com/1975/05/eccclesiastes-or-preacher-op-3.html"&gt;Op. 3 Eccclesiastes, or The Preacher, (1975) for voice(s) and orchestra&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1977/10/twelve-fingers-op-8.html"&gt;Op. 8 The Twelve Fingers (1977) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1979/01/book-prehistoric-atlas-op-15.html"&gt;Op. 15 Book (Prehistoric Atlas) (1979) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1979/03/two-and-half-pieces-op-17.html"&gt;Op. 17 Two and a Half Pieces (1979) for flute, 2 trombones, and tuba&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1980/12/missa-a-deux-op-21.html"&gt;Op. 21 Missa "The a deux" (1980) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1982/01/sequence-music-op-23.html"&gt;Op. 23 Sequence Music (1982) for a (piano) trio&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1982/07/orpheus-op-24.html"&gt;Op. 24 Orpheus Cycle (1982) for voice and keyboard (or instruments)&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1983/01/stolen-students-op-25.html"&gt;Op. 25 Stolen Students (1983) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1985/01/aerial-requiem-op-27.html"&gt;Op. 27 Aerial Requiem (1985) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1985/02/street-songs-op-29.html"&gt;Op. 29 Street Songs (1985) for voice and keyboard (or instruments)&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1986/09/merton-songs-op-30.html"&gt;Op. 30 Merton Songs (1986) for voice and keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1987/07/crystal-series-op-32.html"&gt;Op. 32 Crystal Series (1987) for oboe(s) and keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1989/12/spectral-preludes-op-38.html"&gt;Op. 38 Spectral Preludes (1989) for keyboard or ensemble&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1991/01/mice-suite-no-1-op-41.html"&gt;Op. 41 Mice Suite No. 1 (1991) for orchestra&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1991/12/westminster-tropes-op-42.html"&gt;Op. 42 Westminster Tropes (1991) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/02/helena-suite-op-44.html"&gt;Op. 44 Helena Suite (1992) for voice(s) and keyboard(s or instruments)&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/10/mice-and-men-op-45.html"&gt;Op. 45 Mice and Men (1992) for voices and orchestra&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1993/04/business-as-usual-op-49.html"&gt;Op. 49 Business As Usual (1993) for instrument(s and voice[s])&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1994/01/la-stories-op-50.html"&gt;Op. 50 L.A. Stories (1994) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1995/02/san-rafael-news-op-51.html"&gt;Op. 51 San Rafael News (1995) for voice(s) and instrument(s)&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1997/04/passion-according-to-st-matthew-op-55.html"&gt;Op. 55 The Passion According to St. Matthew (1997) for ensemble&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/2008/02/12-preludes-and-fugues-topical-op-60.html"&gt;Op. 60 Twelve Preludes and Fugues ("Topical") (1998) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1929 Morton Stevens, Hawaii-Five-O&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1986/09/merton-songs-op-30.html"&gt;Op. 30 Merton Songs (1986) for voice and keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1930 Lionel Bart&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1986/09/merton-songs-op-30.html"&gt;Op. 30 Merton Songs (1986) for voice and keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1931 Jerry Herman&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/02/helena-suite-op-44.html"&gt;Op. 44 Helena Suite (1992) for voice(s) and keyboard(s or instruments)&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1994/01/la-stories-op-50.html"&gt;Op. 50 L.A. Stories (1994) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1933 John Barry&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1985/02/mary-variations-op-28.html"&gt;Op. 28 Mary Variations (1985) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1934 Muzak&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1991/01/mice-suite-no-1-op-41.html"&gt;Op. 41 Mice Suite No. 1 (1991) for orchestra&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/10/mice-and-men-op-45.html"&gt;Op. 45 Mice and Men (1992) for voices and orchestra&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1996/12/mice-suite-no-2-op-53.html"&gt;Op. 53 Mice Suite No. 2 (1996) for voice(s) and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1935 Sonny Bono&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1995/02/san-rafael-news-op-51.html"&gt;Op. 51 San Rafael News (1995) for voice(s) and instrument(s)&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1935 Jerry Lee Lewis, 50's Rock Piano&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1982/07/orpheus-op-24.html"&gt;Op. 24 Orpheus Cycle (1982) for voice and keyboard (or instruments)&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1988/04/san-timoteo-canyontata-op-33.html"&gt;Op. 33 San Timoteo Can[yon]tata (1988) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1991/12/westminster-tropes-op-42.html"&gt;Op. 42 Westminster Tropes (1991) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1993/03/san-fernando-hub-op-48.html"&gt;Op. 48 San Fernando Hub (1993) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1994/01/la-stories-op-50.html"&gt;Op. 50 L.A. Stories (1994) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;1935 Terry Riley&lt;br /&gt;&lt;span class="post-count" dir="ltr"&gt;&lt;/span&gt;&lt;a href="http://markalburgerworks.blogspot.com/1977/04/interrupted-interludes-op-7.html"&gt;Op. 7 Interrupted Interludes (1977) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1979/01/book-prehistoric-atlas-op-15.html"&gt;Op. 15 Book (Prehistoric Atlas) (1979) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1985/02/mary-variations-op-28.html"&gt;Op. 28 Mary Variations (1985) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1991/01/mice-suite-no-1-op-41.html"&gt;Op. 41 Mice Suite No. 1 (1991) for orchestra&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/10/mice-and-men-op-45.html"&gt;Op. 45 Mice and Men (1992) for voices and orchestra&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1936 Harold Budd&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/02/helena-suite-op-44.html"&gt;Op. 44 Helena Suite (1992) for voice(s) and keyboard(s or instruments)&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1994/01/la-stories-op-50.html"&gt;Op. 50 L.A. Stories (1994) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1936 Steve Reich&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1978/12/seasons-eves-op-14.html"&gt;Op. 14 Seasons' Eves (1978) for double-reed (or harp) duet&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1981/01/duo-sonata-no-1-hyphenated-op-22.html"&gt;Op. 22 Duo Sonata No. 1 ("Hyphenated") (1981)&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1985/02/street-songs-op-29.html"&gt;Op. 29 Street Songs (1985) for voice and keyboard (or instruments)&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1987/07/crystal-series-op-32.html"&gt;Op. 32 Crystal Series (1987) for oboe(s) and keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1988/06/missa-california-op-35.html"&gt;Op. 35 Missa California (1988) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1989/12/spectral-preludes-op-38.html"&gt;Op. 38 Spectral Preludes (1989) for keyboard or ensemble&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/10/mice-and-men-op-45.html"&gt;Op. 45 Mice and Men (1992) for voices and orchestra&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1993/03/san-fernando-hub-op-48.html"&gt;Op. 48 San Fernando Hub (1993) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1993/04/business-as-usual-op-49.html"&gt;Op. 49 Business As Usual (1993) for instrument(s and voice[s])&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1994/01/la-stories-op-50.html"&gt;Op. 50 L.A. Stories (1994) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1995/02/san-rafael-news-op-51.html"&gt;Op. 51 San Rafael News (1995) for voice(s) and instrument(s)&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1998/01/mice-suite-no-3-op-59.html"&gt;Op. 59 Mice Suite No. 3 (1998) for two voices and ensemble&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1937 Philip Glass&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1979/03/some-stuff-op-16.html"&gt;Op. 16 Some Stuff (1979) for mixed quintet&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1982/01/sequence-music-op-23.html"&gt;Op. 23 Sequence Music (1982) for a (piano) trio&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1982/07/orpheus-op-24.html"&gt;Op. 24 Orpheus Cycle (1982) for voice and keyboard (or instruments)&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1985/01/aerial-requiem-op-27.html"&gt;Op. 27 Aerial Requiem (1985) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1985/02/street-songs-op-29.html"&gt;Op. 29 Street Songs (1985) for voice and keyboard (or instruments)&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1986/09/merton-songs-op-30.html"&gt;Op. 30 Merton Songs (1986) for voice and keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1987/07/crystal-series-op-32.html"&gt;Op. 32 Crystal Series (1987) for oboe(s) and keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1988/04/san-timoteo-canyontata-op-33.html"&gt;Op. 33 San Timoteo Can[yon]tata (1988) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1988/05/songs-for-rebecca-op-34.html"&gt;Op. 34 Songs for Rebecca (1988) for voice and keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1988/06/missa-california-op-35.html"&gt;Op. 35 Missa California (1988) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/2008/02/lot-in-life-op-36.html"&gt;Op. 36 Lot in Life (1988) for voices and instruments (Genesis 18-19)&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1989/12/spectral-preludes-op-38.html"&gt;Op. 38 Spectral Preludes (1989) for keyboard or ensemble&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1990/04/trumpet-concerto-macho-concertino-op-40.html"&gt;Op. 40 Trumpet Concerto ("Macho Concertino")&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1991/01/mice-suite-no-1-op-41.html"&gt;Op. 41 Mice Suite No. 1 (1991) for orchestra&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1991/12/westminster-tropes-op-42.html"&gt;Op. 42 Westminster Tropes (1991) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/10/mice-and-men-op-45.html"&gt;Op. 45 Mice and Men (1992) for voices and orchestra&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/11/iliad-songs-op-46.html"&gt;Op. 46 Iliad Songs (1992) for voices and orchestra&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/12/babel-op-47.html"&gt;Op. 47 Babel (1992) for voices and orchestra&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1993/03/san-fernando-hub-op-48.html"&gt;Op. 48 San Fernando Hub (1993) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1993/04/business-as-usual-op-49.html"&gt;Op. 49 Business As Usual (1993) for instrument(s and voice[s])&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1994/01/la-stories-op-50.html"&gt;Op. 50 L.A. Stories (1994) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1995/02/san-rafael-news-op-51.html"&gt;Op. 51 San Rafael News (1995) for voice(s) and instrument(s)&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1996/01/abraham-and-isaac-op-52.html"&gt;Op. 52 Abraham and Isaac (1996) for voices and orchestra&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1996/12/mice-suite-no-2-op-53.html"&gt;Op. 53 Mice Suite No. 2 (1996) for voice(s) and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1997/01/israel-in-trouble-op-54.html"&gt;Op. 54 Israel in Trouble (1997) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1997/04/passion-according-to-st-matthew-op-55.html"&gt;Op. 55 The Passion According to St. Matthew (1997) for ensemble&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1997/05/for-my-brother-for-my-brother-op-56.html"&gt;Op. 56 For My Brother For My Brother (1997) for solo and keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1997/06/amazing-joseph-op-57.html"&gt;Op. 57 Amazing Joseph (1997) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1997/07/ten-commandments-op-58.html"&gt;Op. 58 The Ten Commandments (1997) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/2008/02/12-preludes-and-fugues-topical-op-60.html"&gt;Op. 60 Twelve Preludes and Fugues ("Topical") (1998) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1938 Ben E. King, Stand By Me&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/02/helena-suite-op-44.html"&gt;Op. 44 Helena Suite (1992) for voice(s) and keyboard(s or instruments)&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1994/01/la-stories-op-50.html"&gt;Op. 50 L.A. Stories (1994) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1938 Peter Scholtes, We Are One in the Spirit&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1991/12/westminster-tropes-op-42.html"&gt;Op. 42 Westminster Tropes (1991) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1939 Tony Hatch, Downtown&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/10/mice-and-men-op-45.html"&gt;Op. 45 Mice and Men (1992) for voices and orchestra&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1996/12/mice-suite-no-2-op-53.html"&gt;Op. 53 Mice Suite No. 2 (1996) for voice(s) and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;span style=" ;font-size:100%;"&gt;1941 Bob Dylan&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1982/07/orpheus-op-24.html"&gt;Op. 24 Orpheus Cycle (1982) for voice and keyboard (or instruments)&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/02/helena-suite-op-44.html"&gt;Op. 44 Helena Suite (1992) for voice(s) and keyboard(s or instruments)&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1994/01/la-stories-op-50.html"&gt;Op. 50 L.A. Stories (1994) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1941 Brian Holland, Please Mr. Postman&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/02/helena-suite-op-44.html"&gt;Op. 44 Helena Suite (1992) for voice(s) and keyboard(s or instruments)&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1994/01/la-stories-op-50.html"&gt;Op. 50 L.A. Stories (1994) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1941 Paul Simon&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1979/01/book-prehistoric-atlas-op-15.html"&gt;Op. 15 Book (Prehistoric Atlas) (1979) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1991/12/westminster-tropes-op-42.html"&gt;Op. 42 Westminster Tropes (1991) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1942 Jonathan Kramer&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1977/10/twelve-fingers-op-8.html"&gt;Op. 8 The Twelve Fingers (1977) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1942 Daniel Lentz&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/02/helena-suite-op-44.html"&gt;Op. 44 Helena Suite (1992) for voice(s) and keyboard(s or instruments)&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1994/01/la-stories-op-50.html"&gt;Op. 50 L.A. Stories (1994) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1942 Paul McCartney&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/10/mice-and-men-op-45.html"&gt;Op. 45 Mice and Men (1992) for voices and orchestra&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1942 Brian Wilson&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/02/helena-suite-op-44.html"&gt;Op. 44 Helena Suite (1992) for voice(s) and keyboard(s or instruments)&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1994/01/la-stories-op-50.html"&gt;Op. 50 L.A. Stories (1994) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1943 Paul Leka, Hey Hey Now&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1975/04/suite-solar-op-2.html"&gt;Op. 2 Suite ("Sol[ar]") (1975) for oboe, piano, and percussion&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1983/01/stolen-students-op-25.html"&gt;Op. 25 Stolen Students (1983) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1997/05/for-my-brother-for-my-brother-op-56.html"&gt;Op. 56 For My Brother For My Brother (1997) for solo and keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1943 Barry Manilow, Pop&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1985/02/street-songs-op-29.html"&gt;Op. 29 Street Songs (1985) for voice and keyboard (or instruments)&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1989/10/at-photo-shop-op-37.html"&gt;Op. 38 At a Photo Shop (1989) for voice and keyboard (or instruments)&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1943 Roger Waters&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1997/04/passion-according-to-st-matthew-op-55.html"&gt;Op. 55 The Passion According to St. Matthew (1997) for ensemble&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1944 Jimmy Page&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/10/mice-and-men-op-45.html"&gt;Op. 45 Mice and Men (1992) for voices and orchestra&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1997/04/passion-according-to-st-matthew-op-55.html"&gt;Op. 55 The Passion According to St. Matthew (1997) for ensemble&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1998/01/mice-suite-no-3-op-59.html"&gt;Op. 59 Mice Suite No. 3 (1998) for two voices and ensemble&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/10/mice-and-men-op-45.html"&gt;Op. 45 Mice and Men (1992) for voices and orchestra&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1945 Richie Blackmore, Smoke on the Water&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1979/03/some-stuff-op-16.html"&gt;Op. 16 Some Stuff (1979) for mixed quintet&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1945 Bob Marley&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1985/01/aerial-requiem-op-27.html"&gt;Op. 27 Aerial Requiem (1985) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/10/mice-and-men-op-45.html"&gt;Op. 45 Mice and Men (1992) for voices and orchestra&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1998/01/mice-suite-no-3-op-59.html"&gt;Op. 59 Mice Suite No. 3 (1998) for two voices and ensemble&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1947 David Bowie&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/10/mice-and-men-op-45.html"&gt;Op. 45 Mice and Men (1992) for voices and orchestra&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1997/04/passion-according-to-st-matthew-op-55.html"&gt;Op. 55 The Passion According to St. Matthew (1997) for ensemble&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/10/mice-and-men-op-45.html"&gt;Op. 45 Mice and Men (1992) for voices and orchestra&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1947 Elton John&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1978/06/four-processions-op-12.html"&gt;Op. 12 Four Processions (1978) for string quintet&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1946 Robert Fripp&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1991/01/mice-suite-no-1-op-41.html"&gt;Op. 41 Mice Suite No. 1 (1991) for orchestra&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/10/mice-and-men-op-45.html"&gt;Op. 45 Mice and Men (1992) for voices and orchestra&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1948 Andrew Lloyd Webber&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1997/04/passion-according-to-st-matthew-op-55.html"&gt;Op. 55 The Passion According to St. Matthew (1997) for ensemble&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1997/06/amazing-joseph-op-57.html"&gt;Op. 57 Amazing Joseph (1997) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1948 Robert Plant&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1982/07/orpheus-op-24.html"&gt;Op. 24 Orpheus Cycle (1982) for voice and keyboard (or instruments)&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1951 Gerald Levinson&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1977/10/twelve-fingers-op-8.html"&gt;Op. 8 The Twelve Fingers (1977) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1951 Sting&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1985/02/mary-variations-op-28.html"&gt;Op. 28 Mary Variations (1985) for keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1986/09/merton-songs-op-30.html"&gt;Op. 30 Merton Songs (1986) for voice and keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1952 David Byrne&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1993/03/san-fernando-hub-op-48.html"&gt;Op. 48 San Fernando Hub (1993) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1994/01/la-stories-op-50.html"&gt;Op. 50 L.A. Stories (1994) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1997/05/for-my-brother-for-my-brother-op-56.html"&gt;Op. 56 For My Brother For My Brother (1997) for solo and keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1955 DJ Cool Herc, Rap&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1988/04/san-timoteo-canyontata-op-33.html"&gt;Op. 33 San Timoteo Can[yon]tata (1988) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1993/04/business-as-usual-op-49.html"&gt;Op. 49 Business As Usual (1993) for instrument(s and voice[s])&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1994/01/la-stories-op-50.html"&gt;Op. 50 L.A. Stories (1994) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1997/05/for-my-brother-for-my-brother-op-56.html"&gt;Op. 56 For My Brother For My Brother (1997) for solo and keyboard&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;span style=" ;font-size:100%;"&gt;1956 Johnny Rotten, Punk Rock&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1985/02/street-songs-op-29.html"&gt;Op. 29 Street Songs (1985) for voice and keyboard (or instruments)&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/10/mice-and-men-op-45.html"&gt;Op. 45 Mice and Men (1992) for voices and orchestra&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1993/03/san-fernando-hub-op-48.html"&gt;Op. 48 San Fernando Hub (1993) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1994/01/la-stories-op-50.html"&gt;Op. 50 L.A. Stories (1994) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1958 Madonna&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1992/10/mice-and-men-op-45.html"&gt;Op. 45 Mice and Men (1992) for voices and orchestra&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1996/12/mice-suite-no-2-op-53.html"&gt;Op. 53 Mice Suite No. 2 (1996) for voice(s) and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1958 Prince&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1997/01/israel-in-trouble-op-54.html"&gt;Op. 54 Israel in Trouble (1997) for voices and instruments&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;1964 Under the Boardwalk&lt;/div&gt;&lt;div&gt;&lt;a href="http://markalburgerworks.blogspot.com/1993/04/business-as-usual-op-49.html"&gt;Op. 49 Business As Usual (1993) for instrument(s and voice[s])&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2644809515193175639-5415600476375368636?l=markalburgerworks.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2644809515193175639/posts/default/5415600476375368636'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2644809515193175639/posts/default/5415600476375368636'/><link rel='alternate' type='text/html' href='http://markalburgerworks.blogspot.com/2012/01/inspiration-and-troping-sources.html' title='Grids, Influences, Quotations, Tropes'/><author><name>Mark Alburger</name><uri>http://www.blogger.com/profile/07603011736512071903</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://bp3.blogger.com/_9etVnS4R1As/R5whmtXnBHI/AAAAAAAAABM/nVh363-S8DM/S220/1957Alburger001Halfway.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/-j42M5KJgE5E/TxI58PZCSeI/AAAAAAAAQ-E/5wI67zfIQQE/s72-c/1957AlburgerDelusionsOfBeethoven940901.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-2644809515193175639.post-5138788311487476686</id><published>2011-08-22T01:35:00.000-07:00</published><updated>2011-09-16T02:30:07.722-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Regime Change'/><category scheme='http://www.blogger.com/atom/ns#' term='Mark Alburger'/><title type='text'>Regime Change, Op. 196</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/-ObNd70J9thw/TnMOlwlrNoI/AAAAAAAAQ3w/gml5R4m_qtg/s1600/1957Alburger196RegimeChange.jpg"&gt;&lt;img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 400px; height: 240px;" src="http://4.bp.blogspot.com/-ObNd70J9thw/TnMOlwlrNoI/AAAAAAAAQ3w/gml5R4m_qtg/s400/1957Alburger196RegimeChange.jpg" alt="" id="BLOGGER_PHOTO_ID_5652877999140976258" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Op. 196 REGIME CHANGE (August 22, 2011)&lt;br /&gt;For (Voices and) Orchestra&lt;br /&gt;(Suite from Solomon)&lt;br /&gt;&lt;br /&gt;I. Let's Find a Young Woman&lt;br /&gt;&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/1957Alburger196RegimeChange01LetsFindAYoungWoman(2011).mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;II. Have You Heard (The Coronation of Solomon)&lt;br /&gt;&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/1957Alburger196RegimeChange02HaveYouHeard(2011).mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;III. You Know What to Do (The Death of David)&lt;br /&gt;&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/1957Alburger196RegimeChange03YouKnowWhatToDo(2011).mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;IV. Is This a Friendly Visit? / I'll See What I Can Do&lt;br /&gt;&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/1957Alburger196RegimeChange04IllSeeWhatICanDo(2011).mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2644809515193175639-5138788311487476686?l=markalburgerworks.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2644809515193175639/posts/default/5138788311487476686'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2644809515193175639/posts/default/5138788311487476686'/><link rel='alternate' type='text/html' href='http://markalburgerworks.blogspot.com/2011/08/regime-change-op-196.html' title='Regime Change, Op. 196'/><author><name>Mark Alburger</name><uri>http://www.blogger.com/profile/07603011736512071903</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://bp3.blogger.com/_9etVnS4R1As/R5whmtXnBHI/AAAAAAAAABM/nVh363-S8DM/S220/1957Alburger001Halfway.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/-ObNd70J9thw/TnMOlwlrNoI/AAAAAAAAQ3w/gml5R4m_qtg/s72-c/1957Alburger196RegimeChange.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-2644809515193175639.post-5758811895453591142</id><published>2011-01-28T04:30:00.000-08:00</published><updated>2011-01-29T04:36:40.978-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Mark Alburger'/><category scheme='http://www.blogger.com/atom/ns#' term='All the Effects in Garageband'/><title type='text'>All the Effects in GarageBand, Op. 188</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_9etVnS4R1As/TUQJgGmhsVI/AAAAAAAAQpo/3Aak6FSu31A/s1600/1957Alburger188AllTheEffectsInGarageBand.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 390px; height: 296px;" src="http://4.bp.blogspot.com/_9etVnS4R1As/TUQJgGmhsVI/AAAAAAAAQpo/3Aak6FSu31A/s400/1957Alburger188AllTheEffectsInGarageBand.jpg" alt="" id="BLOGGER_PHOTO_ID_5567585486469443922" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Op 188 ALL THE EFFECTS IN GARAGEBAND (January 22, 2011)&lt;br /&gt;  For Sound Files&lt;br /&gt;  A&lt;br /&gt;  B&lt;br /&gt;  C&lt;br /&gt;  D&lt;br /&gt;  E&lt;br /&gt;  F&lt;br /&gt;  G&lt;br /&gt;  H&lt;br /&gt;  I&lt;br /&gt;  J&lt;br /&gt;  K&lt;br /&gt;  L&lt;br /&gt;  M&lt;br /&gt;  N&lt;br /&gt;  O&lt;br /&gt;  P&lt;br /&gt;  R&lt;br /&gt;  S&lt;br /&gt;  T&lt;br /&gt;  U&lt;br /&gt;  V&lt;br /&gt;  W&lt;br /&gt;  Y&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2644809515193175639-5758811895453591142?l=markalburgerworks.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2644809515193175639/posts/default/5758811895453591142'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2644809515193175639/posts/default/5758811895453591142'/><link rel='alternate' type='text/html' href='http://markalburgerworks.blogspot.com/2011/01/all-effects-in-garageband-op-188.html' title='All the Effects in GarageBand, Op. 188'/><author><name>Mark Alburger</name><uri>http://www.blogger.com/profile/07603011736512071903</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://bp3.blogger.com/_9etVnS4R1As/R5whmtXnBHI/AAAAAAAAABM/nVh363-S8DM/S220/1957Alburger001Halfway.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_9etVnS4R1As/TUQJgGmhsVI/AAAAAAAAQpo/3Aak6FSu31A/s72-c/1957Alburger188AllTheEffectsInGarageBand.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-2644809515193175639.post-4613477715881519382</id><published>2011-01-01T04:50:00.000-08:00</published><updated>2011-01-29T05:02:28.813-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Mark Alburger'/><category scheme='http://www.blogger.com/atom/ns#' term='Psalms Book II'/><title type='text'>Psalms, Book II, Op. 187</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_9etVnS4R1As/TUQPuuUQJXI/AAAAAAAAQpw/zayzm830no4/s1600/1885HurleyFrankJamesFrancis1943WildernessOfJudea.jpeg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 337px;" src="http://1.bp.blogspot.com/_9etVnS4R1As/TUQPuuUQJXI/AAAAAAAAQpw/zayzm830no4/s400/1885HurleyFrankJamesFrancis1943WildernessOfJudea.jpeg" alt="" id="BLOGGER_PHOTO_ID_5567592334718150002" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Op. 187 PSALMS, BOOK II (January 1, 2011)&lt;br /&gt;   For Voice(s) and Orchestra&lt;br /&gt;   Psalm 42 (To the Choirmaster - A Maskil of the Sons of Korah) - "As Pants the Hart"         &lt;br /&gt;   Psalm 43&lt;br /&gt;   Psalm 44 (To the Choirmaster - A Maskil of the Sons of Korah)&lt;br /&gt;  Psalm 45 (To the Choirmaster: According to Lilies - A Maskil of the Sons of Korah; a Love Song)&lt;br /&gt;   Psalm 46 (To the Choirmaster - A Psalm of the Sons of Korah - According to Alamoth - A Song)&lt;br /&gt;   Psalm 47 (To the Choirmaster - A Psalm of the Sons of Korah)&lt;br /&gt;   Psalm 48 (A Song - A Psalm of the Sons of Korah)&lt;br /&gt;   Psalm 49 (To the Choirmaster - A Psalm of the Sons of Korah)&lt;br /&gt;   Psalm 50 (A Psalm of Asaph)&lt;br /&gt;   Psalm 51 (To the Choirmaster - A Psalm of David,&lt;br /&gt;       When Nathan the Prophet Came to Him, After He Had Gone in to Bathsheba)&lt;br /&gt;       1-4 ("Mercy Upon Me") [A Song of Repentence]&lt;br /&gt;       5-19 ("Born in Iniquity") [Passacaglia of Sex and Death]&lt;br /&gt;   Psalm 52 (To the Choirmaster - A Maskil of David, when Doeg, the Edomite, Came and Told Saul,&lt;br /&gt;       "David Has Come to the House of Ahimelech")&lt;br /&gt;   Psalm 53 (To the Choirmaster: According to Mahalath - A Maskil of David)&lt;br /&gt;   Psalm 54&lt;br /&gt;   Psalm 55 (To the Choirmaster: With Stringed Instruments - A Maskil of David) -&lt;br /&gt;       "Oh For the Wings of a Dove"&lt;br /&gt;   Psalm 56 (To the Choirmaster: According to the Dove on Far-Off Terebinths -&lt;br /&gt;       A Miktam of David, When the Philistines Seized Him in Gath)&lt;br /&gt;   Psalm 57 (To the Choirmaster: According to Do Not Destroy -&lt;br /&gt;       A Miktam of David, When He Fled from Saul, in a Cave) - "Pity"&lt;br /&gt;   Psalm 58 (To the Choirmaster: According to Do Not Destroy - A Miktam of David)&lt;br /&gt;   Psalm 59 (To the Choirmaster: Accrodng to Do Not Destroy -&lt;br /&gt;       A Miktam of David, When Saul Sent Men to Watch His House in Order to Kill Him)&lt;br /&gt;   Psalm 60 (To the Choirmaster: Accrodng to Shushan Eduth - A Miktam of David;&lt;br /&gt;       For Instructions; When He Strove with Aramnaharaim and with Aramzobath,&lt;br /&gt;       and When Joab on His Return Killed Twelve Thousand of Edom in the Valley of Salt)&lt;br /&gt;   Psalm 61 (To the Choirmaster: with Stringed Instruments - A Psalm of David)&lt;br /&gt;   Psalm 62&lt;br /&gt;   Psalm 63 (A Psalm of David, When He Was in the Wilderness of Judah)&lt;br /&gt;   Psalm 64 (To the Choirmaster - A Psalm of David)&lt;br /&gt;   Psalm 65 (To the Choirmaster - A Psalm of David - A Song)&lt;br /&gt;   Psalm 66 (To the Choirmaster - A Song - A Psalm)&lt;br /&gt;   Psalm 67 (To the Choirmaster: With Stringed Instruments - A Psalm - A Song)&lt;br /&gt;   Psalm 68 (To the Choirmaster - A Psalm of David - A Song)&lt;br /&gt;   Psalm 69 (To the Choirmaster: According to Lilies - A Psalm of David)&lt;br /&gt;   Psalm 70 (To the Choirmaster - A Psalm of David, for the Memorial Offering)&lt;br /&gt;   Psalm 71&lt;br /&gt;   Psalm 72 (A Psalm to Solomon)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2644809515193175639-4613477715881519382?l=markalburgerworks.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2644809515193175639/posts/default/4613477715881519382'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2644809515193175639/posts/default/4613477715881519382'/><link rel='alternate' type='text/html' href='http://markalburgerworks.blogspot.com/2011/01/psalms-book-ii-op-187.html' title='Psalms, Book II, Op. 187'/><author><name>Mark Alburger</name><uri>http://www.blogger.com/profile/07603011736512071903</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://bp3.blogger.com/_9etVnS4R1As/R5whmtXnBHI/AAAAAAAAABM/nVh363-S8DM/S220/1957Alburger001Halfway.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_9etVnS4R1As/TUQPuuUQJXI/AAAAAAAAQpw/zayzm830no4/s72-c/1885HurleyFrankJamesFrancis1943WildernessOfJudea.jpeg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-2644809515193175639.post-7393285091526003314</id><published>2010-02-25T23:42:00.000-08:00</published><updated>2010-04-03T04:32:41.685-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Pulchra es'/><category scheme='http://www.blogger.com/atom/ns#' term='The Song of Solomon'/><category scheme='http://www.blogger.com/atom/ns#' term='Let Him Kiss me'/><category scheme='http://www.blogger.com/atom/ns#' term='Mark Alburger'/><category scheme='http://www.blogger.com/atom/ns#' term='I Am the Rose of Sharon'/><category scheme='http://www.blogger.com/atom/ns#' term='Nigra sum'/><title type='text'>The Song of Solomon, Op. 181</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_9etVnS4R1As/S7WR0YBZRTI/AAAAAAAAQCw/6x1cafNQ7Ds/s1600/1882GillEric1953SongOfSolomon.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 325px; height: 400px;" src="http://2.bp.blogspot.com/_9etVnS4R1As/S7WR0YBZRTI/AAAAAAAAQCw/6x1cafNQ7Ds/s400/1882GillEric1953SongOfSolomon.jpg" alt="" id="BLOGGER_PHOTO_ID_5455426852616750386" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Op. 181 THE SONG OF SOLOMON (February 25, 2010)&lt;br /&gt;&lt;br /&gt;&lt;a title="View 1957Alburger181SongOfSolomon1a on Scribd" href="http://www.scribd.com/doc/29313201/1957Alburger181SongOfSolomon1a" style="margin: 12px auto 6px; font-family: Helvetica,Arial,Sans-serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 14px; line-height: normal; font-size-adjust: none; font-stretch: normal; display: block; text-decoration: underline;"&gt;1957Alburger181SongOfSolomon1a&lt;/a&gt; &lt;object id="doc_582777335038887" name="doc_582777335038887" type="application/x-shockwave-flash" data="http://d1.scribdassets.com/ScribdViewer.swf" style="outline-color: -moz-use-text-color; outline-style: none; outline-width: medium;" height="600" width="100%"&gt;  &lt;param name="movie" value="http://d1.scribdassets.com/ScribdViewer.swf"&gt;  &lt;param name="wmode" value="opaque"&gt;   &lt;param name="bgcolor" value="#ffffff"&gt;   &lt;param name="allowFullScreen" value="true"&gt;   &lt;param name="allowScriptAccess" value="always"&gt;   &lt;param name="FlashVars" value="document_id=29313201&amp;amp;access_key=key-1m0fx63pfmmtbykxqlep&amp;amp;page=1&amp;amp;viewMode=list"&gt;   &lt;embed id="doc_582777335038887" name="doc_582777335038887" src="http://d1.scribdassets.com/ScribdViewer.swf?document_id=29313201&amp;amp;access_key=key-1m0fx63pfmmtbykxqlep&amp;amp;page=1&amp;amp;viewMode=list" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" wmode="opaque" bgcolor="#ffffff" height="600" width="100%"&gt;&lt;/embed&gt;  &lt;/object&gt;&lt;br /&gt;&lt;br /&gt;Ia. Let Him Kiss Me&lt;br /&gt;&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/1957Alburger181SongOfSolomon01aLetHimKissMe.mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;Ib. Nigra sum (I Am Black)&lt;br /&gt;&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/1957Alburger181SongOfSolomon01bNigraSum(2010).mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;II. I Am the Rose of Sharon&lt;br /&gt;III. By Night on my Bed&lt;br /&gt;IV. Pulchra es (You Are Beautiful)&lt;br /&gt;V.&lt;br /&gt;VI.&lt;br /&gt;VII.&lt;br /&gt;VIII.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2644809515193175639-7393285091526003314?l=markalburgerworks.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2644809515193175639/posts/default/7393285091526003314'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2644809515193175639/posts/default/7393285091526003314'/><link rel='alternate' type='text/html' href='http://markalburgerworks.blogspot.com/2010/02/song-of-solomon-op-181.html' title='The Song of Solomon, Op. 181'/><author><name>Mark Alburger</name><uri>http://www.blogger.com/profile/07603011736512071903</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://bp3.blogger.com/_9etVnS4R1As/R5whmtXnBHI/AAAAAAAAABM/nVh363-S8DM/S220/1957Alburger001Halfway.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_9etVnS4R1As/S7WR0YBZRTI/AAAAAAAAQCw/6x1cafNQ7Ds/s72-c/1882GillEric1953SongOfSolomon.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-2644809515193175639.post-7412711521637402972</id><published>2010-01-01T20:00:00.000-08:00</published><updated>2010-01-14T23:19:54.310-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Mark Alburger'/><category scheme='http://www.blogger.com/atom/ns#' term='Huntsville'/><category scheme='http://www.blogger.com/atom/ns#' term='Utah'/><category scheme='http://www.blogger.com/atom/ns#' term='Weber County'/><category scheme='http://www.blogger.com/atom/ns#' term='Vespers of 2010'/><category scheme='http://www.blogger.com/atom/ns#' term='Our Lady of the Holy Trinity'/><title type='text'>Vespers of 2010, Op. 179</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_9etVnS4R1As/S1ARpZraHHI/AAAAAAAAPLQ/7AwBZ3eOkog/s1600-h/000015UtahHuntsville.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 267px;" src="http://2.bp.blogspot.com/_9etVnS4R1As/S1ARpZraHHI/AAAAAAAAPLQ/7AwBZ3eOkog/s400/000015UtahHuntsville.jpg" alt="" id="BLOGGER_PHOTO_ID_5426856953946709106" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span&gt;Op. 179&lt;/span&gt;&lt;span style="font-style: italic;"&gt; VESPERS&lt;/span&gt; (January 1, 2010)&lt;br /&gt;  for Voices and Orchestra&lt;br /&gt;&lt;br /&gt;DEUS IN ADJUTORIUM&lt;br /&gt;PSALM 109 (Dixit Dominus)&lt;br /&gt;Concerto: Nigra sum&lt;br /&gt;PSALM 112 (Laudate pueri)&lt;br /&gt;Concerto: Pulchra es&lt;br /&gt;PSALM 121 (Laetatus sum)&lt;br /&gt;Concerto (Duo Seraphim)&lt;br /&gt;PSALM 126 (Nisi Dominus)&lt;br /&gt;Concerto (Audi coelum)&lt;br /&gt;PSALM 147 (Lauda Jerusalem)&lt;br /&gt;Sonata (Santa Maria, ora pro nobis)&lt;br /&gt;Hymn (Ave maris stella)&lt;br /&gt;MAGNIFICAT&lt;br /&gt;I.  Magnificat anima mea&lt;br /&gt;&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/1957Alburger086Magnificat01MagnificatAnimaMea(2000).mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;II. Et exultavit&lt;br /&gt;&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/1957Alburger086Magnificat02EtExultavit(2000).mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;III. Quia respexit&lt;br /&gt;&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/1957Alburger086Magnificat03QuiaRespexit(2000).mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;IV. Omnes generationes&lt;br /&gt;V. Quia fecit mihi magna&lt;br /&gt;VI. Et misericordia&lt;br /&gt;VII. Fecit potentiam  &lt;br /&gt;VIII. Deposuit potentes de sede&lt;br /&gt;IX. Esurientes implevit bonis&lt;br /&gt;X. Suscepit Israel  &lt;br /&gt;XI. Sicut locutus est&lt;br /&gt;XII. Gloria Patri&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2644809515193175639-7412711521637402972?l=markalburgerworks.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2644809515193175639/posts/default/7412711521637402972'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2644809515193175639/posts/default/7412711521637402972'/><link rel='alternate' type='text/html' href='http://markalburgerworks.blogspot.com/2010/01/vespers-op-179-2010.html' title='Vespers of 2010, Op. 179'/><author><name>Mark Alburger</name><uri>http://www.blogger.com/profile/07603011736512071903</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://bp3.blogger.com/_9etVnS4R1As/R5whmtXnBHI/AAAAAAAAABM/nVh363-S8DM/S220/1957Alburger001Halfway.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_9etVnS4R1As/S1ARpZraHHI/AAAAAAAAPLQ/7AwBZ3eOkog/s72-c/000015UtahHuntsville.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-2644809515193175639.post-78615823381929212</id><published>2009-03-20T22:30:00.000-07:00</published><updated>2009-06-20T22:43:01.626-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Sex and Delilah'/><category scheme='http://www.blogger.com/atom/ns#' term='Peter Paul Rubens'/><category scheme='http://www.blogger.com/atom/ns#' term='Samson and Delilah'/><category scheme='http://www.blogger.com/atom/ns#' term='Mark Alburger'/><title type='text'>Sex and Delilah, Op. 173</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_9etVnS4R1As/SccfWzHZmuI/AAAAAAAAO54/NBOttU62wbA/s1600-h/1957Alburger173SexAndDelilahCover.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 307px; height: 400px;" src="http://2.bp.blogspot.com/_9etVnS4R1As/SccfWzHZmuI/AAAAAAAAO54/NBOttU62wbA/s400/1957Alburger173SexAndDelilahCover.jpg" alt="" id="BLOGGER_PHOTO_ID_5316252361672989410" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Op. 173 SEX AND DELILAH (March 20, 2009)&lt;br /&gt;For Voices and Instrument(s)&lt;br /&gt;I. Death&lt;br /&gt;II. Defeat&lt;br /&gt;III. Delilah&lt;br /&gt;IV. Dagon&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;SEX AND DELILAH&lt;/span&gt; [a.k.a. &lt;span style="font-style: italic;"&gt;SAMSON AND DELILAH (THE FRANK JUDGES): Part 2 Samson&lt;/span&gt;] is troped on Camille Saint-Saens's biblical epic, with strong arm tactics drawn from post-minimalism, George Crumb, Aaron Copland's &lt;span style="font-style: italic;"&gt;Rodeo&lt;/span&gt;, Richard Wagner's &lt;span style="font-style: italic;"&gt;Die Walkure&lt;/span&gt;, Igor Stravinsky, and BBC sound files.&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_9etVnS4R1As/ScclJlKn5hI/AAAAAAAAO6A/XwOM_wV2ptM/s1600-h/1791HayezSamson-Slays-The-Lion-.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 300px; height: 400px;" src="http://3.bp.blogspot.com/_9etVnS4R1As/ScclJlKn5hI/AAAAAAAAO6A/XwOM_wV2ptM/s400/1791HayezSamson-Slays-The-Lion-.jpg" alt="" id="BLOGGER_PHOTO_ID_5316258731659879954" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;I. Death&lt;br /&gt;&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/Op 65 Samson and Delilah_ 8 Death (1998).mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_9etVnS4R1As/SccqBlHDVCI/AAAAAAAAO6I/oFTkQyo8iLs/s1600-h/1957Alburger173SexAndDelilah01.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 309px; height: 400px;" src="http://3.bp.blogspot.com/_9etVnS4R1As/SccqBlHDVCI/AAAAAAAAO6I/oFTkQyo8iLs/s400/1957Alburger173SexAndDelilah01.jpg" alt="" id="BLOGGER_PHOTO_ID_5316264091764085794" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_9etVnS4R1As/Sccxn5dHUbI/AAAAAAAAO6Q/P9ctJeORq3g/s1600-h/000008IsraelSamsonFoxes.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 220px;" src="http://4.bp.blogspot.com/_9etVnS4R1As/Sccxn5dHUbI/AAAAAAAAO6Q/P9ctJeORq3g/s400/000008IsraelSamsonFoxes.jpg" alt="" id="BLOGGER_PHOTO_ID_5316272446641754546" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;II. Defeat&lt;br /&gt;&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/Op 65 Samson and Delilah_ 9 Defeat (1998).mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_9etVnS4R1As/SccyV-RhfvI/AAAAAAAAO6Y/0Yr2mpCfKHU/s1600-h/1599van_Dyck_SamsonAndDelilahPhillistineInvasionAfterHaircut.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 228px;" src="http://2.bp.blogspot.com/_9etVnS4R1As/SccyV-RhfvI/AAAAAAAAO6Y/0Yr2mpCfKHU/s400/1599van_Dyck_SamsonAndDelilahPhillistineInvasionAfterHaircut.jpg" alt="" id="BLOGGER_PHOTO_ID_5316273238209298162" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;III. Delilah&lt;br /&gt;&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/Op 65 Samson and Delilah_ 10 Delilah (1998).mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_9etVnS4R1As/Scc0S86Oj4I/AAAAAAAAO6o/g8r3XU6JU6A/s1600-h/1957Alburger173SexAndDelilahPV03.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 309px; height: 400px;" src="http://3.bp.blogspot.com/_9etVnS4R1As/Scc0S86Oj4I/AAAAAAAAO6o/g8r3XU6JU6A/s400/1957Alburger173SexAndDelilahPV03.jpg" alt="" id="BLOGGER_PHOTO_ID_5316275385326800770" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_9etVnS4R1As/Sccz_2q2IDI/AAAAAAAAO6g/gcTItUMw1k0/s1600-h/1832DoreSamson066.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 323px; height: 400px;" src="http://3.bp.blogspot.com/_9etVnS4R1As/Sccz_2q2IDI/AAAAAAAAO6g/gcTItUMw1k0/s400/1832DoreSamson066.jpg" alt="" id="BLOGGER_PHOTO_ID_5316275057234157618" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;IV. Dagon&lt;br /&gt;&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/Op 65 Samson and Delilah_ 11 Dagon (1998).mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_9etVnS4R1As/Sj2_5MWDgdI/AAAAAAAAO_I/8SWLM-sJeeM/s1600-h/1957Alburger173SexAndDelilah090522No1bALion.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 373px; height: 400px;" src="http://3.bp.blogspot.com/_9etVnS4R1As/Sj2_5MWDgdI/AAAAAAAAO_I/8SWLM-sJeeM/s400/1957Alburger173SexAndDelilah090522No1bALion.jpg" alt="" id="BLOGGER_PHOTO_ID_5349642921673195986" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;[I. Death: "On way he heard lion roaring"&lt;br /&gt;Brown, Mikheyenko, Alburger]&lt;br /&gt;&lt;br /&gt;Performances:&lt;br /&gt;&lt;br /&gt;May 22-23, 2009&lt;br /&gt;San Francisco Cabaret Opera&lt;br /&gt;Maria Mikheyenko - Girl at Timnah  / Prostitute / Delilah&lt;br /&gt;Mark Alburger - Samson&lt;br /&gt;Kristin Brown - Angel / Manoah / Lion / Philistines / Israelites&lt;br /&gt;Nanette McGuiness -  Manoah's Wife / Honey Bees / Philistines / Israelites&lt;br /&gt;Community Music Center, San Francisco, CA&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_9etVnS4R1As/Sj3BeiL5hVI/AAAAAAAAO_Q/x6uJKCHoGo4/s1600-h/1957Alburger173SexAndDelilah090522No1dIHaveARiddleForYou.JPG"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 300px;" src="http://3.bp.blogspot.com/_9etVnS4R1As/Sj3BeiL5hVI/AAAAAAAAO_Q/x6uJKCHoGo4/s400/1957Alburger173SexAndDelilah090522No1dIHaveARiddleForYou.JPG" alt="" id="BLOGGER_PHOTO_ID_5349644662702966098" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;I. Death: "I have a riddle for you"&lt;br /&gt;[Brown, Mikheyenko, Alburger, McGuiness]&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_9etVnS4R1As/Sj3D1kor6yI/AAAAAAAAO_Y/FRzPlafDqB8/s1600-h/1957Alburger173SexAndDelilah090522No2dSoTheyBurnedTheWomanToDeathDetailDetail.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 304px;" src="http://1.bp.blogspot.com/_9etVnS4R1As/Sj3D1kor6yI/AAAAAAAAO_Y/FRzPlafDqB8/s400/1957Alburger173SexAndDelilah090522No2dSoTheyBurnedTheWomanToDeathDetailDetail.jpg" alt="" id="BLOGGER_PHOTO_ID_5349647257520827170" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;[II. Defeat: "So they burned the woman to death"&lt;br /&gt;Brown, Mikheyenko, McGuiness]&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_9etVnS4R1As/Sj3HaoA2TqI/AAAAAAAAO_g/l0aqTVRf0x4/s1600-h/1957Alburger173SexAndDelilah08052203SamsonWentToSeeAProstituteInGaza.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 341px; height: 400px;" src="http://4.bp.blogspot.com/_9etVnS4R1As/Sj3HaoA2TqI/AAAAAAAAO_g/l0aqTVRf0x4/s400/1957Alburger173SexAndDelilah08052203SamsonWentToSeeAProstituteInGaza.jpg" alt="" id="BLOGGER_PHOTO_ID_5349651192617520802" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;III. Delilah: "Samson went to see a prostitute in Gaza"&lt;br /&gt;&lt;br /&gt;Video:&lt;br /&gt;&lt;br /&gt;  YouTube&lt;br /&gt; &lt;a href="http://www.youtube.com/watch?v=tAMP-3hyUYk"&gt; http://www.youtube.com/watch?v=tAMP-3hyUYk&lt;/a&gt;&lt;br /&gt;  &lt;a href="http://www.youtube.com/watch?v=ebfGRR79dmc&amp;amp;feature=related"&gt;http://www.youtube.com/watch?v=ebfGRR79dmc&amp;amp;feature=related&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2644809515193175639-78615823381929212?l=markalburgerworks.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2644809515193175639/posts/default/78615823381929212'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2644809515193175639/posts/default/78615823381929212'/><link rel='alternate' type='text/html' href='http://markalburgerworks.blogspot.com/2009/03/sex-and-delilah-op-173.html' title='Sex and Delilah, Op. 173'/><author><name>Mark Alburger</name><uri>http://www.blogger.com/profile/07603011736512071903</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://bp3.blogger.com/_9etVnS4R1As/R5whmtXnBHI/AAAAAAAAABM/nVh363-S8DM/S220/1957Alburger001Halfway.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_9etVnS4R1As/SccfWzHZmuI/AAAAAAAAO54/NBOttU62wbA/s72-c/1957Alburger173SexAndDelilahCover.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-2644809515193175639.post-3784358003163568267</id><published>2009-03-15T20:31:00.000-07:00</published><updated>2011-01-29T04:50:21.521-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Psalms'/><category scheme='http://www.blogger.com/atom/ns#' term='Mark Alburger'/><category scheme='http://www.blogger.com/atom/ns#' term='Julius Kronberg'/><category scheme='http://www.blogger.com/atom/ns#' term='David and Saul'/><title type='text'>Psalms, Book I, Op. 172</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_9etVnS4R1As/S1aIiT1mC7I/AAAAAAAAPNQ/HdoK_cS2F98/s1600-h/1850KronbergJulius1885DavidAndSaul.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 271px; height: 400px;" src="http://4.bp.blogspot.com/_9etVnS4R1As/S1aIiT1mC7I/AAAAAAAAPNQ/HdoK_cS2F98/s400/1850KronbergJulius1885DavidAndSaul.jpg" alt="" id="BLOGGER_PHOTO_ID_5428676523863706546" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Op. 172 &lt;span style="font-style: italic;"&gt;P&lt;/span&gt;&lt;span style="font-style: italic;"&gt;SALMS&lt;/span&gt;, &lt;span style="font-style: italic;"&gt;BOOK I &lt;/span&gt;(March 15, 2009)&lt;br /&gt;for Voice(s) and Instruments(s)&lt;br /&gt;&lt;br /&gt;Book I&lt;br /&gt;&lt;br /&gt;Psalm 1&lt;br /&gt;"Ashrey-Haiysh"&lt;br /&gt;(Beatus Vir / Blessed Is)&lt;br /&gt;&lt;br /&gt;Psalm 2&lt;br /&gt;"Why Do Nations Rage?"&lt;br /&gt;&lt;br /&gt;Psalm 3&lt;br /&gt;(A Psalm of David, When He Fled From Absalom His Son)&lt;br /&gt;&lt;br /&gt;Psalm 4&lt;br /&gt;(To the Choirmaster,&lt;br /&gt;with Stringed Instruments - A Psalm of David)&lt;br /&gt;&lt;br /&gt;Psalm 5&lt;br /&gt;(To the Choirmaster, for the Flutes - A Psalm of David)&lt;br /&gt;&lt;br /&gt;Psalm 6&lt;br /&gt;(To the Choirmaster: with Stringed Instruments;&lt;br /&gt;According to the Sheminith - A Psalm of David)&lt;br /&gt;    1-5&lt;br /&gt;    6-10&lt;br /&gt;&lt;br /&gt;Psalm 7&lt;br /&gt;(A Shiggaion of David,&lt;br /&gt;which He Sang to the Lord Concerning Cush a Benjaminite)&lt;br /&gt;&lt;br /&gt;Psalm 8&lt;br /&gt;(To the Choirmaster:&lt;br /&gt;According to the Gittith - A Psalm of David)&lt;br /&gt;&lt;br /&gt;Psalm 9&lt;br /&gt;(To the Choirmaster:&lt;br /&gt;According to Muth-labben - A Psalm of David)&lt;br /&gt;&lt;br /&gt;&lt;a title="View 1957Alburger172Psalm010 on Scribd" href="http://www.scribd.com/doc/28901576/1957Alburger172Psalm010" style="margin: 12px auto 6px; font-family: Helvetica,Arial,Sans-serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 14px; line-height: normal; font-size-adjust: none; font-stretch: normal; display: block; text-decoration: underline;"&gt;1957Alburger172Psalm010&lt;/a&gt; &lt;object id="doc_241402828981315" name="doc_241402828981315" type="application/x-shockwave-flash" data="http://d1.scribdassets.com/ScribdViewer.swf" style="outline-color: -moz-use-text-color; outline-style: none; outline-width: medium;" height="600" width="100%"&gt;  &lt;param name="movie" value="http://d1.scribdassets.com/ScribdViewer.swf"&gt;  &lt;param name="wmode" value="opaque"&gt;   &lt;param name="bgcolor" value="#ffffff"&gt;   &lt;param name="allowFullScreen" value="true"&gt;   &lt;param name="allowScriptAccess" value="always"&gt;   &lt;param name="FlashVars" value="document_id=28901576&amp;amp;access_key=key-2my2zreux1myv2jh5ze6&amp;amp;page=1&amp;amp;viewMode=list"&gt;   &lt;embed id="doc_241402828981315" name="doc_241402828981315" src="http://d1.scribdassets.com/ScribdViewer.swf?document_id=28901576&amp;amp;access_key=key-2my2zreux1myv2jh5ze6&amp;amp;page=1&amp;amp;viewMode=list" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" wmode="opaque" bgcolor="#ffffff" height="600" width="100%"&gt;&lt;/embed&gt;  &lt;/object&gt;&lt;br /&gt;&lt;br /&gt;Psalm 10 "Why Standst Thou There"&lt;br /&gt;&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/1957Alburger172Psalm010WhyStandstThou(2009).mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;Psalm 11&lt;br /&gt;(To the Choirmaster. Of David.) -&lt;br /&gt;"Flee to the Mountains"&lt;br /&gt;&lt;br /&gt;Psalm 12&lt;br /&gt;&lt;br /&gt;Psalm 13&lt;br /&gt;(To the Choirmaster - A Psalm of David)&lt;br /&gt;&lt;br /&gt;Psalm 14&lt;br /&gt;(To the Choirmaster - Of David.)&lt;br /&gt;&lt;br /&gt;Psalm 15&lt;br /&gt;(A Psalm of David)&lt;br /&gt;&lt;br /&gt;Psalm 16&lt;br /&gt;(A Miktam of David)&lt;br /&gt;&lt;br /&gt;Psalm 17&lt;br /&gt;(A Prayer of David)&lt;br /&gt;&lt;br /&gt;Psalm 18&lt;br /&gt;(To the Choirmaster.&lt;br /&gt;A Psalm of David the Servant of the Lord,&lt;br /&gt;    Who Addressed the Words of this Song to the Lord on the Day&lt;br /&gt;    When the Lord Delivered Him from the Hand of All His Enemies,&lt;br /&gt;    and from the Hand of Saul - He said:)&lt;br /&gt;"[You Are My] Rock and Strength"&lt;br /&gt;&lt;br /&gt;Psalm 19&lt;br /&gt;(To the Choirmaster - A Psalm of David)&lt;br /&gt;&lt;br /&gt;Psalm 20&lt;br /&gt;(To the Choirmaster - A Psalm of David)&lt;br /&gt;&lt;br /&gt;Psalm 21&lt;br /&gt;(To the Choirmaster - A Psalm of David)&lt;br /&gt;&lt;br /&gt;Psalm 22&lt;br /&gt;(To the Choirmaster:&lt;br /&gt;According to the Hind of the Dawn - A Psalm of David)&lt;br /&gt;&lt;br /&gt;Psalm 23&lt;br /&gt;(A Psalm of David)&lt;br /&gt;"The Lord Is My Shepherd"&lt;br /&gt;([An] Evil Spirit [Came Over Saul])&lt;br /&gt;&lt;br /&gt;Psalm 24&lt;br /&gt;(A Psalm of David)&lt;br /&gt;&lt;br /&gt;Psalm 25&lt;br /&gt;(A Psalm of David)&lt;br /&gt;&lt;br /&gt;Psalm 26&lt;br /&gt;(A Psalm of David)&lt;br /&gt;&lt;br /&gt;Psalm 27&lt;br /&gt;(A Psalm of David)&lt;br /&gt;"When the Wicked Came"&lt;br /&gt;&lt;br /&gt;Psalm 28&lt;br /&gt;(A Psalm of David)&lt;br /&gt;&lt;br /&gt;Psalm 29&lt;br /&gt;(A Psalm of David)&lt;br /&gt;&lt;br /&gt;Psalm 30&lt;br /&gt;(A Psalm of David -&lt;br /&gt;A Song at the Dedication of the Temple)&lt;br /&gt;&lt;br /&gt;Psalm 31&lt;br /&gt;(Two the Choirmaster - A Psalm of David)&lt;br /&gt;&lt;br /&gt;Psalm 32&lt;br /&gt;(A Psalm of David - A Maskil)&lt;br /&gt;&lt;br /&gt;Psalm 33&lt;br /&gt;&lt;br /&gt;Psalm 34&lt;br /&gt;(A Psalm of David,&lt;br /&gt;When He Feigned Madness Before Abimelich,&lt;br /&gt;    So That He Drove Him Out, and He Went Away)&lt;br /&gt;&lt;br /&gt;Psalm 35&lt;br /&gt;(A Psalm of David)&lt;br /&gt;&lt;br /&gt;Psalm 36&lt;br /&gt;(To the Choirmaster - A Psalm of David, the Servant of the Lord)&lt;br /&gt;&lt;br /&gt;Psalm 37&lt;br /&gt;(A Psalm of David)&lt;br /&gt;&lt;br /&gt;Psalm 38&lt;br /&gt;(A Psalm of David, for the Memorial Offering)&lt;br /&gt;&lt;br /&gt;Psalm 39&lt;br /&gt;(To the Choirmaster: to Jeduthun - A Psalm of David)&lt;br /&gt;&lt;br /&gt;Psalm 40&lt;br /&gt;(To the Choirmaster - A Psalm of David)&lt;br /&gt;&lt;br /&gt;Psalm 41&lt;br /&gt;(To the Choirmaster - A Psalm of David)&lt;br /&gt;&lt;br /&gt;[Book II&lt;br /&gt;&lt;br /&gt;Psalm 42&lt;br /&gt;(To the Choirmaster - A Maskil of the Sons of Korah)&lt;br /&gt;&lt;br /&gt;Psalm 43&lt;br /&gt;&lt;br /&gt;Psalm 44&lt;br /&gt;(To the Choirmaster - A Maskil of the Sons of Korah)&lt;br /&gt;&lt;br /&gt;Psalm 45&lt;br /&gt;(To the Choirmaster: According to Lilies -&lt;br /&gt;A Maskil of the Sons of Korah; a Love Song)&lt;br /&gt;&lt;br /&gt;Psalm 46&lt;br /&gt;(To the Choirmaster - A Psalm of the Sons of Korah -&lt;br /&gt;According to Alamoth - A Song)&lt;br /&gt;&lt;br /&gt;Psalm 47&lt;br /&gt;(To the Choirmaster - A Psalm of the Sons of Korah)&lt;br /&gt;&lt;br /&gt;Psalm 48&lt;br /&gt;(A Song - A Psalm of the Sons of Korah)&lt;br /&gt;&lt;br /&gt;Psalm 49&lt;br /&gt;(To the Choirmaster - A Psalm of the Sons of Korah)&lt;br /&gt;&lt;br /&gt;Psalm 50&lt;br /&gt;(A Psalm of Asaph)&lt;br /&gt;&lt;br /&gt;Psalm 51&lt;br /&gt;(To the Choirmaster - A Psalm of David,&lt;br /&gt;    When Nathan the Prophet Came to Him,&lt;br /&gt;After He Had Gone in to Bathsheba)&lt;br /&gt;"Miserere"&lt;br /&gt;    1-4 ("Mercy Upon Me") [A Song of Repentence]&lt;br /&gt;    5-19 ("Born in Iniquity") [Passacaglia of Sex and Death]&lt;br /&gt;&lt;br /&gt;Psalm 52&lt;br /&gt;(To the Choirmaster - A Maskil of David,&lt;br /&gt;when Doeg, the Edomite, Came and Told Saul,&lt;br /&gt;    "David Has Come to the House of Ahimelech")&lt;br /&gt;&lt;br /&gt;Psalm 53&lt;br /&gt;(To the Choirmaster: According to Mahalath - A Maskil of David)&lt;br /&gt;&lt;br /&gt;Psalm 54&lt;br /&gt;&lt;br /&gt;Psalm 55&lt;br /&gt;(To the Choirmaster: With Stringed Instruments -&lt;br /&gt;A Maskil of David) -&lt;br /&gt;    "Oh For the Wings of a Dove"&lt;br /&gt;&lt;br /&gt;Psalm 56&lt;br /&gt;(To the Choirmaster:&lt;br /&gt;According to the Dove on Far-Off Terebinths -&lt;br /&gt;    A Miktam of David,&lt;br /&gt;When the Philistines Seized Him in Gath)&lt;br /&gt;&lt;br /&gt;Psalm 57&lt;br /&gt;(To the Choirmaster: According to Do Not Destroy -&lt;br /&gt;    A Miktam of David, When He Fled from Saul, in a Cave)&lt;br /&gt;"Pity"&lt;br /&gt;&lt;br /&gt;Psalm 58&lt;br /&gt;(To the Choirmaster:&lt;br /&gt;According to Do Not Destroy - A Miktam of David)&lt;br /&gt;&lt;br /&gt;Psalm 59&lt;br /&gt;(To the Choirmaster: Accrodng to Do Not Destroy -&lt;br /&gt;    A Miktam of David, When Saul Sent Men to&lt;br /&gt;Watch His House in Order to Kill Him)&lt;br /&gt;&lt;br /&gt;Psalm 60&lt;br /&gt;(To the Choirmaster: Accrodng to Shushan Eduth -&lt;br /&gt;A Miktam of David; For Instructions;&lt;br /&gt;When He Strove with Aramnaharaim and with Aramzobath,&lt;br /&gt;    and When Joab on His Return Killed Twelve Thousand of Edom&lt;br /&gt;in the Valley of Salt)&lt;br /&gt;&lt;br /&gt;Psalm 61&lt;br /&gt;(To the Choirmaster:&lt;br /&gt;with Stringed Instruments - A Psalm of David)&lt;br /&gt;&lt;br /&gt;Psalm 62&lt;br /&gt;&lt;br /&gt;Psalm 63&lt;br /&gt;(A Pslam of David,&lt;br /&gt;When He Was in the Wilderness of Judah)&lt;br /&gt;&lt;br /&gt;Psalm 64&lt;br /&gt;(To the Choirmaster - A Psalm of David)&lt;br /&gt;&lt;br /&gt;Psalm 65&lt;br /&gt;(To the Choirmaster - A Psalm of David - A Song)&lt;br /&gt;&lt;br /&gt;Psalm 66&lt;br /&gt;(To the Choirmaster - A Song - A Psalm)&lt;br /&gt;&lt;br /&gt;Psalm 67&lt;br /&gt;(To the Choirmaster:&lt;br /&gt;With Stringed Instruments - A Psalm - A Song)&lt;br /&gt;&lt;br /&gt;Psalm 68&lt;br /&gt;(To the Choirmaster - A Psalm of David - A Song)&lt;br /&gt;&lt;br /&gt;Psalm 69&lt;br /&gt;(To the Choirmaster: According to Lilies - A Psalm of David)&lt;br /&gt;&lt;br /&gt;Psalm 70 (To the Choirmaster -&lt;br /&gt;A Psalm of David, for the Memorial Offering)&lt;br /&gt;&lt;br /&gt;Psalm 71&lt;br /&gt;&lt;br /&gt;Psalm 72&lt;br /&gt;(A Psalm to Solomon)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Book III&lt;br /&gt;&lt;br /&gt;Psalm 73&lt;br /&gt;(A Psalm of Asaph)&lt;br /&gt;&lt;br /&gt;Psalm 74&lt;br /&gt;(A Maskil of Asaph)&lt;br /&gt;&lt;br /&gt;Psalm 75&lt;br /&gt;(To the Choirmaster:&lt;br /&gt;According to Do Not Destroy -&lt;br /&gt;A Psalm of Asaph - A Song)&lt;br /&gt;&lt;br /&gt;Psalm 76&lt;br /&gt;(To the Choirmaster:&lt;br /&gt;With Stringed Instrments - A Psalm of Asaph - A Song)&lt;br /&gt;&lt;br /&gt;Psalm 77&lt;br /&gt;(To the Choirmaster:&lt;br /&gt;According to Jeduthun - A Psalm of Asaph)&lt;br /&gt;&lt;br /&gt;Psalm 78&lt;br /&gt;(A Maskil of Asaph)&lt;br /&gt;&lt;br /&gt;Psalm 79&lt;br /&gt;(A Psalm of Asaph)&lt;br /&gt;&lt;br /&gt;Psalm 80&lt;br /&gt;&lt;br /&gt;Psalm 81&lt;br /&gt;(To the Choirmaster:&lt;br /&gt;According to the Gittith - A Psalm of Asaph)&lt;br /&gt;&lt;br /&gt;Psalm 82&lt;br /&gt;(A Psalm of Asaph)&lt;br /&gt;&lt;br /&gt;Psalm 83&lt;br /&gt;(A Song - A Psalm of Asaph)&lt;br /&gt;&lt;br /&gt;Psalm 84&lt;br /&gt;(To the Choirmaster:&lt;br /&gt;According to the Gittith - A Psalm of the Songs of Korah)&lt;br /&gt;&lt;br /&gt;Psalm 85&lt;br /&gt;(To the Choirmaster - A Psalm of the Sons of Korah)&lt;br /&gt;&lt;br /&gt;Psalm 86&lt;br /&gt;(A Prayer of David)&lt;br /&gt;&lt;br /&gt;Psalm 87&lt;br /&gt;(A Psalm of the Sons of Korah - A Song)&lt;br /&gt;&lt;br /&gt;Psalm 88&lt;br /&gt;(A Song - A Psalm of the Sons of Korah -&lt;br /&gt;To the Choirmaster: According to Mahalath Leannoth -&lt;br /&gt;    A maskil of Heman the Ezrahite)&lt;br /&gt;&lt;br /&gt;Psalm 89&lt;br /&gt;(A Maskil of Ethan the Ezrahite)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Book IV&lt;br /&gt;&lt;br /&gt;Psalm 90&lt;br /&gt;(A Prayer of Moses, the Man of God)&lt;br /&gt;&lt;br /&gt;Psalm 91&lt;br /&gt;&lt;br /&gt;Psalm 92&lt;br /&gt;(A Psalm - A Psalm for the Sabbath [Day])&lt;br /&gt;    1-4 ...psaltery...&lt;br /&gt;    5-11...unicorn...&lt;br /&gt;    12-15...palm trees...&lt;br /&gt;&lt;br /&gt;Psalm 93&lt;br /&gt;&lt;br /&gt;Psalm 94&lt;br /&gt;&lt;br /&gt;Psalm 95&lt;br /&gt;&lt;br /&gt;Psalm 96&lt;br /&gt;&lt;br /&gt;Psalm 97&lt;br /&gt;&lt;br /&gt;Psalm 98&lt;br /&gt;(A Psalm)&lt;br /&gt;&lt;br /&gt;Psalm 99&lt;br /&gt;&lt;br /&gt;Psalm 100&lt;br /&gt;(A Psalm for the Thank Offering)&lt;br /&gt;&lt;br /&gt;Psalm 101&lt;br /&gt;(A Psalm of David)&lt;br /&gt;&lt;br /&gt;Psalm 102&lt;br /&gt;(A Prayer of One Afflicted, When He Is Faint and&lt;br /&gt;Pours Out His Complaint Before the Lord)&lt;br /&gt;&lt;br /&gt;Psalm 103&lt;br /&gt;(A Psalm of David)&lt;br /&gt;&lt;br /&gt;Psalm 104&lt;br /&gt;&lt;br /&gt;Psalm 105&lt;br /&gt;&lt;br /&gt;Psalm 106&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Book V&lt;br /&gt;&lt;br /&gt;Psalm 107&lt;br /&gt;&lt;br /&gt;Psalm 108&lt;br /&gt;(A Song - A Psalm of David)&lt;br /&gt;&lt;br /&gt;Psalm 109&lt;br /&gt;(To the Choirmaster - A Psalm of David)&lt;br /&gt;&lt;br /&gt;Psalm 110&lt;br /&gt;(A Psalm of David)&lt;br /&gt;&lt;br /&gt;Psalm 111&lt;br /&gt;&lt;br /&gt;Psalm 112&lt;br /&gt;&lt;br /&gt;Psalm 113&lt;br /&gt;&lt;br /&gt;Psalm 114&lt;br /&gt;&lt;br /&gt;Psalm 115&lt;br /&gt;&lt;br /&gt;Psalm 116&lt;br /&gt;&lt;br /&gt;Psalm 117&lt;br /&gt;&lt;br /&gt;Psalm 118&lt;br /&gt;&lt;br /&gt;Psalm 119&lt;br /&gt;&lt;br /&gt;Psalm 120&lt;br /&gt;(A Song of Ascents)&lt;br /&gt;&lt;br /&gt;Psalm 121&lt;br /&gt;(A Song of Ascents)&lt;br /&gt;"I Will Lift Up Mine Eyes"&lt;br /&gt;&lt;br /&gt;Psalm 122&lt;br /&gt;(A Song of Ascents - Of David)&lt;br /&gt;"I Was Glad / Pray for the Peace"&lt;br /&gt;&lt;br /&gt;Psalm 123&lt;br /&gt;(A Song of Ascents)&lt;br /&gt;&lt;br /&gt;Psalm 124&lt;br /&gt;(A Song of Ascents - Of David)&lt;br /&gt;&lt;br /&gt;Psalm 125&lt;br /&gt;(A Song of Ascents)&lt;br /&gt;&lt;br /&gt;Psalm 126&lt;br /&gt;(A Song of Ascents)&lt;br /&gt;&lt;br /&gt;Psalm 127&lt;br /&gt;(A Song of Ascents - Of Solomon)&lt;br /&gt;&lt;br /&gt;Psalm 128&lt;br /&gt;(A Song of Ascents)&lt;br /&gt;&lt;br /&gt;Psalm 129&lt;br /&gt;(A Song of Ascents)&lt;br /&gt;&lt;br /&gt;Psalm 130&lt;br /&gt;(A Song of Ascents)&lt;br /&gt;"De Profundis"&lt;br /&gt;&lt;br /&gt;Psalm 131&lt;br /&gt;(A Song of Ascents - Of David)&lt;br /&gt;&lt;br /&gt;Psalm 132&lt;br /&gt;(A Song of Ascents)&lt;br /&gt;&lt;br /&gt;Psalm 133&lt;br /&gt;(A Song of Ascents)&lt;br /&gt;&lt;br /&gt;Psalm 134&lt;br /&gt;(A Song of Ascents)&lt;br /&gt;&lt;br /&gt;Psalm 135&lt;br /&gt;&lt;br /&gt;Psalm 136&lt;br /&gt;&lt;br /&gt;Psalm 137&lt;br /&gt;"By the Waters of Babylon"&lt;br /&gt;&lt;br /&gt;Psalm 138&lt;br /&gt;(A Psalm of David)&lt;br /&gt;&lt;br /&gt;Psalm 139&lt;br /&gt;(To the Choirmaster - A Psalm of David)&lt;br /&gt;&lt;br /&gt;Psalm 140&lt;br /&gt;&lt;br /&gt;Psalm 141&lt;br /&gt;(A Psalm of David)&lt;br /&gt;&lt;br /&gt;Psalm 142&lt;br /&gt;(A Maskil of David,&lt;br /&gt;When He Was in the Cave - A Prayer)&lt;br /&gt;&lt;br /&gt;Psalm 143&lt;br /&gt;(A Psalm of David)&lt;br /&gt;&lt;br /&gt;Psalm 144&lt;br /&gt;(A Psalm of David)&lt;br /&gt;["You Deserve to Die"]&lt;br /&gt;&lt;br /&gt;Psalm 145&lt;br /&gt;(A Psalm of Praise - Of David)&lt;br /&gt;&lt;br /&gt;Psalm 146&lt;br /&gt;&lt;br /&gt;Psalm 147&lt;br /&gt;"Lauda Jerusalem"&lt;br /&gt;&lt;br /&gt;Psalm 148&lt;br /&gt;&lt;br /&gt;Psalm 149&lt;br /&gt;&lt;br /&gt;Psalm 150]&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2644809515193175639-3784358003163568267?l=markalburgerworks.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2644809515193175639/posts/default/3784358003163568267'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2644809515193175639/posts/default/3784358003163568267'/><link rel='alternate' type='text/html' href='http://markalburgerworks.blogspot.com/2009/03/psalms-op-172.html' title='Psalms, Book I, Op. 172'/><author><name>Mark Alburger</name><uri>http://www.blogger.com/profile/07603011736512071903</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://bp3.blogger.com/_9etVnS4R1As/R5whmtXnBHI/AAAAAAAAABM/nVh363-S8DM/S220/1957Alburger001Halfway.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_9etVnS4R1As/S1aIiT1mC7I/AAAAAAAAPNQ/HdoK_cS2F98/s72-c/1850KronbergJulius1885DavidAndSaul.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-2644809515193175639.post-6283468723864434949</id><published>2009-01-01T18:09:00.000-08:00</published><updated>2011-01-30T12:09:54.650-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Mark Alburger'/><category scheme='http://www.blogger.com/atom/ns#' term='The Creation'/><category scheme='http://www.blogger.com/atom/ns#' term='Sex and the Bible'/><title type='text'>Sex and the Bible: The Opera (Part I), Op. 169</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_9etVnS4R1As/SWyQUPMkeNI/AAAAAAAAOVY/FkTFPen0occ/s1600-h/1957Alburger169SexAndTheBible.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 269px; height: 400px;" src="http://3.bp.blogspot.com/_9etVnS4R1As/SWyQUPMkeNI/AAAAAAAAOVY/FkTFPen0occ/s400/1957Alburger169SexAndTheBible.jpg" alt="" id="BLOGGER_PHOTO_ID_5290762339604527314" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Op. 169 SEX AND THE BIBLE: THE OPERA&lt;br /&gt;(Part I) (January 1, 2009)&lt;br /&gt;For Voices and Instruments&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_9etVnS4R1As/SWyUBLMwHZI/AAAAAAAAOVg/JVg8Wjxzjug/s1600-h/1475MichelangeloCreationOfManSistine_Chapel.png"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 205px;" src="http://3.bp.blogspot.com/_9etVnS4R1As/SWyUBLMwHZI/AAAAAAAAOVg/JVg8Wjxzjug/s400/1475MichelangeloCreationOfManSistine_Chapel.png" alt="" id="BLOGGER_PHOTO_ID_5290766410160545170" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;PART I - GENESIS&lt;br /&gt;&lt;br /&gt;1. THE CREATION&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_9etVnS4R1As/SW09b-aJkJI/AAAAAAAAOVw/u97QUSEn1r4/s1600-h/1957Alburger093Creation03LetTheWatersBeGathered.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 310px; height: 400px;" src="http://4.bp.blogspot.com/_9etVnS4R1As/SW09b-aJkJI/AAAAAAAAOVw/u97QUSEn1r4/s400/1957Alburger093Creation03LetTheWatersBeGathered.jpg" alt="" id="BLOGGER_PHOTO_ID_5290952688048640146" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;III. Let the waters be gathered&lt;br /&gt;&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/Op 93 The Creation_ 3 Let the Waters Be Gathered (2000).mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_9etVnS4R1As/SW0-fjwycqI/AAAAAAAAOV4/_06LfHBO5ic/s1600-h/1957Alburger093Creation07.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 310px; height: 400px;" src="http://4.bp.blogspot.com/_9etVnS4R1As/SW0-fjwycqI/AAAAAAAAOV4/_06LfHBO5ic/s400/1957Alburger093Creation07.jpg" alt="" id="BLOGGER_PHOTO_ID_5290953849126941346" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;VI. Let us make man&lt;br /&gt;&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/Op 93 The Creation_ 7 Let Us Make Man (2000).mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_9etVnS4R1As/SW1KWFTW_UI/AAAAAAAAOWA/ZDwxlOrlcNo/s1600-h/1562CorneliszoonCornelisvanHaarlemDeEersteFamilieTheFirstFamilyAdamEveCainAbel.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 310px;" src="http://2.bp.blogspot.com/_9etVnS4R1As/SW1KWFTW_UI/AAAAAAAAOWA/ZDwxlOrlcNo/s400/1562CorneliszoonCornelisvanHaarlemDeEersteFamilieTheFirstFamilyAdamEveCainAbel.jpg" alt="" id="BLOGGER_PHOTO_ID_5290966880471153986" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;2. QUARTET FOR THE BEGINNING OF TIME:&lt;br /&gt;ADAM AND EVE AND CAIN AND ABEL&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_9etVnS4R1As/SW1O2VdsOJI/AAAAAAAAOWI/MPJNY5fOGcg/s1600-h/1475MichelangeloTemptation.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 397px; height: 374px;" src="http://1.bp.blogspot.com/_9etVnS4R1As/SW1O2VdsOJI/AAAAAAAAOWI/MPJNY5fOGcg/s400/1475MichelangeloTemptation.jpg" alt="" id="BLOGGER_PHOTO_ID_5290971832611780754" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;II. Vocalise for the Disobedience at the Beginning of Time&lt;br /&gt;&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/Op 97 Quartet for the Beginning of Time_ 2 Vocalise for the Disobedience (2001).mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;III. Abyss of Separation&lt;br /&gt;&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/Op 97 Quartet for the Beginning of Time_ 3 Abyss of Separation (2001).mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_9etVnS4R1As/SW1XLXuU7hI/AAAAAAAAOWQ/ZTizoNsCFJw/s1600-h/1738WestBenjamin1791ExpulsionOfAdamAndEveFromParadise.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 267px;" src="http://1.bp.blogspot.com/_9etVnS4R1As/SW1XLXuU7hI/AAAAAAAAOWQ/ZTizoNsCFJw/s400/1738WestBenjamin1791ExpulsionOfAdamAndEveFromParadise.jpg" alt="" id="BLOGGER_PHOTO_ID_5290980990088703506" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;IV. Ragtime Intermezzo of Expulsion&lt;br /&gt;&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/Op 97 Quartet for the Beginning of Time_ 4 Ragtime Intermezzo of Expulsion (2001).mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;V. Lounging in an Eternity of Strife&lt;br /&gt;VI. Blues Dance of Fury&lt;br /&gt;VII. Fathering Hope&lt;br /&gt;VIII. Lounging in Mortality (Baby Boom Boogie-Woogie Begats)&lt;br /&gt;&lt;br /&gt;3. NOAH'S FLOOD ("Noah, Noah"): A MYSTERY PLAY&lt;br /&gt;I. Wicked Prelude&lt;br /&gt;VII.  The Flood / Te Deum (The Little Death Raindrops Keep Falling Mainly in Mesopotamia)&lt;br /&gt;IX.  Rainbow / Te Deum / Postlude&lt;br /&gt;&lt;br /&gt;4. BABEL&lt;br /&gt;I. And the whole earth&lt;br /&gt;II. Behold, they are one&lt;br /&gt;III. And the Lord scattered them&lt;br /&gt;&lt;br /&gt;5. ABRAHAM AND ISAAC&lt;br /&gt;II. The Separation&lt;br /&gt;&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/1957Alburger052AbrahamAndIsaac02TheSeparation(1996).mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;IV. The Covenant / V. The Slave Girl&lt;br /&gt;&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/1957Alburger052AbrahamAndIsaac04TheCovenant05TheSlave0Girl(1996).mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;VI. The Circumcision&lt;br /&gt;&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/1957Alburger052AbrahamAndIsaac06TheCircumcision(1996).mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;[LOT IN LIFE]&lt;br /&gt;VII. The Plea (Lottery)&lt;br /&gt;&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/1957Alburger036LotInLife01Lottery(1988).mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;VIII. The Destruction (Lotsa Luck /&lt;br /&gt;&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/1957Alburger036LotInLife02Lotsa Luck(1988).mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;Parking Lot's Wife /&lt;br /&gt;&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/1957Alburger036LotInLife03ParkingLotsWife(1988).mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;Lotherio)&lt;br /&gt;&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/1957Alburger036LotInLife04Lotherio(1988).mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;IX. The Deception&lt;br /&gt;&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/1957Alburger052AbrahamAndIsaac09TheDeception(1996).mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;X. The Birth / The Banishment&lt;br /&gt;&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/1957Alburger052AbrahamAndIsaac10TheBirthTheBanishment(1996).mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;XI. The Sacrifice / XII. The Burial / XIII. The Wife /     XIV. The Death&lt;br /&gt;&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/1957Alburger052AbrahamAndIsaac11TheSacrifice12TheBurial13The WIfe14TheDeath(1996).mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;6. ISRAEL IN TROUBLE&lt;br /&gt;&lt;br /&gt;I. If It Is Thus&lt;br /&gt;&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/1957Alburger054IsraelInTrouble01IfItBeThus(1997).mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;III. Eyes Dim&lt;br /&gt;&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/1957Alburger054IsraelInTrouble03EyesDim(1997).mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;IV. Fly Away&lt;br /&gt;&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/1957Alburger054IsraelInTrouble04FlyAway(1997).mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;V. Well, Well, Well, Well, Well&lt;br /&gt;&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/1957Alburger054IsraelInTrouble05WellWellWellWellWell(1997)(Short).mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;VI. Shouldn't Work for Nothing&lt;br /&gt;&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/1957Alburger054IsraelInTrouble06YouShouldntWorkForNothing(1997).mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;VII. How To Depart&lt;br /&gt;&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/1957Alburger054IsraelInTrouble07HowToDepart(1997).mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;VIII. On His Way&lt;br /&gt;&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/1957Alburger054IsraelInTrouble08OnHisWay(1997).mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;IX. One Day Dinah&lt;br /&gt;&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/1957Alburger054IsraelInTrouble09OneDayDinah(1997).mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;X. If It Is Thus&lt;br /&gt;&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/1957Alburger054IsraelInTrouble10IfItBeThus(1997).mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;7. AMAZING JOSEPH&lt;br /&gt;&lt;br /&gt;I. I Had a Dream&lt;br /&gt;&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/1957Alburger057AmazingJoseph01IHadADream(1997).mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;II. Meanwhile, Judah&lt;br /&gt;&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/1957Alburger057AmazingJoseph02MeanwhileJudah(1997).mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;III. Now the Ishmaelites (Potiphar's Wife)&lt;br /&gt;&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/1957Alburger057AmazingJoseph03NowTheIshmaelites(PotipharsWife)(1997).mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;V. Pharaoh Had a Dream&lt;br /&gt;&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/1957Alburger057AmazingJoseph05PharaohHadADream(1997).mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;VII. Take My Youngest Son&lt;br /&gt;&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/1957Alburger057AmazingJoseph07TakeMyYoungestSon(1997).mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;VIII. I Am Joseph&lt;br /&gt;&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/1957Alburger057AmazingJoseph08IAmJoseph(1997).mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;IX. Now I Can Die&lt;br /&gt;&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/1957Alburger057AmazingJoseph09NowICan Die(1997).mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;[PART II - EXODUS-JUDGES&lt;br /&gt;&lt;br /&gt;8. MOSES AND AARON&lt;br /&gt;EXODUS / LEVITICUS (13 Letters and a Postlude)&lt;br /&gt;I. Recitative - "And There Arose"&lt;br /&gt;II. Barcarolle - "Woman Conceived"&lt;br /&gt;III. Battle - "And He Spied"&lt;br /&gt;V. Duet - "What Is In Your Hand?"&lt;br /&gt;VI. Trio - "Let My People"&lt;br /&gt;VII. Nine-Plague Twelve-Tone Passacaglia-Quodlibet - "River Is Blood"&lt;br /&gt;IX. Storm/Tempest - "At Midnight" (The Tenth Plague)&lt;br /&gt;X. Caccia/Tableau - "And the People Fled" (The Parting of the Red Sea)&lt;br /&gt;XI. Duet and Chorus - "Sing to the Lord / Bitter Water" (Songs of Moses and Miriam)&lt;br /&gt;XII. Quartet - "Thou Shalt" (The Ten Commandments)&lt;br /&gt;XIII. Bacchanale - "This Gold Image" (The Golden Calf)&lt;br /&gt;XVI. Postlude - "Be Gone"&lt;br /&gt;NUMBERS / DEUTERONOMY (7 Letters)&lt;br /&gt;XVII. Ritournello - "Would That We Had Died"&lt;br /&gt;XVIII. Interlude - "How Long" (Wander in the Wilderness)&lt;br /&gt;XIX. Procession - "Let Us Pass" (Balaam's Ass)&lt;br /&gt;XX. Chorus - "There Shall a Star"&lt;br /&gt;&lt;br /&gt;9. SAMSON AND DELILAH (THE FRANK JUDGES)&lt;br /&gt;Scene 1 - Start&lt;br /&gt;I. Digits (Adonibezek)&lt;br /&gt;III. Disemblance (Ehud and Eglon)&lt;br /&gt;IV. Deborah&lt;br /&gt;VI. Downfall (Abimelech)&lt;br /&gt;VII. Daughter (Jeptha)&lt;br /&gt;Scene 2 - Samson&lt;br /&gt;VIII. Death (The Lion)&lt;br /&gt;IX. Defeat (The Ass's Jaw)&lt;br /&gt;X. Delilah&lt;br /&gt;XI. Dagon&lt;br /&gt;Scene 3 - Stop&lt;br /&gt;XIII. Disunity (The Levite's Concubine)]&lt;br /&gt;&lt;br /&gt;Performances:&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_9etVnS4R1As/S16XB7ulIGI/AAAAAAAAPPA/OOvruhnRSJs/s1600-h/1957Alburger169SexAndTheBiblePoster05.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 309px; height: 400px;" src="http://1.bp.blogspot.com/_9etVnS4R1As/S16XB7ulIGI/AAAAAAAAPPA/OOvruhnRSJs/s400/1957Alburger169SexAndTheBiblePoster05.jpg" alt="" id="BLOGGER_PHOTO_ID_5430944260124123234" border="0" /&gt;&lt;/a&gt;March 5-7, 12-14, 2010&lt;br /&gt;San Francisco Cabaret Opera / Goat Hall Productions&lt;br /&gt;Community Music Center, San Francisco, CA&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2644809515193175639-6283468723864434949?l=markalburgerworks.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2644809515193175639/posts/default/6283468723864434949'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2644809515193175639/posts/default/6283468723864434949'/><link rel='alternate' type='text/html' href='http://markalburgerworks.blogspot.com/2009/01/sex-and-bible-op-169.html' title='Sex and the Bible: The Opera (Part I), Op. 169'/><author><name>Mark Alburger</name><uri>http://www.blogger.com/profile/07603011736512071903</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://bp3.blogger.com/_9etVnS4R1As/R5whmtXnBHI/AAAAAAAAABM/nVh363-S8DM/S220/1957Alburger001Halfway.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_9etVnS4R1As/SWyQUPMkeNI/AAAAAAAAOVY/FkTFPen0occ/s72-c/1957Alburger169SexAndTheBible.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-2644809515193175639.post-1949723727956499715</id><published>2008-04-04T00:38:00.000-07:00</published><updated>2008-04-12T01:11:48.153-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Mark Alburger'/><category scheme='http://www.blogger.com/atom/ns#' term='24 Preludes and Fugues'/><title type='text'>24 Preludes and Fugues ("Standards"), Op. 162</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_9etVnS4R1As/SABq7YDT2rI/AAAAAAAADZ8/maF4nShfq6c/s1600-h/1881Picasso__The_Old_Guitarist.png"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://3.bp.blogspot.com/_9etVnS4R1As/SABq7YDT2rI/AAAAAAAADZ8/maF4nShfq6c/s400/1881Picasso__The_Old_Guitarist.png" alt="" id="BLOGGER_PHOTO_ID_5188264339031972530" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Op. 162 24 PRELUDES AND FUGUES ("Standards")&lt;br /&gt;(April 4, 2008)&lt;br /&gt;  I. C Major&lt;br /&gt;  II. C Minor&lt;br /&gt;  III. Db Major&lt;br /&gt;  IV. C# Minor&lt;br /&gt;  V. D Major&lt;br /&gt;  VI. D Minor&lt;br /&gt;  VII. Eb Major&lt;br /&gt;  VIII. Eb Minor&lt;br /&gt;  IX. E Major&lt;br /&gt;  X. E Minor&lt;br /&gt;  XI. F Major&lt;br /&gt;  XII. F Minor&lt;br /&gt;  XIII. F# Major&lt;br /&gt;  XIV. F# Minor&lt;br /&gt;  XV.  G Major&lt;br /&gt;  XVI. G Minor&lt;br /&gt;  XVII. Ab Major&lt;br /&gt;  XVIII. G# Minor&lt;br /&gt;  XIX.  A Major&lt;br /&gt;  XX. A Minor&lt;br /&gt;  XXI. Bb Major&lt;br /&gt;  XXII. Bb Minor&lt;br /&gt;  XXIII. B Major&lt;br /&gt;  XXIV. B Minor&lt;br /&gt;&lt;br /&gt;Recording:&lt;br /&gt;&lt;br /&gt;24 PRELUDES AND FUGUES&lt;br /&gt;(New Music, 2008)&lt;br /&gt;&lt;br /&gt;I. C Major&lt;br /&gt;  II. C Minor&lt;br /&gt;  III. Db Major&lt;br /&gt;  IV. C# Minor&lt;br /&gt;  V. D Major&lt;br /&gt;  VI. D Minor&lt;br /&gt;  VII. Eb Major&lt;br /&gt;  VIII. Eb Minor&lt;br /&gt;  IX. E Major&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_9etVnS4R1As/SABpA4DT2qI/AAAAAAAADZ0/N5d6C2bqsRI/s1600-h/1902AdamsAnselJeffreyPineAtSentinalDome.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://1.bp.blogspot.com/_9etVnS4R1As/SABpA4DT2qI/AAAAAAAADZ0/N5d6C2bqsRI/s400/1902AdamsAnselJeffreyPineAtSentinalDome.jpg" alt="" id="BLOGGER_PHOTO_ID_5188262234497997474" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;  X. E Minor ("Autumn Leaves")&lt;br /&gt;&lt;br /&gt;  a. Prelude&lt;br /&gt;&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/Op 162 24 Preludes and Fugues (Standards)_ 10a Prelude (Autumn Leaves).mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;  b. Fugue&lt;br /&gt;&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/Op 162 24 Preludes and Fugues (Standards)_ 10b Fugue (Autumn Leaves).mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;  XI. F Major&lt;br /&gt;  XII. F Minor&lt;br /&gt;  XIII. F# Major&lt;br /&gt;  XIV. F# Minor&lt;br /&gt;  XV.  G Major&lt;br /&gt;  XVI. G Minor&lt;br /&gt;  XVII. Ab Major&lt;br /&gt;  XVIII. G# Minor&lt;br /&gt;  XIX.  A Major&lt;br /&gt;  XX. A Minor&lt;br /&gt;  XXI. Bb Major&lt;br /&gt;  XXII. Bb Minor&lt;br /&gt;  XXIII. B Major&lt;br /&gt;  XXIV. B Minor&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2644809515193175639-1949723727956499715?l=markalburgerworks.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2644809515193175639/posts/default/1949723727956499715'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2644809515193175639/posts/default/1949723727956499715'/><link rel='alternate' type='text/html' href='http://markalburgerworks.blogspot.com/2008/04/24-preludes-and-fugues-standards-op-162.html' title='24 Preludes and Fugues (&quot;Standards&quot;), Op. 162'/><author><name>Mark Alburger</name><uri>http://www.blogger.com/profile/07603011736512071903</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://bp3.blogger.com/_9etVnS4R1As/R5whmtXnBHI/AAAAAAAAABM/nVh363-S8DM/S220/1957Alburger001Halfway.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_9etVnS4R1As/SABq7YDT2rI/AAAAAAAADZ8/maF4nShfq6c/s72-c/1881Picasso__The_Old_Guitarist.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-2644809515193175639.post-5653228957165463605</id><published>2008-03-28T23:17:00.000-07:00</published><updated>2008-04-12T01:18:22.741-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Genre Implosions'/><category scheme='http://www.blogger.com/atom/ns#' term='Mark Alburger'/><category scheme='http://www.blogger.com/atom/ns#' term='Mass Confusion'/><title type='text'>Genre Implosions, Op. 161</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_9etVnS4R1As/SABc-IDT2oI/AAAAAAAADZk/jxO1-qbhpQM/s1600-h/000001SuperNova.gif"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://2.bp.blogspot.com/_9etVnS4R1As/SABc-IDT2oI/AAAAAAAADZk/jxO1-qbhpQM/s400/000001SuperNova.gif" alt="" id="BLOGGER_PHOTO_ID_5188248993113823874" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Op. 161 &lt;span style="font-style: italic;"&gt;GENRE IMPLOSIONS&lt;/span&gt; (March 28, 2008)&lt;br /&gt;Superimpositions for sound files&lt;br /&gt;NO. 1 ("Mass Confusion")&lt;br /&gt;I. Introit&lt;br /&gt;II. Kyrie&lt;br /&gt;III. Gloria&lt;br /&gt;IV. Gradual&lt;br /&gt;V. Alleluia&lt;br /&gt;VI. Credo&lt;br /&gt;VII. Offertorium&lt;br /&gt;VIII. Sanctus&lt;br /&gt;IX. Agnus Dei&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_9etVnS4R1As/SABwG4DT2sI/AAAAAAAADaE/EyQmEBY0ixw/s1600-h/1887Duchamp1912Nude_Descending_a_Staircase.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://1.bp.blogspot.com/_9etVnS4R1As/SABwG4DT2sI/AAAAAAAADaE/EyQmEBY0ixw/s400/1887Duchamp1912Nude_Descending_a_Staircase.jpg" alt="" id="BLOGGER_PHOTO_ID_5188270034158607042" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Recording:&lt;br /&gt;&lt;br /&gt;GENRE IMPLOSIONS&lt;br /&gt;(New Music, 2008)&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;No. 1 ("Mass Confusion")&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;I. Introit&lt;br /&gt;&lt;br /&gt;II. Kyrie&lt;br /&gt;&lt;br /&gt;III. Gloria&lt;br /&gt;&lt;br /&gt;IV. Gradual&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_9etVnS4R1As/R_8rt4DT2OI/AAAAAAAADWU/2ahl8NhN_c4/s1600-h/1485titianAlleluia.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://4.bp.blogspot.com/_9etVnS4R1As/R_8rt4DT2OI/AAAAAAAADWU/2ahl8NhN_c4/s400/1485titianAlleluia.jpg" alt="" id="BLOGGER_PHOTO_ID_5187913362894477538" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;V. Alleluia&lt;br /&gt;&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/Op 161 Genre Implosions No. 1_ 5 Alleluia.mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;Progressive superimpositions of two Gregorian chants, plus music of Notker Balbulus ("The Stammerer"), the School of Chartres, Hildegard von Bingen, Perotin, the Ars Antiqua motet tradition, and the School of Worcester.&lt;br /&gt;&lt;br /&gt;VI. Credo&lt;br /&gt;&lt;br /&gt;VII. Offertorium&lt;br /&gt;&lt;br /&gt;VIII. Sanctus&lt;br /&gt;&lt;br /&gt;IX. Agnus Dei&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2644809515193175639-5653228957165463605?l=markalburgerworks.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2644809515193175639/posts/default/5653228957165463605'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2644809515193175639/posts/default/5653228957165463605'/><link rel='alternate' type='text/html' href='http://markalburgerworks.blogspot.com/2008/03/genre-implosions-op-161.html' title='Genre Implosions, Op. 161'/><author><name>Mark Alburger</name><uri>http://www.blogger.com/profile/07603011736512071903</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://bp3.blogger.com/_9etVnS4R1As/R5whmtXnBHI/AAAAAAAAABM/nVh363-S8DM/S220/1957Alburger001Halfway.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_9etVnS4R1As/SABc-IDT2oI/AAAAAAAADZk/jxO1-qbhpQM/s72-c/000001SuperNova.gif' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-2644809515193175639.post-3945105935153111433</id><published>2008-03-21T23:38:00.000-07:00</published><updated>2008-05-11T01:32:25.998-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Introductory'/><category scheme='http://www.blogger.com/atom/ns#' term='White Horse Sale'/><category scheme='http://www.blogger.com/atom/ns#' term='Vocal Sonatina No. 2 (&quot;Vatsyayana&quot;)'/><category scheme='http://www.blogger.com/atom/ns#' term='Kama Sutra'/><category scheme='http://www.blogger.com/atom/ns#' term='On the Means of Attracting Others to Oneself'/><category scheme='http://www.blogger.com/atom/ns#' term='About a Wife'/><title type='text'>Vocal Sonatina No. 2 ("Vatsyayana"), Op. 157</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_9etVnS4R1As/R-THXr0yggI/AAAAAAAACyM/e4tweTaQvZ4/s1600-h/400Vatsyayamakama_sutra_lady.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://3.bp.blogspot.com/_9etVnS4R1As/R-THXr0yggI/AAAAAAAACyM/e4tweTaQvZ4/s400/400Vatsyayamakama_sutra_lady.jpg" alt="" id="BLOGGER_PHOTO_ID_5180484681097970178" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Op. 157 VOCAL SONATINA NO. 2 ("Vatsyayana")&lt;br /&gt;(after the &lt;span style="font-style: italic;"&gt;Kama Sutra&lt;/span&gt;)&lt;br /&gt;(March 21, 2008)&lt;br /&gt;I. Adagio ("Introductory")&lt;br /&gt;II. Allegretto ("About a Wife")&lt;br /&gt;III. Allegro vivace ("On the Means of Attracting Others to Oneself")&lt;br /&gt;&lt;br /&gt;Recording:&lt;br /&gt;&lt;br /&gt;WHITE HORSE SALE&lt;br /&gt;(New Music, 2008)&lt;br /&gt;&lt;br /&gt;Vocal Sonatina No. 2 ("Vatsyayana")&lt;br /&gt;&lt;br /&gt;I. Introductory&lt;br /&gt;&lt;br /&gt;Lord of Beings&lt;br /&gt;men and women&lt;br /&gt;Dharma&lt;br /&gt;Artha&lt;br /&gt;Kama&lt;br /&gt;&lt;br /&gt;Kama&lt;br /&gt;Sutra&lt;br /&gt;&lt;br /&gt;Vatsyayana&lt;br /&gt;composed his work&lt;br /&gt;small volume&lt;br /&gt;as an abstract&lt;br /&gt;of the whole&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;II. About a Wife&lt;br /&gt;&lt;br /&gt;Virtuous women&lt;br /&gt;Who have affection&lt;br /&gt;Revere the Household Gods&lt;br /&gt;&lt;br /&gt;Should avoid company&lt;br /&gt;Beggars and mendicants&lt;br /&gt;Unchaste and&lt;br /&gt;Roguish and&lt;br /&gt;Soothsayers&lt;br /&gt;And witches&lt;br /&gt;&lt;br /&gt;Wives whether they be&lt;br /&gt;Noble born or remarried&lt;br /&gt;Aquire the Dharma Artha Kama&lt;br /&gt;And generally keep their husbands happy&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;III. On the Means of Attracting Others to One's Self&lt;br /&gt;&lt;br /&gt;&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/Op 157 Vocal Sonatina No. 2_ 3 How to Attract (I).mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;(Instrumental Version)&lt;br /&gt;&lt;br /&gt;&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/Op 157 Vocal Sonatina No. 2_ 3 How to Attract (2008).mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;(Vocal Version)&lt;br /&gt;&lt;br /&gt;When a person fails to obtain the&lt;br /&gt;object of their desires&lt;br /&gt;They should have recourse to&lt;br /&gt;other ways of attraction&lt;br /&gt;&lt;br /&gt;Good looks good qualities youth and liberality&lt;br /&gt;are the chief natural means&lt;br /&gt;But in their absence a&lt;br /&gt;man or a woman must have&lt;br /&gt;&lt;br /&gt;An ointment made of the tabernamontana&lt;br /&gt;coronaria, costus speciosus, arabicus&lt;br /&gt;If a fine powder is made of the plants and ap-&lt;br /&gt;plied to the wick of a lamp and burned it has the ef-&lt;br /&gt;fect of making people look&lt;br /&gt;&lt;br /&gt;very lovely&lt;br /&gt;Oil of the hogweed the echites putescuns the&lt;br /&gt;sarina plant and the yellow amranth&lt;br /&gt;if applied to the body&lt;br /&gt;has the same effect&lt;br /&gt;&lt;br /&gt;By eating powder of nef'mbrium speciosum you&lt;br /&gt;will be come lovely in eyes of others&lt;br /&gt;The above things with the&lt;br /&gt;tabernamontana coronaria&lt;br /&gt;&lt;br /&gt;If the bone of a peacock or hyena&lt;br /&gt;be covered with gold&lt;br /&gt;tied on right hand it makes&lt;br /&gt;us lovely in others eyes In the same way&lt;br /&gt;bead of jujube makes result described above&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2644809515193175639-3945105935153111433?l=markalburgerworks.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2644809515193175639/posts/default/3945105935153111433'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2644809515193175639/posts/default/3945105935153111433'/><link rel='alternate' type='text/html' href='http://markalburgerworks.blogspot.com/2008/03/vocal-sonatina-no-2-vatsyayana-op-157.html' title='Vocal Sonatina No. 2 (&quot;Vatsyayana&quot;), Op. 157'/><author><name>Mark Alburger</name><uri>http://www.blogger.com/profile/07603011736512071903</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://bp3.blogger.com/_9etVnS4R1As/R5whmtXnBHI/AAAAAAAAABM/nVh363-S8DM/S220/1957Alburger001Halfway.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_9etVnS4R1As/R-THXr0yggI/AAAAAAAACyM/e4tweTaQvZ4/s72-c/400Vatsyayamakama_sutra_lady.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-2644809515193175639.post-4897047302971758209</id><published>2008-03-13T11:06:00.000-07:00</published><updated>2008-05-11T01:52:22.696-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Ashley Alexandra Dupre'/><category scheme='http://www.blogger.com/atom/ns#' term='Mark Alburger'/><category scheme='http://www.blogger.com/atom/ns#' term='Vocal Sonatina No. 1 (&quot;Spitzer&quot;)'/><category scheme='http://www.blogger.com/atom/ns#' term='David Peterson'/><title type='text'>Vocal Sonatina No. 1 ("Spitzer"), Op. 156</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_9etVnS4R1As/R9oR-bZ39RI/AAAAAAAACJk/gSWbLBq_JvQ/s1600-h/1957Alburger156VocalSonatina1DupreAshleyAlexandreKristen.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://1.bp.blogspot.com/_9etVnS4R1As/R9oR-bZ39RI/AAAAAAAACJk/gSWbLBq_JvQ/s400/1957Alburger156VocalSonatina1DupreAshleyAlexandreKristen.jpg" alt="" id="BLOGGER_PHOTO_ID_5177470485821650194" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Op. 156 VOCAL SONATINA NO. 1 ("Spitzer")&lt;br /&gt;(after Ashley Alexandra Dupre, David Peterson, et al)&lt;br /&gt;(March 13, 2008)&lt;br /&gt;I. Allegro moderato ("Difficult")&lt;br /&gt;II. Andante ("I Am not a Monster")&lt;br /&gt;III. Allegro ("Only the Lobbyists")&lt;br /&gt;&lt;br /&gt;Recording:&lt;br /&gt;&lt;br /&gt;WHITE HORSE SALE&lt;br /&gt;(New Music)&lt;br /&gt;&lt;br /&gt;Vocal Sonatina No. 1 ("Spitzer")&lt;br /&gt;(Instrumental version)&lt;br /&gt;&lt;br /&gt;I. Allegro moderato ("Difficult")&lt;br /&gt;&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/Op 156 Vocal Sonatina No. 1_ 1 Difficult (I).mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;(Instrumental Version)&lt;br /&gt;&lt;br /&gt;&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/Op 156 Vocal Sonatina No. 1_ 1 Difficult (2008).mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;(Vocal Version)&lt;br /&gt;&lt;br /&gt;Difficult.  He's&lt;br /&gt;Difficult.  He likes do&lt;br /&gt;Do a lot of things that like you might not think are safe and so he's&lt;br /&gt;Difficult.&lt;br /&gt;&lt;br /&gt;I have a way of dealing with that I'll be like&lt;br /&gt;Listen dude.&lt;br /&gt;You know you want the sex.&lt;br /&gt;You know what I mean.&lt;br /&gt;&lt;br /&gt;You know I mean it's like whatever.  I'm&lt;br /&gt;Here for a purpose.  I know what my purpose is.&lt;br /&gt;I am not a moron.&lt;br /&gt;You know what I mean.&lt;br /&gt;&lt;br /&gt;II. Andante ("I Am Not a Monster")&lt;br /&gt;&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/Op 156 Vocal Sonatina No. 1_ 2 Monster (I).mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;I am not a monster.  Don't&lt;br /&gt;Want to be.&lt;br /&gt;It's a very difficult time for me.&lt;br /&gt;It is very complicated.&lt;br /&gt;&lt;br /&gt;He walked out on me.&lt;br /&gt;&lt;br /&gt;III. Allegro ("Only the Lobbyists")&lt;br /&gt;&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/Op 156 Vocal Sonatina No. 1_ 3 Only the Lobbyists (I).mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;[The new governor, when asked if he had ever been with a prostitute said:]&lt;br /&gt;&lt;br /&gt;Only the lobbyists come here to see me.&lt;br /&gt;&lt;br /&gt;I feel like the student getting ready to take the final exam.&lt;br /&gt;Only they hadn't attended any classes.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2644809515193175639-4897047302971758209?l=markalburgerworks.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2644809515193175639/posts/default/4897047302971758209'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2644809515193175639/posts/default/4897047302971758209'/><link rel='alternate' type='text/html' href='http://markalburgerworks.blogspot.com/2008/03/vocal-sonatina-no-1-spitzer-op-156.html' title='Vocal Sonatina No. 1 (&quot;Spitzer&quot;), Op. 156'/><author><name>Mark Alburger</name><uri>http://www.blogger.com/profile/07603011736512071903</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://bp3.blogger.com/_9etVnS4R1As/R5whmtXnBHI/AAAAAAAAABM/nVh363-S8DM/S220/1957Alburger001Halfway.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_9etVnS4R1As/R9oR-bZ39RI/AAAAAAAACJk/gSWbLBq_JvQ/s72-c/1957Alburger156VocalSonatina1DupreAshleyAlexandreKristen.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-2644809515193175639.post-4702370792281904353</id><published>2008-02-24T10:51:00.000-08:00</published><updated>2008-05-11T01:49:25.734-07:00</updated><title type='text'>Flying Mixes, Op. 155</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_9etVnS4R1As/R-fsTL0yhcI/AAAAAAAAC5s/1cA1xtMvVy4/s1600-h/000014WyomingArapahoCamp.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://4.bp.blogspot.com/_9etVnS4R1As/R-fsTL0yhcI/AAAAAAAAC5s/1cA1xtMvVy4/s400/000014WyomingArapahoCamp.jpg" alt="" id="BLOGGER_PHOTO_ID_5181369710648919490" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Op. 155 FLYING MIXES (February 24, 2008)&lt;br /&gt;for Sound Files&lt;br /&gt;(after Harriet March Page and Native American Texts)&lt;br /&gt;I. Yonder in the North (Northern Plains Rabbit Dance&lt;br /&gt;II. All the Dark Birds (Navajo Ribbon Dance)&lt;br /&gt;III. Flying Out the Mouth (Yurok Women's Brush Dance)&lt;br /&gt;IV. The Woman From the Sky (Creek Gar Dance&lt;br /&gt;V. Windsong I-III (Seneca Alligator Dance)&lt;br /&gt;&lt;br /&gt;Recording:&lt;br /&gt;&lt;br /&gt;WHITE HORSE SAIL&lt;br /&gt;&lt;br /&gt;Flying Mixes, Op. 155&lt;br /&gt;&lt;br /&gt;Kat Cornelius&lt;br /&gt;Sarah Hutchison&lt;br /&gt;Harriet March Page&lt;br /&gt;Mark Alburger&lt;br /&gt;&lt;br /&gt;I. Yonder in the North (Northern Plains Rabbit Dance)&lt;br /&gt;&lt;br /&gt;II. All the Dark Birds (Navajo Ribbon Dance)&lt;br /&gt;&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/Op 155 Flying Mixes_ 2 All the Dark Birds (Navajo).mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;(Harriet March Page)&lt;br /&gt;&lt;br /&gt;III. Flying Out the Mouth (Yurok Women's Brush Dance)&lt;br /&gt;&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/Op 155 Flying Mixes_ 3 Flying Out the Mouth (Yurok).mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;(Harriet March Page)&lt;br /&gt;&lt;br /&gt;IV. The Woman From the Sky (Creek Gar Dance)&lt;br /&gt;&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/Op 155 Flying Mixes_ 4 The Woman From the Sky (Creek).mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;(Kat Cornelius, Mark Alburger)&lt;br /&gt;&lt;br /&gt;V. Wind Song I-III (Seneca Alligator Dance)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2644809515193175639-4702370792281904353?l=markalburgerworks.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2644809515193175639/posts/default/4702370792281904353'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2644809515193175639/posts/default/4702370792281904353'/><link rel='alternate' type='text/html' href='http://markalburgerworks.blogspot.com/2008/03/flying-mixes-op-155.html' title='Flying Mixes, Op. 155'/><author><name>Mark Alburger</name><uri>http://www.blogger.com/profile/07603011736512071903</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://bp3.blogger.com/_9etVnS4R1As/R5whmtXnBHI/AAAAAAAAABM/nVh363-S8DM/S220/1957Alburger001Halfway.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_9etVnS4R1As/R-fsTL0yhcI/AAAAAAAAC5s/1cA1xtMvVy4/s72-c/000014WyomingArapahoCamp.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-2644809515193175639.post-6322839439419274895</id><published>2008-02-15T23:24:00.000-08:00</published><updated>2008-03-24T23:37:50.982-07:00</updated><title type='text'>White Horse Suite, Op. 154</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_9etVnS4R1As/R-ibqr0yhgI/AAAAAAAAC6M/F0vWLj2GHRw/s1600-h/1957Alburger154whitehorseProgram.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://3.bp.blogspot.com/_9etVnS4R1As/R-ibqr0yhgI/AAAAAAAAC6M/F0vWLj2GHRw/s400/1957Alburger154whitehorseProgram.jpg" alt="" id="BLOGGER_PHOTO_ID_5181562528910706178" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Op. 154 WHITE HORSE SUITE (February 15, 2008)&lt;br /&gt; For Soprano, Tenor, and Instrument(s)&lt;br /&gt; I. June (after Mel Clay)&lt;br /&gt; II. Esmeralda (after Tennessee Williams)&lt;br /&gt; III. Brunnhilde (after Harriet March Page)&lt;br /&gt;&lt;br /&gt;     Performance:&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_9etVnS4R1As/R-ida70yhhI/AAAAAAAAC6U/l1uyevyZVwk/s1600-h/1997GoatHall0802SuzannaLessRedEye.JPG"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://4.bp.blogspot.com/_9etVnS4R1As/R-ida70yhhI/AAAAAAAAC6U/l1uyevyZVwk/s400/1997GoatHall0802SuzannaLessRedEye.JPG" alt="" id="BLOGGER_PHOTO_ID_5181564457351022098" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;February 16, 2008&lt;br /&gt;             Suzanna Mizell, Soprano; Mark Alburger, Tenor&lt;br /&gt;             St. Gregory of Nyssa, San Francisco, CA&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2644809515193175639-6322839439419274895?l=markalburgerworks.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2644809515193175639/posts/default/6322839439419274895'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2644809515193175639/posts/default/6322839439419274895'/><link rel='alternate' type='text/html' href='http://markalburgerworks.blogspot.com/2008/02/white-horse-suite-op-154.html' title='White Horse Suite, Op. 154'/><author><name>Mark Alburger</name><uri>http://www.blogger.com/profile/07603011736512071903</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://bp3.blogger.com/_9etVnS4R1As/R5whmtXnBHI/AAAAAAAAABM/nVh363-S8DM/S220/1957Alburger001Halfway.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_9etVnS4R1As/R-ibqr0yhgI/AAAAAAAAC6M/F0vWLj2GHRw/s72-c/1957Alburger154whitehorseProgram.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-2644809515193175639.post-8544329520816039073</id><published>2007-12-14T01:38:00.000-08:00</published><updated>2008-03-25T01:44:26.371-07:00</updated><title type='text'>History Phases, Op. 153</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_9etVnS4R1As/R-i7Ab0yhiI/AAAAAAAAC6c/_sfOarVPwcE/s1600-h/000015CaliforniaSanBernardinoMojaveDesertMoon.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://2.bp.blogspot.com/_9etVnS4R1As/R-i7Ab0yhiI/AAAAAAAAC6c/_sfOarVPwcE/s400/000015CaliforniaSanBernardinoMojaveDesertMoon.jpg" alt="" id="BLOGGER_PHOTO_ID_5181596987433322018" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Op. 153 HISTORY PHASES (December 14, 2007) for sound files&lt;br /&gt;  I. Turkey (Epitaph of Seikilos)&lt;br /&gt;  II. Russia (The Moon Shines)&lt;br /&gt;  III. America (Amazing Grace)&lt;br /&gt;  IV. Mass Ordinary (Kyrie IV)&lt;br /&gt;  V. Mass Proper (Alleluia)&lt;br /&gt;  VI. Cantus Firmus (Hec Dies)&lt;br /&gt;  VII. Latin Lyric (Orientis Partibus)&lt;br /&gt;  VIII. Orkney Islands (Hymn to St. Magnus)&lt;br /&gt;  IX. Guirault de Bornelh (Reis Glorios)&lt;br /&gt;  X. Richard Coeur-de-Lion (Ja Nuns Hons Pris)&lt;br /&gt;  XI. French Monophony (Trotto)&lt;br /&gt;  XII. French Polyphony (Ductia)&lt;br /&gt;  XIII. Thomas of Celano (Dies Irae)&lt;br /&gt;  XIV. Italian Monophony (Saltarello)&lt;br /&gt;  XV. Giles Binchois (Files a Marier)&lt;br /&gt;  XVI. Antoine Busnois (L'Homme Arme)&lt;br /&gt;  XVII. Josquin des Pres (El Grillo / Scaramella)&lt;br /&gt;  XVIII. Claudio Monteverdi (Orfeo: Toccata / Vespers: Deus in Adjutorium)&lt;br /&gt;  XIX. Henry Purcell (Dido and Aeneas: When I Am Laid)&lt;br /&gt;  XX. J.S. Bach (Brandenburg Concerto No. 1: I / No. 3: 2 / WTC: Fugue in C Minor / Cantata 140: IV)&lt;br /&gt;  XXI. G.F. Handel (Messiah: Hallelujah)&lt;br /&gt;  XXII. Scott Joplin (Maple Leaf Rag)&lt;br /&gt;  XXIII. Blues (12-Bar)&lt;br /&gt;  XXIV. Charles Ives (Columbia the Gem of the Ocean)&lt;br /&gt;  XXV. Anton Webern (Works)&lt;br /&gt;  XXVI. John Cage (Sonata V)&lt;br /&gt;  XXVII. Pierre Boulez (Le Marteau sans Maitre)&lt;br /&gt;  XXVIII. David Bowie (Rock'n'Roll Suicide)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2644809515193175639-8544329520816039073?l=markalburgerworks.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2644809515193175639/posts/default/8544329520816039073'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2644809515193175639/posts/default/8544329520816039073'/><link rel='alternate' type='text/html' href='http://markalburgerworks.blogspot.com/9007/12/history-phases-op-153.html' title='History Phases, Op. 153'/><author><name>Mark Alburger</name><uri>http://www.blogger.com/profile/07603011736512071903</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://bp3.blogger.com/_9etVnS4R1As/R5whmtXnBHI/AAAAAAAAABM/nVh363-S8DM/S220/1957Alburger001Halfway.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_9etVnS4R1As/R-i7Ab0yhiI/AAAAAAAAC6c/_sfOarVPwcE/s72-c/000015CaliforniaSanBernardinoMojaveDesertMoon.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-2644809515193175639.post-7398235202987595686</id><published>2007-08-04T00:07:00.000-07:00</published><updated>2008-05-11T01:58:30.469-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='John Philip Sousa'/><category scheme='http://www.blogger.com/atom/ns#' term='Mark Alburger'/><category scheme='http://www.blogger.com/atom/ns#' term='Orbital American Deserata'/><category scheme='http://www.blogger.com/atom/ns#' term='Variations on Americana'/><category scheme='http://www.blogger.com/atom/ns#' term='San Francisco Composes Chamber Orchestra'/><title type='text'>Variations on Americana, Op. 148</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_9etVnS4R1As/SBwVFbfH-LI/AAAAAAAAECs/ioc-_GhEqTU/s1600-h/1854SousaJohnPhilipSousa-Chickering.LOC.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://3.bp.blogspot.com/_9etVnS4R1As/SBwVFbfH-LI/AAAAAAAAECs/ioc-_GhEqTU/s400/1854SousaJohnPhilipSousa-Chickering.LOC.jpg" alt="" id="BLOGGER_PHOTO_ID_5196051253100542130" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Op. 148 VARIATIONS ON AMERICANA&lt;br /&gt;(August 4, 2007)&lt;br /&gt;For orchestra&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Variations on Americana&lt;/span&gt; maps denatured pitches (often with accidentals removed, or mode change) of John Philip Sousa's four-strain &lt;span style="font-style: italic;"&gt;Stars and Stripes Forever&lt;/span&gt; over an abbrieviated rhythmic grid and some of the contour of Charles Ives's &lt;span style="font-style: italic;"&gt;Variations on America&lt;/span&gt;.  That the third strain of the dialectic has been transformed into a vague resemblance of Lowell Mason's &lt;span style="font-style: italic;"&gt;Mary Had a Little Lamb&lt;/span&gt; is purely coincidental, and very welcome.  The coda features distorted &lt;span style="font-style: italic;"&gt;SASF&lt;/span&gt; quotes previously utilized in my setting of Tennesee Williams's &lt;span style="font-style: italic;"&gt;Camino Real&lt;/span&gt; (Op. 110), for &lt;span style="font-style: italic;"&gt;Block Four&lt;/span&gt; (Kilroy and the Loan Shark).  The moral of the story in this case seems to be that rhythm is a far stronger identity and identifier than pitch.&lt;br /&gt;&lt;br /&gt;The work was conceived as a movement in the collaborative eight-composer &lt;span style="font-style: italic;"&gt;Sousa Variations&lt;/span&gt; for the San Francisco Composers Chamber Orchestra.&lt;br /&gt;&lt;br /&gt;Performance:&lt;br /&gt;&lt;br /&gt;June 7, 2008&lt;br /&gt;San Francisco Composers Chamber Orchestra&lt;br /&gt;Old First Church&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_9etVnS4R1As/SBwZeLfH-MI/AAAAAAAAEC0/dnH_h23Q3kg/s1600-h/1957Alburger147OrbitalAmericanDesert.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://2.bp.blogspot.com/_9etVnS4R1As/SBwZeLfH-MI/AAAAAAAAEC0/dnH_h23Q3kg/s400/1957Alburger147OrbitalAmericanDesert.jpg" alt="" id="BLOGGER_PHOTO_ID_5196056076348815554" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Recording:&lt;br /&gt;&lt;br /&gt;ORBITAL AMERICAN DESERATA&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Variations on Americana&lt;/span&gt;&lt;br /&gt;&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/Op 148 Variations on Americana.mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;(GarageBand Version)&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Variations on Americana&lt;/span&gt;&lt;br /&gt;&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/Op 148 Variations on Americana (Cubase).mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;(Cuebase Version)&lt;br /&gt;&lt;br /&gt;Publication:&lt;br /&gt;&lt;br /&gt;New Music&lt;br /&gt;(May 2, 2008)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2644809515193175639-7398235202987595686?l=markalburgerworks.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2644809515193175639/posts/default/7398235202987595686'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2644809515193175639/posts/default/7398235202987595686'/><link rel='alternate' type='text/html' href='http://markalburgerworks.blogspot.com/2007/08/variations-on-americana-op-148.html' title='Variations on Americana, Op. 148'/><author><name>Mark Alburger</name><uri>http://www.blogger.com/profile/07603011736512071903</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://bp3.blogger.com/_9etVnS4R1As/R5whmtXnBHI/AAAAAAAAABM/nVh363-S8DM/S220/1957Alburger001Halfway.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_9etVnS4R1As/SBwVFbfH-LI/AAAAAAAAECs/ioc-_GhEqTU/s72-c/1854SousaJohnPhilipSousa-Chickering.LOC.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-2644809515193175639.post-2366794899125570854</id><published>2006-12-01T22:55:00.000-08:00</published><updated>2011-01-29T03:38:16.113-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Kipling Songs'/><category scheme='http://www.blogger.com/atom/ns#' term='Mark Alburger'/><category scheme='http://www.blogger.com/atom/ns#' term='Rudyard Kipling'/><title type='text'>Kipling Songs, Op. 141</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_9etVnS4R1As/SLJJqfOsfeI/AAAAAAAAJUw/ppxXa-42DDY/s1600-h/1865KiplingRudyard.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://2.bp.blogspot.com/_9etVnS4R1As/SLJJqfOsfeI/AAAAAAAAJUw/ppxXa-42DDY/s400/1865KiplingRudyard.jpg" alt="" id="BLOGGER_PHOTO_ID_5238330310871776738" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Op. 141    KIPLING SONGS (December 1, 2006)&lt;br /&gt;       I. Prelude&lt;br /&gt;       II. A General Summary&lt;br /&gt;       III. The Betrothed&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2644809515193175639-2366794899125570854?l=markalburgerworks.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2644809515193175639/posts/default/2366794899125570854'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2644809515193175639/posts/default/2366794899125570854'/><link rel='alternate' type='text/html' href='http://markalburgerworks.blogspot.com/2006/12/kipling-songs-op-141.html' title='Kipling Songs, Op. 141'/><author><name>Mark Alburger</name><uri>http://www.blogger.com/profile/07603011736512071903</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://bp3.blogger.com/_9etVnS4R1As/R5whmtXnBHI/AAAAAAAAABM/nVh363-S8DM/S220/1957Alburger001Halfway.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_9etVnS4R1As/SLJJqfOsfeI/AAAAAAAAJUw/ppxXa-42DDY/s72-c/1865KiplingRudyard.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-2644809515193175639.post-220744383730555456</id><published>2005-02-01T20:35:00.000-08:00</published><updated>2008-04-08T02:19:30.696-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Mark Alburger'/><category scheme='http://www.blogger.com/atom/ns#' term='Samuel Beckett'/><category scheme='http://www.blogger.com/atom/ns#' term='Waiting for Godot'/><title type='text'>Waiting for Godot, Op. 128</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_9etVnS4R1As/R60t06trElI/AAAAAAAAAyY/px3NJ0rFjr4/s1600-h/1957Alburger128WaitingForGodot01NothingToBeDone.JPG"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://2.bp.blogspot.com/_9etVnS4R1As/R60t06trElI/AAAAAAAAAyY/px3NJ0rFjr4/s400/1957Alburger128WaitingForGodot01NothingToBeDone.JPG" alt="" id="BLOGGER_PHOTO_ID_5164834734801097298" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Op. 128 WAITING FOR GODOT&lt;br /&gt;(after Samuel Beckett)&lt;br /&gt;(February 1, 2005)&lt;br /&gt;Tragicomic Opera in Two Acts&lt;br /&gt;ACT I&lt;br /&gt;I. Prelude - Nothing to be done.&lt;br /&gt;II. Duet and Trio - And they didn't beat you?&lt;br /&gt;III. Recitative - Where was I?&lt;br /&gt;IV. Aria - Two thieves&lt;br /&gt;V. Duet - Charming spot.&lt;br /&gt;VI. Recitative - What are you insinuating?&lt;br /&gt;VII. Quintet / Duet - I was lonely / Ah stop it!&lt;br /&gt;VIII. Recitative - Just so!&lt;br /&gt;IX. Duet - Gogo light.&lt;br /&gt;X. Recitative - Good idea.&lt;br /&gt;XI. Arioso - What exactly...&lt;br /&gt;XII. Recitative - On our hands and knees.&lt;br /&gt;XIII. Terzettino - We're not tied?&lt;br /&gt;XIV. Quartet - I'm hungry!&lt;br /&gt;XV. Recitative - Bozzo.&lt;br /&gt;XVI. Duet - What ails him?&lt;br /&gt;XVII. Cavatina - Leave him in peace!&lt;br /&gt;XVIII. Trio - It's a scandal!&lt;br /&gt;XIX. Aria - I must be getting on.&lt;br /&gt;XX. Trio - Who told you?&lt;br /&gt;XXI. Quartet - Here.  What?&lt;br /&gt;XXII. Cabaletta - Ah! Why couldn't you say so before?&lt;br /&gt;XXIII. Scena / Aria - Hanky! / He's stopped crying (The Tears of the World)&lt;br /&gt;XXIV. Recitative - And now you throw him&lt;br /&gt;XXV. Aria (Reprise) / Boogie - He's subsided (Indeed All Subsides) / If you asked&lt;br /&gt;XXVI. Trio - Pop!&lt;br /&gt;XXVII. Quartet - You know how to think&lt;br /&gt;XXVIII. Aria Accompagnata - Stop! Back! Turn! Think!&lt;br /&gt;XXIX. Scena - His hat!&lt;br /&gt;XXX. Recitative - Now!&lt;br /&gt;XXXI. Arioso - Thank you, gentlemen&lt;br /&gt;XXXII. Duet - That passed the time&lt;br /&gt;XXXIII. Trio - Mister&lt;br /&gt;XXXIV. Duet - Yes, sir / You work for Mr. Godot?&lt;br /&gt;XXXV. Finale - At last&lt;br /&gt;ACT II&lt;br /&gt;XXXVI. Aria - A dog&lt;br /&gt;XXXVII. Duet - You again!&lt;br /&gt;XXXVIII. Scena - Wait for Godot&lt;br /&gt;XXXIX. Recitative - All the same&lt;br /&gt;XL. Scena (Variant) - Best thing&lt;br /&gt;XLI. Duet - When you seek&lt;br /&gt;XLII. Duet (Continuing) - That wasn't such a bad&lt;br /&gt;XLIII. Duet (Continuing) - This evening&lt;br /&gt;XLIV. Duet (Continuing) - I suppose we blathered&lt;br /&gt;XLV. Ballet - What'll we do?&lt;br /&gt;XLVI. Scena - Lucky's hat!&lt;br /&gt;XLVII. Tango Tune - Will you not play?&lt;br /&gt;XLVIII. Gigue - Tell me to think&lt;br /&gt;XLIX. Stretto - Well I can understand&lt;br /&gt;L. Trio - What do we do now&lt;br /&gt;LI. Quartet - Time flows again&lt;br /&gt;LII. Accompanied Aria - Let us not waste time&lt;br /&gt;LIII.  Trio - What's the matter with you all?&lt;br /&gt;LIV. Scena - Simple queston of will power&lt;br /&gt;LV. Hymn Variation/Transfiguration - It's evening&lt;br /&gt;LVI. Arioso Trio - Go and see is he hurt&lt;br /&gt;LVII. Dream Duet-Aria I - Don't go / Have you not&lt;br /&gt;LVIII. Dream Duet-Aria II - Why will you&lt;br /&gt;LIX. Dream Aria-Duet III - Was I sleeping&lt;br /&gt;LX. Epilogue - What's wrong with you?&lt;br /&gt;&lt;br /&gt;Performances:&lt;br /&gt;&lt;br /&gt;May 28, 2006&lt;br /&gt;Mark Alburger, Voices, MIDI&lt;br /&gt;NOW Music Festival, Fresh Voices VI Festival&lt;br /&gt;Goat Hall Productions, Thick House Theatre, San Francisco, CA&lt;br /&gt;&lt;br /&gt;April 20, 2007&lt;br /&gt;San Francisco Cabaret Opera&lt;br /&gt;San Francisco Composers Chamber Orchestra&lt;br /&gt;Old First Presbyterian Church, San Francisco, CA&lt;br /&gt;&lt;br /&gt;April 26, 2007&lt;br /&gt;Mark Alburger, Voice&lt;br /&gt;Diablo Valley College Duck Pond, Pleasant Hill, CA&lt;br /&gt;&lt;br /&gt;June 15-16, 22, 24, 2007&lt;br /&gt;Fresh Voices VII Festival&lt;br /&gt;Goat Hall, San Francisco, CA&lt;br /&gt;&lt;br /&gt;VLADIMIR - Eliza O'Malley&lt;br /&gt;ESTRAGON - Meghan Dibble&lt;br /&gt;POZZO - Janet Lohr (Act I) / Kat Cornelius (Act II)&lt;br /&gt;LUCKY - Kat Cornelius (Act I) / Janet Lohr (Act II)&lt;br /&gt;BOY - Lea Grant&lt;br /&gt;&lt;br /&gt;DIRECTOR - Mark Alburger&lt;br /&gt;PIANO - Keisuke Nakagoshi&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_9etVnS4R1As/R60ur6trEmI/AAAAAAAAAyg/LcBnUtN4Jrk/s1600-h/1957Alburger128WaitingForGodot14ImHungry.JPG"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://2.bp.blogspot.com/_9etVnS4R1As/R60ur6trEmI/AAAAAAAAAyg/LcBnUtN4Jrk/s400/1957Alburger128WaitingForGodot14ImHungry.JPG" alt="" id="BLOGGER_PHOTO_ID_5164835679693902434" border="0" /&gt;&lt;/a&gt;XIV. I'm hungry!&lt;br /&gt;(Dibble, O'Malley)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_9etVnS4R1As/R_syxr0ykKI/AAAAAAAADPY/huFr669M7CE/s1600-h/1957Alburger128WaitingForGodot14ImHungryYouAreHuman.JPG"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://2.bp.blogspot.com/_9etVnS4R1As/R_syxr0ykKI/AAAAAAAADPY/huFr669M7CE/s400/1957Alburger128WaitingForGodot14ImHungryYouAreHuman.JPG" alt="" id="BLOGGER_PHOTO_ID_5186795225006379170" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;You are human beings nonetheless&lt;br /&gt;(O'Malley, Lohr)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_9etVnS4R1As/R61D3qtrErI/AAAAAAAAAzE/uje-HXjIhMg/s1600-h/1957Alburger128WaitingForGodot15Bozzo.JPG"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://1.bp.blogspot.com/_9etVnS4R1As/R61D3qtrErI/AAAAAAAAAzE/uje-HXjIhMg/s400/1957Alburger128WaitingForGodot15Bozzo.JPG" alt="" id="BLOGGER_PHOTO_ID_5164858971301548722" border="0" /&gt;&lt;/a&gt;XV. Bozzo?&lt;br /&gt;(O'Malley, Cornelius)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_9etVnS4R1As/R60xJKtrEnI/AAAAAAAAAyo/52zcya5KnE8/s1600-h/1957Alburger128WaitingForGodot14Lucky.JPG"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://3.bp.blogspot.com/_9etVnS4R1As/R60xJKtrEnI/AAAAAAAAAyo/52zcya5KnE8/s400/1957Alburger128WaitingForGodot14Lucky.JPG" alt="" id="BLOGGER_PHOTO_ID_5164838381228331634" border="0" /&gt;&lt;/a&gt;XVI. What ails him?&lt;br /&gt;(Cornelius)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_9etVnS4R1As/R_szir0ykLI/AAAAAAAADPg/3JqFFgBFRS8/s1600-h/1957Alburger128WaitingForGodot18ItsAScandal.JPG"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://2.bp.blogspot.com/_9etVnS4R1As/R_szir0ykLI/AAAAAAAADPg/3JqFFgBFRS8/s400/1957Alburger128WaitingForGodot18ItsAScandal.JPG" alt="" id="BLOGGER_PHOTO_ID_5186796066819969202" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;XVIII. It's a scandal&lt;br /&gt;(O'Malley, Cornelius, Lohr)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_9etVnS4R1As/R61A76trEoI/AAAAAAAAAyw/YHq3_Ywd6dQ/s1600-h/1957Alburger128WaitingForGodot28StopBackTurnThink.JPG"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://2.bp.blogspot.com/_9etVnS4R1As/R61A76trEoI/AAAAAAAAAyw/YHq3_Ywd6dQ/s400/1957Alburger128WaitingForGodot28StopBackTurnThink.JPG" alt="" id="BLOGGER_PHOTO_ID_5164855745781109378" border="0" /&gt;&lt;/a&gt;XXVIII. Stop! Back! Turn! Think!&lt;br /&gt;(Lohr)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_9etVnS4R1As/R61DEqtrEqI/AAAAAAAAAy8/zBy0DXq95cY/s1600-h/1957Alburger128WaitingForGodot29HisHat.JPG"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://1.bp.blogspot.com/_9etVnS4R1As/R61DEqtrEqI/AAAAAAAAAy8/zBy0DXq95cY/s400/1957Alburger128WaitingForGodot29HisHat.JPG" alt="" id="BLOGGER_PHOTO_ID_5164858095128220322" border="0" /&gt;&lt;/a&gt;XXIX. His hat!&lt;br /&gt;(Dibble, Cornelius, O'Malley)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_9etVnS4R1As/R_s4c70ykQI/AAAAAAAADQE/NOL6Ni-uhJc/s1600-h/1957Alburger128WaitingForGodot30NowYouCanLetHimGo.JPG"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://3.bp.blogspot.com/_9etVnS4R1As/R_s4c70ykQI/AAAAAAAADQE/NOL6Ni-uhJc/s400/1957Alburger128WaitingForGodot30NowYouCanLetHimGo.JPG" alt="" id="BLOGGER_PHOTO_ID_5186801465593860354" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;XXX. Now you can let him go&lt;br /&gt;(Lohr)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_9etVnS4R1As/R_s4F70ykPI/AAAAAAAADP8/wARFjg3GTr8/s1600-h/1957Alburger128WaitingForGodot31ThankYouGentlemen.JPG"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://3.bp.blogspot.com/_9etVnS4R1As/R_s4F70ykPI/AAAAAAAADP8/wARFjg3GTr8/s400/1957Alburger128WaitingForGodot31ThankYouGentlemen.JPG" alt="" id="BLOGGER_PHOTO_ID_5186801070456869106" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;XXXI. Thank you, gentlemen&lt;br /&gt;(Lohr)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_9etVnS4R1As/R61JuqtrEsI/AAAAAAAAAzM/4FBJw2gYaj0/s1600-h/1957Alburger128WaitingForGodot33Mister.JPG"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://1.bp.blogspot.com/_9etVnS4R1As/R61JuqtrEsI/AAAAAAAAAzM/4FBJw2gYaj0/s400/1957Alburger128WaitingForGodot33Mister.JPG" alt="" id="BLOGGER_PHOTO_ID_5164865413752492738" border="0" /&gt;&lt;/a&gt;XXXIII. Mister?&lt;br /&gt;(Grant)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_9etVnS4R1As/R61KsKtrEtI/AAAAAAAAAzU/vLrzd9hFVTY/s1600-h/1957Alburger128WaitingForGodot50WhatDoWeDoNowWeb.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://3.bp.blogspot.com/_9etVnS4R1As/R61KsKtrEtI/AAAAAAAAAzU/vLrzd9hFVTY/s400/1957Alburger128WaitingForGodot50WhatDoWeDoNowWeb.jpg" alt="" id="BLOGGER_PHOTO_ID_5164866470314447570" border="0" /&gt;&lt;/a&gt;L. What do we do now?&lt;br /&gt;(Dibble, O'Malley)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_9etVnS4R1As/R61MZatrEvI/AAAAAAAAAzk/GMbHWjlk5u8/s1600-h/1957Alburger128WaitingForGodot53WhatsTheMatterWithYouAll.JPG"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://4.bp.blogspot.com/_9etVnS4R1As/R61MZatrEvI/AAAAAAAAAzk/GMbHWjlk5u8/s400/1957Alburger128WaitingForGodot53WhatsTheMatterWithYouAll.JPG" alt="" id="BLOGGER_PHOTO_ID_5164868347215155954" border="0" /&gt;&lt;/a&gt;LIII. What's the matter with you all?&lt;br /&gt;(Dibble, O'Malley)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_9etVnS4R1As/R61Ni6trExI/AAAAAAAAAz0/Uf1nMyHE7J4/s1600-h/1957Alburger128WaitingForGodot60WhatsWrongWithYou.JPG"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://2.bp.blogspot.com/_9etVnS4R1As/R61Ni6trExI/AAAAAAAAAz0/Uf1nMyHE7J4/s400/1957Alburger128WaitingForGodot60WhatsWrongWithYou.JPG" alt="" id="BLOGGER_PHOTO_ID_5164869609935541010" border="0" /&gt;&lt;/a&gt;LX. What's wrong with you?&lt;br /&gt;(Dibble, O'Malley)&lt;br /&gt;&lt;br /&gt;Recordings:&lt;br /&gt;&lt;br /&gt;WAITING FOR GODOT&lt;br /&gt;Instrumental Version&lt;br /&gt;(New Music, 2007)&lt;br /&gt;ACT I&lt;br /&gt;I. Prelude - Nothing to be done&lt;br /&gt;II. Duet and Trio - And they didn't beat you?&lt;br /&gt;III. Recitative - Where was I?&lt;br /&gt;IV. Aria - Two thieves&lt;br /&gt;&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/Op 128 Waiting for Godot_ 4 Two Thieves (O).mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;V. Duet - Charming spot&lt;br /&gt;VI. Recitative - What are you insinuating?&lt;br /&gt;VII. Quintet / Duet - I was lonely / Ah stop it!&lt;br /&gt;VIII. Recitative - Just so!&lt;br /&gt;IX. Duet - Gogo light&lt;br /&gt;X. Recitative - Good idea.&lt;br /&gt;XI. Arioso - What exactly...&lt;br /&gt;XII. Recitative - On our hands and knees&lt;br /&gt;XIII. Terzettino - We're not tied?&lt;br /&gt;XIV. Quartet - I'm hungry!&lt;br /&gt;XV. Recitative - Bozzo.&lt;br /&gt;XVI. Duet - What ails him?&lt;br /&gt;XVII. Cavatina - Leave him in peace!&lt;br /&gt;XVIII. Trio - It's a scandal!&lt;br /&gt;XIX. Aria - I must be getting on.&lt;br /&gt;XX. Trio - Who told you?&lt;br /&gt;XXI. Quartet - Here.  What?&lt;br /&gt;XXII. Cabaletta - Ah! Why couldn't you say so before?&lt;br /&gt;XXIII. Scena / Aria - Hanky! / He's stopped crying (The Tears of the World)&lt;br /&gt;XXIV. Recitative - And now you throw him&lt;br /&gt;XXV. Aria (Reprise) / Boogie - He's subsided (Indeed All Subsides) / If you asked&lt;br /&gt;XXVI. Trio - Pop!&lt;br /&gt;XXVII. Quartet - You know how to think&lt;br /&gt;XXVIII. Aria Accompagnata - Stop! Back! Turn! Think!&lt;br /&gt;XXIX. Scena - His hat!&lt;br /&gt;XXX. Recitative - Now!&lt;br /&gt;XXXI. Arioso - Thank you, gentlemen&lt;br /&gt;XXXII. Duet - That passed the time&lt;br /&gt;XXXIII. Trio - Mister&lt;br /&gt;XXXIV. Duet - Yes, sir / You work for Mr. Godot?&lt;br /&gt;XXXV. Finale - At last&lt;br /&gt;ACT II&lt;br /&gt;XXXVI. Aria - A dog&lt;br /&gt;XXXVII. Duet - You again!&lt;br /&gt;XXXVIII. Scena - Wait for Godot&lt;br /&gt;XXXIX. Recitative - All the same&lt;br /&gt;XL. Scena (Variant) - Best thing&lt;br /&gt;XLI. Duet - When you seek&lt;br /&gt;XLII. Duet (Continuing) - That wasn't such a bad&lt;br /&gt;XLIII. Duet (Continuing) - This evening&lt;br /&gt;XLIV. Duet (Continuing) - I suppose we blathered&lt;br /&gt;XLV. Ballet - What'll we do?&lt;br /&gt;XLVI. Scena - Lucky's hat!&lt;br /&gt;XLVII. Tango Tune - Will you not play?&lt;br /&gt;XLVIII. Gigue - Tell me to think&lt;br /&gt;XLIX. Stretto - Well I can understand&lt;br /&gt;L. Trio - What do we do now&lt;br /&gt;LI. Quartet - Time flows again&lt;br /&gt;LII. Accompanied Aria - Let us not waste time&lt;br /&gt;LIII.  Trio - What's the matter with you all?&lt;br /&gt;LIV. Scena - Simple queston of will power&lt;br /&gt;LV. Hymn Variation/Transfiguration - It's evening&lt;br /&gt;LVI. Arioso Trio - Go and see is he hurt&lt;br /&gt;LVII. Dream Duet-Aria I - Don't go / Have you not&lt;br /&gt;LVIII. Dream Duet-Aria II - Why will you&lt;br /&gt;LIX. Dream Aria-Duet III - Was I sleeping&lt;br /&gt;LX. Epilogue - What's wrong with you?&lt;br /&gt;&lt;br /&gt;WAITING FOR GODOT (Selections)&lt;br /&gt;Eliza O'Malley, Vladimir&lt;br /&gt;Meghan Dibble, Estragon&lt;br /&gt;Mark Alburger, Pozzo / Lucky / Boy&lt;br /&gt;(New Music, 2007)&lt;br /&gt;ACT I&lt;br /&gt;I. Prelude - Nothing to be done&lt;br /&gt;&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/Op 128 Waiting for Godot_ 1 Nothing to Be Done (EMR).mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;V. Duet - Charming spot&lt;br /&gt;&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/Op 128 Waiting for Godot_ 5 Charming Spot (EMRC).mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;XIV. Quartet - I'm hungry!&lt;br /&gt;&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/Op 128 Waiting for Godot_ 14 Im Hungry (EMMR).mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;XV. Recitative - Bozzo&lt;br /&gt;&lt;br /&gt;XXVIII. Aria Accompagnata - Stop! Back! Turn! Think!&lt;br /&gt;XXIX. Scena - His hat!&lt;br /&gt;XXX. Recitative - Now!&lt;br /&gt;XXXI. Arioso - Thank you, gentlemen&lt;br /&gt;XXXIII. Trio - Mister&lt;br /&gt;XXXV. Finale - At last&lt;br /&gt;ACT II&lt;br /&gt;XXXVI. Aria - A dog&lt;br /&gt;XXXVII. Duet - You again!&lt;br /&gt;L. Trio - What do we do now&lt;br /&gt;LIII.  Trio - What's the matter with you all?&lt;br /&gt;LIV. Scena - Simple queston of will power&lt;br /&gt;LVI. Arioso Trio - Go and see is he hurt&lt;br /&gt;LVII. Dream Duet-Aria I - Don't go / Have you not&lt;br /&gt;LIX. Dream Aria-Duet III - Was I sleeping&lt;br /&gt;LX. Epilogue - What's wrong with you?&lt;br /&gt;&lt;br /&gt;Airplay:&lt;br /&gt;&lt;br /&gt;June 2-5, 2007&lt;br /&gt;&lt;a href="http://myspace.com/markalburger"&gt;myspace.com/markalburger&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2644809515193175639-220744383730555456?l=markalburgerworks.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2644809515193175639/posts/default/220744383730555456'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2644809515193175639/posts/default/220744383730555456'/><link rel='alternate' type='text/html' href='http://markalburgerworks.blogspot.com/2008/02/waiting-for-godot-op-128.html' title='Waiting for Godot, Op. 128'/><author><name>Mark Alburger</name><uri>http://www.blogger.com/profile/07603011736512071903</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://bp3.blogger.com/_9etVnS4R1As/R5whmtXnBHI/AAAAAAAAABM/nVh363-S8DM/S220/1957Alburger001Halfway.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_9etVnS4R1As/R60t06trElI/AAAAAAAAAyY/px3NJ0rFjr4/s72-c/1957Alburger128WaitingForGodot01NothingToBeDone.JPG' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-2644809515193175639.post-8234370539067478563</id><published>2004-12-03T20:31:00.000-08:00</published><updated>2008-02-08T23:04:04.821-08:00</updated><title type='text'>The Pied Piper of Hamelin, Op. 116</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_9etVnS4R1As/R6FaldXnD8I/AAAAAAAAAYI/tGTtk6OHinc/s1600-h/1946bushbinladen.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://4.bp.blogspot.com/_9etVnS4R1As/R6FaldXnD8I/AAAAAAAAAYI/tGTtk6OHinc/s400/1946bushbinladen.jpg" alt="" id="BLOGGER_PHOTO_ID_5161506247528615874" border="0" /&gt;&lt;/a&gt;Op. 116    THE PIED PIPER OF HAMELIN: A CHILD'S OPERA&lt;br /&gt;(after Robert Browning) (December 3, 2004)&lt;br /&gt;OVERTURE  - "Rats"&lt;br /&gt;I. ARIA - "Hamelin Town"&lt;br /&gt;II-III. CHORUS - "At last the people"&lt;br /&gt;IV-V. TRIO - "For a guilder" / "Come in"&lt;br /&gt;VI. ARIA - "Please your honors"&lt;br /&gt;VII. DUET - "Into the street"&lt;br /&gt;VIII. CHORUS - "You should have heard"&lt;br /&gt;IX. QUARTET - "First, if you please"&lt;br /&gt;X-XI. ARIA/TRIO - "The Piper's face fell" / "How?"&lt;br /&gt;XII. CHORUS - "Once more"&lt;br /&gt;XIII. TRIO - "The wonderful music"&lt;br /&gt;XIV. ARIA - "Alas, alas"&lt;br /&gt;XV. CHORUS - "In Transylvania"&lt;br /&gt;&lt;br /&gt;Performances:&lt;br /&gt;&lt;br /&gt;January 25, 2006&lt;br /&gt;Composer Gala&lt;br /&gt;Goat Hall, San Francisco, CA&lt;br /&gt;&lt;br /&gt;May 18-20, 2006&lt;br /&gt;Fresh Voices VI Festival, Goat Hall Productions&lt;br /&gt;Thick House Theatre, San Francisco, CA&lt;br /&gt;&lt;br /&gt;NARRATOR / MARIA SHRIVER - Suzanna Mizell&lt;br /&gt;MAYOR / ARNOLD SCHWARTZENEGGER - Noah Miller&lt;br /&gt;CORPORATION I / BARBARA BOXER - Bianca Showalter&lt;br /&gt;CORPORATION II / DIANE FEINSTEIN - Maggie Tennenbaum&lt;br /&gt;PIED PIPER / GEORGE W. BUSH - Karl Coryat&lt;br /&gt;RAT STOUT AS JULIUS CAESAR / OSAMA BIN LADEN -&lt;br /&gt;William Loney&lt;br /&gt;ONE WAS LAME / LYNNDIE ENGLAND - Sandra Castleberry&lt;br /&gt;&lt;br /&gt;DIRECTOR - Mark Alburger&lt;br /&gt;PIANO - Keisuke Nakagoshi&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_9etVnS4R1As/R6FXEdXnD5I/AAAAAAAAAXw/FEMCBM3dl48/s1600-h/1957Alburger116PiedPiper00RatsCloseUp.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://4.bp.blogspot.com/_9etVnS4R1As/R6FXEdXnD5I/AAAAAAAAAXw/FEMCBM3dl48/s400/1957Alburger116PiedPiper00RatsCloseUp.jpg" alt="" id="BLOGGER_PHOTO_ID_5161502382058049426" border="0" /&gt;&lt;/a&gt;OVERTURE  - "Rats"&lt;br /&gt;(Coryat, Mizell, Miller, Tennenbaum, Showalter, Castleberry, Loney)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_9etVnS4R1As/R6FYU9XnD6I/AAAAAAAAAX4/NZxhmtf3uvk/s1600-h/1957Alburger116PiedPiper01HamelinTown.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://2.bp.blogspot.com/_9etVnS4R1As/R6FYU9XnD6I/AAAAAAAAAX4/NZxhmtf3uvk/s400/1957Alburger116PiedPiper01HamelinTown.jpg" alt="" id="BLOGGER_PHOTO_ID_5161503765037518754" border="0" /&gt;&lt;/a&gt;I. ARIA - "Hamelin Town"&lt;br /&gt;(Loney, Castleberry, Coryat, Mizell, Tenenbaum, Miller)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_9etVnS4R1As/R6FbJ9XnD9I/AAAAAAAAAYQ/Rl3ryAlsPkA/s1600-h/1957Alburger116PiedPiper07RatStoutLoney.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://2.bp.blogspot.com/_9etVnS4R1As/R6FbJ9XnD9I/AAAAAAAAAYQ/Rl3ryAlsPkA/s400/1957Alburger116PiedPiper07RatStoutLoney.jpg" alt="" id="BLOGGER_PHOTO_ID_5161506874593841106" border="0" /&gt;&lt;/a&gt;VII. DUET - "Into the street"&lt;br /&gt;(Loney)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_9etVnS4R1As/R6FcHNXnD-I/AAAAAAAAAYY/24vA_txpWxk/s1600-h/1957Alburger116PiedPiper13CastleMizell.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://3.bp.blogspot.com/_9etVnS4R1As/R6FcHNXnD-I/AAAAAAAAAYY/24vA_txpWxk/s400/1957Alburger116PiedPiper13CastleMizell.jpg" alt="" id="BLOGGER_PHOTO_ID_5161507926860828642" border="0" /&gt;&lt;/a&gt;XIII. TRIO - "The wonderful music"&lt;br /&gt;(Castleberry, Mizell)&lt;br /&gt;&lt;br /&gt;April 20, 2007&lt;br /&gt;San Francisco Cabaret Opera and&lt;br /&gt;San Francisco Composers Chamber Orchestra&lt;br /&gt;Old First Presbyterian Church, San Francisco, CA&lt;br /&gt;&lt;br /&gt;April 26, 2007&lt;br /&gt;Mark Alburger, Voice&lt;br /&gt;Diablo Valley College Duck Pond, Pleasant Hill, CA&lt;br /&gt;&lt;br /&gt;Recording:&lt;br /&gt;&lt;br /&gt;THE PIED PIPER OF HAMELIN&lt;br /&gt;(New Music, 2008)&lt;br /&gt;OVERTURE  - "Rats!"&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/Op 116 Pied Piper of Hamelin_ Overture (Rats!}.mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;I. ARIA - "Hamelin Town"&lt;br /&gt;II-III. CHORUS - "At last the people"&lt;br /&gt;IV-V. TRIO - "For a guilder" / "Come in"&lt;br /&gt;VI. ARIA - "Please your honors"&lt;br /&gt;VII. DUET - "Into the street"&lt;br /&gt;VIII. CHORUS - "You should have heard"&lt;br /&gt;IX. QUARTET - "First, if you please"&lt;br /&gt;X-XI. ARIA/TRIO - "The Piper's face fell" / "How?"&lt;br /&gt;XII. CHORUS - "Once more"&lt;br /&gt;XIII. TRIO - "The wonderful music"&lt;br /&gt;XIV. ARIA - "Alas, alas"&lt;br /&gt;XV. CHORUS - "In Transylvania"&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Airplay:&lt;br /&gt;&lt;br /&gt;June 2-5, 2007&lt;br /&gt;&lt;a href="http://myspace.com/markalburger"&gt;myspace.com/markalburger&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2644809515193175639-8234370539067478563?l=markalburgerworks.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2644809515193175639/posts/default/8234370539067478563'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2644809515193175639/posts/default/8234370539067478563'/><link rel='alternate' type='text/html' href='http://markalburgerworks.blogspot.com/2004/12/pied-piper-of-hamelin-op-116.html' title='The Pied Piper of Hamelin, Op. 116'/><author><name>Mark Alburger</name><uri>http://www.blogger.com/profile/07603011736512071903</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://bp3.blogger.com/_9etVnS4R1As/R5whmtXnBHI/AAAAAAAAABM/nVh363-S8DM/S220/1957Alburger001Halfway.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_9etVnS4R1As/R6FaldXnD8I/AAAAAAAAAYI/tGTtk6OHinc/s72-c/1946bushbinladen.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-2644809515193175639.post-602040455850390102</id><published>2004-04-16T02:13:00.000-07:00</published><updated>2008-02-08T03:19:38.113-08:00</updated><title type='text'>Horn Concerto ("Sherlock"), Op. 114</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_9etVnS4R1As/R6wuZ9XnGxI/AAAAAAAAAvM/1kRS8dDIDuk/s1600-h/peterpaulrubens-bacchus,1638-40.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://1.bp.blogspot.com/_9etVnS4R1As/R6wuZ9XnGxI/AAAAAAAAAvM/1kRS8dDIDuk/s400/peterpaulrubens-bacchus,1638-40.jpg" alt="" id="BLOGGER_PHOTO_ID_5164553896192318226" border="0" /&gt;&lt;/a&gt;Op. 114 HORN CONCERTO ("Sherlock")&lt;br /&gt;(September 16, 2004)&lt;br /&gt;For Horn and Orchestra&lt;br /&gt;(4444 4431 HpPf2Perc Strings)&lt;br /&gt;I. Allegro&lt;br /&gt;II. Andante&lt;br /&gt;III. Allegro vivace&lt;br /&gt;&lt;br /&gt;Performances:&lt;br /&gt;&lt;br /&gt;September 26, 2004&lt;br /&gt;The San Francisco Composers Chamber Orchestra, with Brian Holmes&lt;br /&gt;  NACUSA Concert, Art Center, Palo Alto, CA&lt;br /&gt;&lt;br /&gt; October, 2004&lt;br /&gt;The San Francisco Composers Chamber Orchestra, with Jan Bures&lt;br /&gt;  Community Music Center, San Francisco, CA&lt;br /&gt;&lt;br /&gt; December 4, 2004&lt;br /&gt;  The Diablo Valley College Philharmonic Orchestra&lt;br /&gt;  Pleasant Hill, CA&lt;br /&gt;&lt;br /&gt;Recording:&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_9etVnS4R1As/R6w49NXnGyI/AAAAAAAAAvU/Lxv7lbnQiN0/s1600-h/000001KenyaWildebeastsGazelleMountains.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://2.bp.blogspot.com/_9etVnS4R1As/R6w49NXnGyI/AAAAAAAAAvU/Lxv7lbnQiN0/s400/000001KenyaWildebeastsGazelleMountains.jpg" alt="" id="BLOGGER_PHOTO_ID_5164565496898984738" border="0" /&gt;&lt;/a&gt;COHABITATION CONCERTI&lt;br /&gt;(New Music, 2008)&lt;br /&gt;HORN CONCERTO ("Sherlock")&lt;br /&gt;I. Allegro&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/Op 114 Horn Concerto_ 1 Allegro 1.mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;II. Andante&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/Op 114 Horn Concerto_ 2.mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;III. Allegro vivace&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2644809515193175639-602040455850390102?l=markalburgerworks.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2644809515193175639/posts/default/602040455850390102'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2644809515193175639/posts/default/602040455850390102'/><link rel='alternate' type='text/html' href='http://markalburgerworks.blogspot.com/2004/04/horn-concerto-sherlock-op-114.html' title='Horn Concerto (&quot;Sherlock&quot;), Op. 114'/><author><name>Mark Alburger</name><uri>http://www.blogger.com/profile/07603011736512071903</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://bp3.blogger.com/_9etVnS4R1As/R5whmtXnBHI/AAAAAAAAABM/nVh363-S8DM/S220/1957Alburger001Halfway.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_9etVnS4R1As/R6wuZ9XnGxI/AAAAAAAAAvM/1kRS8dDIDuk/s72-c/peterpaulrubens-bacchus,1638-40.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-2644809515193175639.post-124965355761466019</id><published>2003-05-11T10:39:00.000-07:00</published><updated>2010-07-10T01:19:06.369-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='John Millington Synge'/><category scheme='http://www.blogger.com/atom/ns#' term='Mark Alburger'/><category scheme='http://www.blogger.com/atom/ns#' term='San Francisco Cabaret Opera'/><category scheme='http://www.blogger.com/atom/ns#' term='The Playboy of the Western World'/><title type='text'>The Playboy of the Western World, Op. 111</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_9etVnS4R1As/R6DE9dXnDHI/AAAAAAAAARo/VKMwYnSvb_o/s1600-h/1957Alburger111Playboy.jpg"&gt;&lt;img style="cursor: pointer;" src="http://3.bp.blogspot.com/_9etVnS4R1As/R6DE9dXnDHI/AAAAAAAAARo/VKMwYnSvb_o/s400/1957Alburger111Playboy.jpg" alt="" id="BLOGGER_PHOTO_ID_5161341733101309042" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Op. 111     THE PLAYBOY OF THE WESTERN WORLD (May 11, 2003)&lt;br /&gt;(after John Millington Synge)&lt;br /&gt;Act I&lt;br /&gt;Act II&lt;br /&gt;Act III&lt;br /&gt;&lt;br /&gt;Westeurasian frolic inspired by the (pseudo-) Easteurasian fantasy of Giacomo Puccini's Turandot, with Monty Pythonesque Oedipal allusions to The Chieftains, Igor Stravinsky's The Rite of Spring, and swing jazz.&lt;br /&gt;&lt;br /&gt;Performances:&lt;br /&gt;&lt;br /&gt;August 23-26, 2007&lt;br /&gt;San Francisco Cabaret Opera / Goat Hall Productions&lt;br /&gt;Oakland Metro Operahouse, Oakland, CA&lt;br /&gt;&lt;br /&gt;PEGEEN MIKE - Eliza O'Malley&lt;br /&gt;SEAN KEOGH - William Loney&lt;br /&gt;JIMMY FARREL - Kristen Jones&lt;br /&gt;PHILLY CULLEN - Harriet March Page&lt;br /&gt;MICHAEL JAMES - Karl Coryat&lt;br /&gt;CHRISTY MAHON - Robert Benda&lt;br /&gt;WIDOW QUIN - Beth Henry&lt;br /&gt;SARA TANSEY - Kat Cornelius&lt;br /&gt;HONOR BLAKE - Cynthia Weyuker&lt;br /&gt;NELLY MCLAUGHLIN - Alexis Lane Jensen&lt;br /&gt;SUSAN BRADY - Lisa McHenry&lt;br /&gt;OLD MAHON - Mark Alburger&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_9etVnS4R1As/R6D5AtXnDJI/AAAAAAAAAR4/VYe3Qg9jLC4/s1600-h/1957Alburger111PlayboyAct3Lynching.JPG"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://4.bp.blogspot.com/_9etVnS4R1As/R6D5AtXnDJI/AAAAAAAAAR4/VYe3Qg9jLC4/s400/1957Alburger111PlayboyAct3Lynching.JPG" alt="" id="BLOGGER_PHOTO_ID_5161398963540528274" border="0" /&gt;&lt;/a&gt;Promotional shot (Suzanna Mizell, Lisa McHenry, Robert Benda, Karl Coryat, Kat Cornelius, William Loney)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_9etVnS4R1As/R6EhFtXnDXI/AAAAAAAAATo/4khTR9opeMY/s1600-h/1957Alburger111PlayboyPoster.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://1.bp.blogspot.com/_9etVnS4R1As/R6EhFtXnDXI/AAAAAAAAATo/4khTR9opeMY/s400/1957Alburger111PlayboyPoster.jpg" alt="" id="BLOGGER_PHOTO_ID_5161443029904985458" border="0" /&gt;&lt;/a&gt;Poster, on a double bill with Steven Clark's Dionysus.&lt;br /&gt;&lt;br /&gt;Rehearsal Shots, Piedmont Piano, Oakland, CA&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_9etVnS4R1As/R6s2A9XnGkI/AAAAAAAAAtg/_IvVWCi1I8U/s1600-h/1957Alburger111PlayboyAct2A017NobodyInThereThisMorn.JPG"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://4.bp.blogspot.com/_9etVnS4R1As/R6s2A9XnGkI/AAAAAAAAAtg/_IvVWCi1I8U/s400/1957Alburger111PlayboyAct2A017NobodyInThereThisMorn.JPG" alt="" id="BLOGGER_PHOTO_ID_5164280787811899970" border="0" /&gt;&lt;/a&gt;Act II A m17 "Nobody in there this morn"&lt;br /&gt;(McHenry)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_9etVnS4R1As/R9w4XGi5pxI/AAAAAAAACSw/84-aSQWJ7xc/s1600-h/1957Alburger111PlayboyAct2A105SaraTanseySusanBrady.JPG"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://4.bp.blogspot.com/_9etVnS4R1As/R9w4XGi5pxI/AAAAAAAACSw/84-aSQWJ7xc/s400/1957Alburger111PlayboyAct2A105SaraTanseySusanBrady.JPG" alt="" id="BLOGGER_PHOTO_ID_5178075641114371858" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Act II A m105 "Sarah Tansey, Susan Brady"&lt;br /&gt;(Benda, Henry)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_9etVnS4R1As/R9r_Zmi5pTI/AAAAAAAACPA/T1yLARB0lzw/s1600-h/1957Alburger111PlayboyAct2A178IAmThinkingLordGodSentHim.JPG"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://4.bp.blogspot.com/_9etVnS4R1As/R9r_Zmi5pTI/AAAAAAAACPA/T1yLARB0lzw/s400/1957Alburger111PlayboyAct2A178IAmThinkingLordGodSentHim.JPG" alt="" id="BLOGGER_PHOTO_ID_5177731536924550450" border="0" /&gt;&lt;/a&gt;Act II A m178 "I am thinking Lord God sent him"&lt;br /&gt;(Benda, Henry)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_9etVnS4R1As/R9sDOGi5pUI/AAAAAAAACPI/61ifn-mJHJU/s1600-h/1957Alburger111PlayboyAct2A182YouAreHeroesSurely.JPG"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://3.bp.blogspot.com/_9etVnS4R1As/R9sDOGi5pUI/AAAAAAAACPI/61ifn-mJHJU/s400/1957Alburger111PlayboyAct2A182YouAreHeroesSurely.JPG" alt="" id="BLOGGER_PHOTO_ID_5177735737402565954" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Act II A m182 "You are heroes, surely"&lt;br /&gt;(McHenry, Henry, Benda)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_9etVnS4R1As/R9sEIWi5pVI/AAAAAAAACPQ/rFclzggT36g/s1600-h/1957Alburger111PlayboyAct2A186ThereNowDrinkAHealthToWonders.JPG"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://4.bp.blogspot.com/_9etVnS4R1As/R9sEIWi5pVI/AAAAAAAACPQ/rFclzggT36g/s400/1957Alburger111PlayboyAct2A186ThereNowDrinkAHealthToWonders.JPG" alt="" id="BLOGGER_PHOTO_ID_5177736738129945938" border="0" /&gt;&lt;/a&gt;Act II A "There now, drink a health to wonders"&lt;br /&gt;(Henry, Benda)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_9etVnS4R1As/R9sH0mi5pYI/AAAAAAAACPo/RGG2xy1a3MU/s1600-h/1957Alburger111PlayboyAct2B178AndYoudBeUsingBribery.JPG"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://1.bp.blogspot.com/_9etVnS4R1As/R9sH0mi5pYI/AAAAAAAACPo/RGG2xy1a3MU/s400/1957Alburger111PlayboyAct2B178AndYoudBeUsingBribery.JPG" alt="" id="BLOGGER_PHOTO_ID_5177740796874040706" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Act II B m178 "And you'd be using bribery?"&lt;br /&gt;(Henry, Benda)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_9etVnS4R1As/R9sInWi5pZI/AAAAAAAACPw/o56q4rlaMbc/s1600-h/1957Alburger111PlayboyAct2B194ItsTrueAllGirlsAreFondOfCourageAndDoHateTheLikeOfYou.JPG"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://4.bp.blogspot.com/_9etVnS4R1As/R9sInWi5pZI/AAAAAAAACPw/o56q4rlaMbc/s400/1957Alburger111PlayboyAct2B194ItsTrueAllGirlsAreFondOfCourageAndDoHateTheLikeOfYou.JPG" alt="" id="BLOGGER_PHOTO_ID_5177741668752401810" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Act II B m194 "It's true all girls are fond of courage, and do hate the likes of you"&lt;br /&gt;(Henry, Loney)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_9etVnS4R1As/R9sJXGi5paI/AAAAAAAACP4/qqfJa-4N3Cc/s1600-h/1957Alburger111PlayboyAct2B211WhatWouldYouGiveMe.JPG"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://3.bp.blogspot.com/_9etVnS4R1As/R9sJXGi5paI/AAAAAAAACP4/qqfJa-4N3Cc/s400/1957Alburger111PlayboyAct2B211WhatWouldYouGiveMe.JPG" alt="" id="BLOGGER_PHOTO_ID_5177742489091155362" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Act II B m211 "What would you give me?"&lt;br /&gt;(Henry, Loney)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_9etVnS4R1As/R9w232i5pwI/AAAAAAAACSo/Snw38jCSAU4/s1600-h/1957Alburger111PlayboyAct2BOhWidowQuinIWillGiveAnything.JPG"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://3.bp.blogspot.com/_9etVnS4R1As/R9w232i5pwI/AAAAAAAACSo/Snw38jCSAU4/s400/1957Alburger111PlayboyAct2BOhWidowQuinIWillGiveAnything.JPG" alt="" id="BLOGGER_PHOTO_ID_5178074004731832066" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Act II B "Oh, Widow Quin, I will give anything"&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_9etVnS4R1As/R9sKLWi5pbI/AAAAAAAACQA/pNrgOfuGMHg/s1600-h/1957Alburger111PlayboyAct2B236IfYouSeenYourself.JPG"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://4.bp.blogspot.com/_9etVnS4R1As/R9sKLWi5pbI/AAAAAAAACQA/pNrgOfuGMHg/s400/1957Alburger111PlayboyAct2B236IfYouSeenYourself.JPG" alt="" id="BLOGGER_PHOTO_ID_5177743386739320242" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Act II B m236 "If you could see yourself"&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_9etVnS4R1As/R9xP6Wi5p3I/AAAAAAAACTg/ks75YCR5WpM/s1600-h/1957Alburger111PlayboyAct2C065BestBeWaryOfAMortifiedScalp.JPG"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://1.bp.blogspot.com/_9etVnS4R1As/R9xP6Wi5p3I/AAAAAAAACTg/ks75YCR5WpM/s400/1957Alburger111PlayboyAct2C065BestBeWaryOfAMortifiedScalp.JPG" alt="" id="BLOGGER_PHOTO_ID_5178101535472199538" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Act II C m64 "Best be wary of a mortified scalp"&lt;br /&gt;(Henry, Alburger)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_9etVnS4R1As/R9sF52i5pXI/AAAAAAAACPg/QvMrSsk_RTk/s1600-h/1957Alburger111PlayboyAct2B068InTheSplendorOfTheSun.JPG"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://2.bp.blogspot.com/_9etVnS4R1As/R9sF52i5pXI/AAAAAAAACPg/QvMrSsk_RTk/s400/1957Alburger111PlayboyAct2B068InTheSplendorOfTheSun.JPG" alt="" id="BLOGGER_PHOTO_ID_5177738688045098354" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Act II C m70 "In the splendor of the sun"&lt;br /&gt;(Henry, Alburger)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_9etVnS4R1As/R9xRKmi5p4I/AAAAAAAACTo/BQNGLz-amYs/s1600-h/1957Alburger111PlayboyAct2C076MyOwnWickednessIsThatIt.JPG"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://2.bp.blogspot.com/_9etVnS4R1As/R9xRKmi5p4I/AAAAAAAACTo/BQNGLz-amYs/s400/1957Alburger111PlayboyAct2C076MyOwnWickednessIsThatIt.JPG" alt="" id="BLOGGER_PHOTO_ID_5178102914156701570" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Act II C m76 "My own wickedness, is that it?"&lt;br /&gt;(Alburger, Henry)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_9etVnS4R1As/R9xSrmi5p5I/AAAAAAAACTw/ivg_k7yVwQo/s1600-h/1957Alburger111PlayboyAct2C096HeNeverPulledHisWeight.JPG"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://2.bp.blogspot.com/_9etVnS4R1As/R9xSrmi5p5I/AAAAAAAACTw/ivg_k7yVwQo/s400/1957Alburger111PlayboyAct2C096HeNeverPulledHisWeight.JPG" alt="" id="BLOGGER_PHOTO_ID_5178104580604012434" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Act II C m96 "He never pulled his weight?"&lt;br /&gt;(Henry, Alburger)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_9etVnS4R1As/R9xdyGi5p8I/AAAAAAAACUI/pj37-38JrYg/s1600-h/1957Alburger111PlayboyAct2C100RunningWildHeUpAndHiding.JPG"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://4.bp.blogspot.com/_9etVnS4R1As/R9xdyGi5p8I/AAAAAAAACUI/pj37-38JrYg/s400/1957Alburger111PlayboyAct2C100RunningWildHeUpAndHiding.JPG" alt="" id="BLOGGER_PHOTO_ID_5178116786901067714" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Act II C m100 "Up and hiding"&lt;br /&gt;(Henry, Alburger)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Dress Rehearsal Stills:&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_9etVnS4R1As/R6DFztXnDII/AAAAAAAAARw/Tt09gdOiZZo/s1600-h/1957Alburger111PlayboyAct1JonesPageBendaCoryat.JPG"&gt;&lt;img style="cursor: pointer;" src="http://4.bp.blogspot.com/_9etVnS4R1As/R6DFztXnDII/AAAAAAAAARw/Tt09gdOiZZo/s400/1957Alburger111PlayboyAct1JonesPageBendaCoryat.JPG" alt="" id="BLOGGER_PHOTO_ID_5161342665109212290" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Act I C m14 "Is it yourself is fearing the polis?"&lt;br /&gt;(Jones, Page, Benda, Coryat)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_9etVnS4R1As/R9r9mmi5pSI/AAAAAAAACO4/q_iVcJzkXQY/s1600-h/1957Alburger111PlayboyAct1Page95SheDidNot.JPG"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://4.bp.blogspot.com/_9etVnS4R1As/R9r9mmi5pSI/AAAAAAAACO4/q_iVcJzkXQY/s400/1957Alburger111PlayboyAct1Page95SheDidNot.JPG" alt="" id="BLOGGER_PHOTO_ID_5177729561239594274" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Act I E m220 "She did not" (O'Malley, Benda, Henry)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_9etVnS4R1As/R6s7bNXnGlI/AAAAAAAAAto/NL-fvr2CcZM/s1600-h/1957Alburger111PlayboyAct2Page211ChristyMahonCome.JPG"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://1.bp.blogspot.com/_9etVnS4R1As/R6s7bNXnGlI/AAAAAAAAAto/NL-fvr2CcZM/s400/1957Alburger111PlayboyAct2Page211ChristyMahonCome.JPG" alt="" id="BLOGGER_PHOTO_ID_5164286736341604946" border="0" /&gt;&lt;/a&gt;Act II A m93 "Mister, you are welcome"&lt;br /&gt;(McHenry, Cornelius, Benda, Weyuker, Lane-Jensen)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_9etVnS4R1As/R9xAVGi5pyI/AAAAAAAACS4/dELGoYmeCYo/s1600-h/1957Alburger111PlayboyAct2A180HusbandToTheWidowQuin.JPG"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://4.bp.blogspot.com/_9etVnS4R1As/R9xAVGi5pyI/AAAAAAAACS4/dELGoYmeCYo/s400/1957Alburger111PlayboyAct2A180HusbandToTheWidowQuin.JPG" alt="" id="BLOGGER_PHOTO_ID_5178084402847655714" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Act II A m18 "Husband to the Widow Quin"&lt;br /&gt;(Henry, Cornelius, Benda)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_9etVnS4R1As/R9xD4mi5pzI/AAAAAAAACTA/9nxpftDw6jY/s1600-h/1957Alburger111PlayboyAct2B163SeeThisMister.JPG"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://2.bp.blogspot.com/_9etVnS4R1As/R9xD4mi5pzI/AAAAAAAACTA/9nxpftDw6jY/s400/1957Alburger111PlayboyAct2B163SeeThisMister.JPG" alt="" id="BLOGGER_PHOTO_ID_5178088311267895090" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Act II B m154 "See this, Mister?"&lt;br /&gt;(Henry, Benda, Loney)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_9etVnS4R1As/R9sFBGi5pWI/AAAAAAAACPY/8jx4BJ63rew/s1600-h/1957Alburger111PlayboyAct2AlburgerHenry.JPG"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://3.bp.blogspot.com/_9etVnS4R1As/R9sFBGi5pWI/AAAAAAAACPY/8jx4BJ63rew/s400/1957Alburger111PlayboyAct2AlburgerHenry.JPG" alt="" id="BLOGGER_PHOTO_ID_5177737713087522146" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Act II C m54 "I want to destroy'm for breaking"&lt;br /&gt;(Alburger, Henry)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_9etVnS4R1As/R9xExWi5p0I/AAAAAAAACTI/S7AyjD0HK-Q/s1600-h/1957Alburger111PlayboyAct2C58UglyStreeler.JPG"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://1.bp.blogspot.com/_9etVnS4R1As/R9xExWi5p0I/AAAAAAAACTI/S7AyjD0HK-Q/s400/1957Alburger111PlayboyAct2C58UglyStreeler.JPG" alt="" id="BLOGGER_PHOTO_ID_5178089286225471298" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Act II B m58 "Ugly Streeler"&lt;br /&gt;(Henry, Alburger)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_9etVnS4R1As/R9xT0Gi5p6I/AAAAAAAACT4/h0x76W9WCuk/s1600-h/1957Alburger111PlayboyAct2C96MakingFaces.JPG"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://4.bp.blogspot.com/_9etVnS4R1As/R9xT0Gi5p6I/AAAAAAAACT4/h0x76W9WCuk/s400/1957Alburger111PlayboyAct2C96MakingFaces.JPG" alt="" id="BLOGGER_PHOTO_ID_5178105826144528290" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Act II C m96 "Making faces"&lt;br /&gt;(Henry, Alburger)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_9etVnS4R1As/R9xWZGi5p7I/AAAAAAAACUA/F3bjvVs1STY/s1600-h/1957Alburger111PlayboyAct2C100HeUpAndHiding.JPG"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://4.bp.blogspot.com/_9etVnS4R1As/R9xWZGi5p7I/AAAAAAAACUA/F3bjvVs1STY/s400/1957Alburger111PlayboyAct2C100HeUpAndHiding.JPG" alt="" id="BLOGGER_PHOTO_ID_5178108660822943666" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Act II C m100 "He up and hiding"&lt;br /&gt;(Henry, Alburger)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_9etVnS4R1As/R9xgsGi5p-I/AAAAAAAACUY/STvpHH1Ds2Q/s1600-h/1957Alburger111PlayboyAct2C111WhichWayIsHeFled.JPG"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://4.bp.blogspot.com/_9etVnS4R1As/R9xgsGi5p-I/AAAAAAAACUY/STvpHH1Ds2Q/s400/1957Alburger111PlayboyAct2C111WhichWayIsHeFled.JPG" alt="" id="BLOGGER_PHOTO_ID_5178119982356735970" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Act II C m111 "Which way is he fled?"&lt;br /&gt;(Henry, Alburger)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_9etVnS4R1As/R9xhjGi5p_I/AAAAAAAACUg/u8b66Jd3fjo/s1600-h/1957Alburger111PlayboyAct2C115CanOvertakeHim.JPG"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://4.bp.blogspot.com/_9etVnS4R1As/R9xhjGi5p_I/AAAAAAAACUg/u8b66Jd3fjo/s400/1957Alburger111PlayboyAct2C115CanOvertakeHim.JPG" alt="" id="BLOGGER_PHOTO_ID_5178120927249541106" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Act II C m115 "Can overtake him?&lt;br /&gt;(Henry, Alburger)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_9etVnS4R1As/R9xiM2i5qAI/AAAAAAAACUo/kVxbIc8Vzjs/s1600-h/1957Alburger111PlayboyAct2C120LetYouGiveGoodVengeance.JPG"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://3.bp.blogspot.com/_9etVnS4R1As/R9xiM2i5qAI/AAAAAAAACUo/kVxbIc8Vzjs/s400/1957Alburger111PlayboyAct2C120LetYouGiveGoodVengeance.JPG" alt="" id="BLOGGER_PHOTO_ID_5178121644509079554" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Act II C m120 "Let you give good vengeance"&lt;br /&gt;(Benda, Henry)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_9etVnS4R1As/R9xqOGi5qBI/AAAAAAAACUw/QLja6jQO_5s/s1600-h/1957Alburger111PlayboyAct2D48YoullBeLikeMe.JPG"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://4.bp.blogspot.com/_9etVnS4R1As/R9xqOGi5qBI/AAAAAAAACUw/QLja6jQO_5s/s400/1957Alburger111PlayboyAct2D48YoullBeLikeMe.JPG" alt="" id="BLOGGER_PHOTO_ID_5178130462076938258" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Act II D m48 "You'll be like me"&lt;br /&gt;(Henry, Benda)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_9etVnS4R1As/R9xrSWi5qCI/AAAAAAAACU4/vJySyJGXYGg/s1600-h/1957Alburger111PlayboyAct2D72HowWouldALovelyGirlLikeYouKnowAboutLonesome.JPG"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://1.bp.blogspot.com/_9etVnS4R1As/R9xrSWi5qCI/AAAAAAAACU4/vJySyJGXYGg/s400/1957Alburger111PlayboyAct2D72HowWouldALovelyGirlLikeYouKnowAboutLonesome.JPG" alt="" id="BLOGGER_PHOTO_ID_5178131634603010082" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Act II D m72 "How would a lovely girl like you know about lonesome?"&lt;br /&gt;(Henry, Benda)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_9etVnS4R1As/R6Fqs9XnEDI/AAAAAAAAAZA/f8YPq5LkQAI/s1600-h/1957Alburger111PlayboyAct3Page227HisFathersRottenInTheGroundByNow.JPG"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://2.bp.blogspot.com/_9etVnS4R1As/R6Fqs9XnEDI/AAAAAAAAAZA/f8YPq5LkQAI/s400/1957Alburger111PlayboyAct3Page227HisFathersRottenInTheGroundByNow.JPG" alt="" id="BLOGGER_PHOTO_ID_5161523968563679282" border="0" /&gt;&lt;/a&gt;Act III A m29(1x) "His father's rotten in the ground by now"&lt;br /&gt;(Jones, Page)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_9etVnS4R1As/R6D6kNXnDKI/AAAAAAAAASA/IAJQ2MTVCHo/s1600-h/1957Alburger111PlayboyAct3Page227SomeWithFullTeethAndSomeHaventButOne.JPG"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://2.bp.blogspot.com/_9etVnS4R1As/R6D6kNXnDKI/AAAAAAAAASA/IAJQ2MTVCHo/s400/1957Alburger111PlayboyAct3Page227SomeWithFullTeethAndSomeHaventButOne.JPG" alt="" id="BLOGGER_PHOTO_ID_5161400672937512098" border="0" /&gt;&lt;/a&gt;Act III A m29 (2x) "Some with full teeth and some haven't but one"&lt;br /&gt;(Jones, Page)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_9etVnS4R1As/R6D-5dXnDLI/AAAAAAAAASI/lMoTyb6RzaM/s1600-h/1957Alburger111PlayboyAct3Page229LayYourEyesOnThisSkull.JPG"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://3.bp.blogspot.com/_9etVnS4R1As/R6D-5dXnDLI/AAAAAAAAASI/lMoTyb6RzaM/s400/1957Alburger111PlayboyAct3Page229LayYourEyesOnThisSkull.JPG" alt="" id="BLOGGER_PHOTO_ID_5161405436056243378" border="0" /&gt;&lt;/a&gt;Act III A m38(1x) "Lay your eyes on this skull"&lt;br /&gt;(Jones, Page, Alburger)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_9etVnS4R1As/R6D_u9XnDMI/AAAAAAAAASQ/hsHZez0GBhI/s1600-h/1957Alburger111PlayboyAct3Page231ItWasMyOwnSonThatHitMe.JPG"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://1.bp.blogspot.com/_9etVnS4R1As/R6D_u9XnDMI/AAAAAAAAASQ/hsHZez0GBhI/s400/1957Alburger111PlayboyAct3Page231ItWasMyOwnSonThatHitMe.JPG" alt="" id="BLOGGER_PHOTO_ID_5161406355179244738" border="0" /&gt;&lt;/a&gt;Act III A m47(1x) "It was my own son that hit me."&lt;br /&gt;(Jones, Page, Alburger)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_9etVnS4R1As/R6EdYdXnDVI/AAAAAAAAATY/nfWdmKNBZqg/s1600-h/1957Alburger111PlayboyAct3Page238ISeenCoastingSteamerPassing.JPG"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://4.bp.blogspot.com/_9etVnS4R1As/R6EdYdXnDVI/AAAAAAAAATY/nfWdmKNBZqg/s400/1957Alburger111PlayboyAct3Page238ISeenCoastingSteamerPassing.JPG" alt="" id="BLOGGER_PHOTO_ID_5161438953981021522" border="0" /&gt;&lt;/a&gt;Act III A m38(2x) "I saw coasting schooner passing"&lt;br /&gt;(Page, Alburger)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_9etVnS4R1As/R6ECjtXnDNI/AAAAAAAAASY/nayHYqhMqgA/s1600-h/1957Alburger111PlayboyAct3Page233ThatMansRaving.JPG"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://1.bp.blogspot.com/_9etVnS4R1As/R6ECjtXnDNI/AAAAAAAAASY/nayHYqhMqgA/s400/1957Alburger111PlayboyAct3Page233ThatMansRaving.JPG" alt="" id="BLOGGER_PHOTO_ID_5161409460440599762" border="0" /&gt;&lt;/a&gt;Act III A m55 "Do you know what?  That man's raving."&lt;br /&gt;(Henry, Page, Alburger)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_9etVnS4R1As/R6Eb_NXnDUI/AAAAAAAAATQ/N9ZQaaml1x4/s1600-h/1957Alburger111PlayboyAct3Page238ImPoorlyOnly.JPG"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://3.bp.blogspot.com/_9etVnS4R1As/R6Eb_NXnDUI/AAAAAAAAATQ/N9ZQaaml1x4/s400/1957Alburger111PlayboyAct3Page238ImPoorlyOnly.JPG" alt="" id="BLOGGER_PHOTO_ID_5161437420677696834" border="0" /&gt;&lt;/a&gt;Act III A m94(1x) "I'm poorly only."&lt;br /&gt;(Jones, Page, Alburger, Henry)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_9etVnS4R1As/R6EbA9XnDTI/AAAAAAAAATI/QMVlLWE3k1k/s1600-h/1957Alburger111PlayboyAct3Page238HesPoorlyOnly.JPG"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://2.bp.blogspot.com/_9etVnS4R1As/R6EbA9XnDTI/AAAAAAAAATI/QMVlLWE3k1k/s400/1957Alburger111PlayboyAct3Page238HesPoorlyOnly.JPG" alt="" id="BLOGGER_PHOTO_ID_5161436351230840114" border="0" /&gt;&lt;/a&gt;Act III A m94(2x) "He's poorly only."&lt;br /&gt;(Jones, Page, Alburger, Henry)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_9etVnS4R1As/R9zXHmi5qZI/AAAAAAAACXw/ZCld8KBcJh4/s1600-h/1957Alburger111PlayboyAct3B19ImThinkingWellHaveRightSport.JPG"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://2.bp.blogspot.com/_9etVnS4R1As/R9zXHmi5qZI/AAAAAAAACXw/ZCld8KBcJh4/s400/1957Alburger111PlayboyAct3B19ImThinkingWellHaveRightSport.JPG" alt="" id="BLOGGER_PHOTO_ID_5178250197175216530" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Act III B m19 "I'm thinking we'll have right sport"&lt;br /&gt;(Henry, Page)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_9etVnS4R1As/R6EeVtXnDWI/AAAAAAAAATg/01uQWZQpy4c/s1600-h/1957Alburger111PlayboyAct3Page299StopThatWillYou.JPG"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://1.bp.blogspot.com/_9etVnS4R1As/R6EeVtXnDWI/AAAAAAAAATg/01uQWZQpy4c/s400/1957Alburger111PlayboyAct3Page299StopThatWillYou.JPG" alt="" id="BLOGGER_PHOTO_ID_5161440006248009058" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Act III C m62 "Stop that, will you!"&lt;br /&gt;(Jones, O'Malley, Benda, Cornelius, Alburger, McHenry, Coryat)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_9etVnS4R1As/R6Eh5dXnDYI/AAAAAAAAATw/ztuDc61rKw4/s1600-h/1957Alburger111PlayboyAct3Page304ItsHimselfPretendingDead.JPG"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://4.bp.blogspot.com/_9etVnS4R1As/R6Eh5dXnDYI/AAAAAAAAATw/ztuDc61rKw4/s400/1957Alburger111PlayboyAct3Page304ItsHimselfPretendingDead.JPG" alt="" id="BLOGGER_PHOTO_ID_5161443918963215746" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Act III C m82 "It's himself pretending to be dead"&lt;br /&gt;(Jones, O'Malley, Benda, Page, Alburger, Cornelius, McHenry, Coryat)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_9etVnS4R1As/R6Ei7dXnDZI/AAAAAAAAAT4/VumFB7gi7c8/s1600-h/1957Alburger111PlayboyAct3Page312YourAfterMakingMeAMightyMan.JPG"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://4.bp.blogspot.com/_9etVnS4R1As/R6Ei7dXnDZI/AAAAAAAAAT4/VumFB7gi7c8/s400/1957Alburger111PlayboyAct3Page312YourAfterMakingMeAMightyMan.JPG" alt="" id="BLOGGER_PHOTO_ID_5161445052834581906" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Act 3 C m119 "You're after making me a mighty man this day."&lt;br /&gt;(Jones, Page, Benda, Alburger, Cornelius, McHenry)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_9etVnS4R1As/R9zSxmi5qYI/AAAAAAAACXo/GjYAXvuconc/s1600-h/1957Alburger111PlayboyAct3D14TheyreTurningAgainstYouMyLad.JPG"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://2.bp.blogspot.com/_9etVnS4R1As/R9zSxmi5qYI/AAAAAAAACXo/GjYAXvuconc/s400/1957Alburger111PlayboyAct3D14TheyreTurningAgainstYouMyLad.JPG" alt="" id="BLOGGER_PHOTO_ID_5178245421171583362" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Act III D m14 "They're turning against you, my lad"&lt;br /&gt;(Henry, Benda)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_9etVnS4R1As/R9zX9Gi5qaI/AAAAAAAACX4/kL0TaIXT87Q/s1600-h/1957Alburger111PlayboyAct3D18ComeByTheBackDoor.JPG"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://4.bp.blogspot.com/_9etVnS4R1As/R9zX9Gi5qaI/AAAAAAAACX4/kL0TaIXT87Q/s400/1957Alburger111PlayboyAct3D18ComeByTheBackDoor.JPG" alt="" id="BLOGGER_PHOTO_ID_5178251116298217890" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Act III D m18 "Come by the back door"&lt;br /&gt;(Henry, Benda)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_9etVnS4R1As/R6EmGtXnDdI/AAAAAAAAAUQ/DJBh2y-ZVqA/s1600-h/1957Alburger111PlayboyAct3Page322TwistAHangmansKnot.JPG"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://1.bp.blogspot.com/_9etVnS4R1As/R6EmGtXnDdI/AAAAAAAAAUQ/DJBh2y-ZVqA/s400/1957Alburger111PlayboyAct3Page322TwistAHangmansKnot.JPG" alt="" id="BLOGGER_PHOTO_ID_5161448544642993618" border="0" /&gt;&lt;/a&gt;Act III D m52 "Twist a hangman's knot"&lt;br /&gt;(Coryat, Page, Loney, Jones"&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_9etVnS4R1As/R6EnWNXnDeI/AAAAAAAAAUY/0cdlX64t718/s1600-h/1957Alburger111PlayboyAct3Page324HesthewickedestAndWorseWithMe.JPG"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://3.bp.blogspot.com/_9etVnS4R1As/R6EnWNXnDeI/AAAAAAAAAUY/0cdlX64t718/s400/1957Alburger111PlayboyAct3Page324HesthewickedestAndWorseWithMe.JPG" alt="" id="BLOGGER_PHOTO_ID_5161449910442593762" border="0" /&gt;&lt;/a&gt;Act III D m55 "He's the wickedest and the worst with me"&lt;br /&gt;(Loney, Coryat, O'Malley, Page, Jones)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_9etVnS4R1As/R6EoCdXnDfI/AAAAAAAAAUg/rBWh0wu5X7Q/s1600-h/1957Alburger111PlayboyAct3Page324YouTakeItPegeenMike.JPG"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://4.bp.blogspot.com/_9etVnS4R1As/R6EoCdXnDfI/AAAAAAAAAUg/rBWh0wu5X7Q/s400/1957Alburger111PlayboyAct3Page324YouTakeItPegeenMike.JPG" alt="" id="BLOGGER_PHOTO_ID_5161450670651805170" border="0" /&gt;&lt;/a&gt;Act III D m57 "You take the rope, Pegeen."&lt;br /&gt;(O'Malley, Loney, Coryat, Page, Jones)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_9etVnS4R1As/R6EpG9XnDgI/AAAAAAAAAUo/JsXaSPAkij0/s1600-h/1957Alburger111PlayboyAct3Page336AreYouComingToBeKilledThirdTime.JPG"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://2.bp.blogspot.com/_9etVnS4R1As/R6EpG9XnDgI/AAAAAAAAAUo/JsXaSPAkij0/s400/1957Alburger111PlayboyAct3Page336AreYouComingToBeKilledThirdTime.JPG" alt="" id="BLOGGER_PHOTO_ID_5161451847472844290" border="0" /&gt;&lt;/a&gt;Act III D 141 "Are you coming to be killed third time?"&lt;br /&gt;(Coryat, Lane-Jenson, Benda, Weyuker, Alburger, Loney)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_9etVnS4R1As/R6ErmNXnDiI/AAAAAAAAAU4/B4hi_oOfO0k/s1600-h/1957Alburger111PlayboyAct3Page338TheyreGoingToHaveMeHanged.JPG"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://3.bp.blogspot.com/_9etVnS4R1As/R6ErmNXnDiI/AAAAAAAAAU4/B4hi_oOfO0k/s400/1957Alburger111PlayboyAct3Page338TheyreGoingToHaveMeHanged.JPG" alt="" id="BLOGGER_PHOTO_ID_5161454583367011874" border="0" /&gt;&lt;/a&gt;Act III D m148 "They're taking me to the peelers."&lt;br /&gt;(McHenry, Coryat, Benda, Lane-Jenson, Weyuker, Alburger, Loney)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_9etVnS4R1As/R6EuQdXnDkI/AAAAAAAAAVI/FX2-WbwJj04/s1600-h/1957Alburger111PlayboyAct3Page338TheyreTakingMeToThePeelers.JPG"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://4.bp.blogspot.com/_9etVnS4R1As/R6EuQdXnDkI/AAAAAAAAAVI/FX2-WbwJj04/s400/1957Alburger111PlayboyAct3Page338TheyreTakingMeToThePeelers.JPG" alt="" id="BLOGGER_PHOTO_ID_5161457508239740482" border="0" /&gt;&lt;/a&gt;Act III D m150 "They're going to have me hanged."&lt;br /&gt;(McHenry, Coryat, Benda, Lane-Jenson, Weyuker, Alburger, Loney)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_9etVnS4R1As/R6EqytXnDhI/AAAAAAAAAUw/79yxnTdT6qw/s1600-h/1957Alburger111PlayboyAct3Page342WellLittleICare.JPG"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://1.bp.blogspot.com/_9etVnS4R1As/R6EqytXnDhI/AAAAAAAAAUw/79yxnTdT6qw/s400/1957Alburger111PlayboyAct3Page342WellLittleICare.JPG" alt="" id="BLOGGER_PHOTO_ID_5161453698603748882" border="0" /&gt;&lt;/a&gt;Act III D m164 "Well, little I care about such things."&lt;br /&gt;(Jones, O'Malley, Page, Benda, Loney, Coryat, Alburger)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_9etVnS4R1As/R6EtJdXnDjI/AAAAAAAAAVA/gPojrPQryf8/s1600-h/1957Alburger111PlayboyAct3Page343ITheCaptainWithHisHeathenSlave.JPG"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://4.bp.blogspot.com/_9etVnS4R1As/R6EtJdXnDjI/AAAAAAAAAVA/gPojrPQryf8/s400/1957Alburger111PlayboyAct3Page343ITheCaptainWithHisHeathenSlave.JPG" alt="" id="BLOGGER_PHOTO_ID_5161456288469028402" border="0" /&gt;&lt;/a&gt;Act III D m169 "I the captain with his heathen slave."&lt;br /&gt;(Lane-Jenson, Benda, Alburger)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_9etVnS4R1As/R6EvJtXnDlI/AAAAAAAAAVQ/t6CPCSObWWE/s1600-h/1957Alburger111PlayboyAct3Page344MasterOfAllFights.JPG"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://1.bp.blogspot.com/_9etVnS4R1As/R6EvJtXnDlI/AAAAAAAAAVQ/t6CPCSObWWE/s400/1957Alburger111PlayboyAct3Page344MasterOfAllFights.JPG" alt="" id="BLOGGER_PHOTO_ID_5161458491787251282" border="0" /&gt;&lt;/a&gt;Act III D m176 "Master of all fights!"&lt;br /&gt;(Lane-Jensen, Weyuker, Benda, Alburger)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_9etVnS4R1As/R6ExONXnDmI/AAAAAAAAAVY/TleTdubCOU8/s1600-h/1957Alburger111PlayboyAct3Page348IveLostThePlayboyOfTheWesternWorld.JPG"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://3.bp.blogspot.com/_9etVnS4R1As/R6ExONXnDmI/AAAAAAAAAVY/TleTdubCOU8/s400/1957Alburger111PlayboyAct3Page348IveLostThePlayboyOfTheWesternWorld.JPG" alt="" id="BLOGGER_PHOTO_ID_5161460768119918178" border="0" /&gt;&lt;/a&gt;Act III D m195 "I've lost The Playboy of the Western World!"&lt;br /&gt;(Cornelius, McHenry, Loney, Coryat, O'Malley)&lt;br /&gt;&lt;br /&gt;Video Captures from Performances:&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_9etVnS4R1As/R6szwdXnGiI/AAAAAAAAAtQ/nWWsJ6bFMXo/s1600-h/1957Alburger111PlayboyAct1AShawnPegeen.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://2.bp.blogspot.com/_9etVnS4R1As/R6szwdXnGiI/AAAAAAAAAtQ/nWWsJ6bFMXo/s400/1957Alburger111PlayboyAct1AShawnPegeen.jpg" alt="" id="BLOGGER_PHOTO_ID_5164278305320802850" border="0" /&gt;&lt;/a&gt;Act I A m56 "Isn't it long the nights are"&lt;br /&gt;(Loney, O'Malley)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_9etVnS4R1As/R6s05dXnGjI/AAAAAAAAAtY/ipVIoz8ENQ0/s1600-h/1957Alburger111PlayboyAct1BGodBlessYouKindly.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://2.bp.blogspot.com/_9etVnS4R1As/R6s05dXnGjI/AAAAAAAAAtY/ipVIoz8ENQ0/s400/1957Alburger111PlayboyAct1BGodBlessYouKindly.jpg" alt="" id="BLOGGER_PHOTO_ID_5164279559451253298" border="0" /&gt;&lt;/a&gt;Act I B m40 "If you're afeard let Shawn stop along"&lt;br /&gt;(Coryat, Loney, Page, O'Malley)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_9etVnS4R1As/R9r7Rmi5pRI/AAAAAAAACOw/KpZ0on0_E4c/s1600-h/1957Alburger111PlayboyAct1dJealosyDuet.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://4.bp.blogspot.com/_9etVnS4R1As/R9r7Rmi5pRI/AAAAAAAACOw/KpZ0on0_E4c/s400/1957Alburger111PlayboyAct1dJealosyDuet.jpg" alt="" id="BLOGGER_PHOTO_ID_5177727001439085842" border="0" /&gt;&lt;/a&gt;Act I E "If I did not"&lt;br /&gt;(O'Malley, Benda, Henry)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Recording:&lt;br /&gt;&lt;br /&gt;THE PLAYBOY OF THE WESTERN WORLD&lt;br /&gt;(NEW MUSIC, 2008)&lt;br /&gt;Act I A&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/Op 111 The Playboy of the Western World_ Act 1A (OQ).mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;Act II&lt;br /&gt;Act II&lt;br /&gt;&lt;br /&gt;Airplay:&lt;br /&gt;&lt;br /&gt;June 1-4, 2007&lt;br /&gt;&lt;a href="http://myspace.com/markalburger"&gt;myspace.com/markalburger&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2644809515193175639-124965355761466019?l=markalburgerworks.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2644809515193175639/posts/default/124965355761466019'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2644809515193175639/posts/default/124965355761466019'/><link rel='alternate' type='text/html' href='http://markalburgerworks.blogspot.com/2008/01/playboy-of-western-world-op-111.html' title='The Playboy of the Western World, Op. 111'/><author><name>Mark Alburger</name><uri>http://www.blogger.com/profile/07603011736512071903</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://bp3.blogger.com/_9etVnS4R1As/R5whmtXnBHI/AAAAAAAAABM/nVh363-S8DM/S220/1957Alburger001Halfway.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_9etVnS4R1As/R6DE9dXnDHI/AAAAAAAAARo/VKMwYnSvb_o/s72-c/1957Alburger111Playboy.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-2644809515193175639.post-6690195835766624444</id><published>2003-02-18T21:31:00.000-08:00</published><updated>2010-05-06T07:22:26.195-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Mark Alburger'/><category scheme='http://www.blogger.com/atom/ns#' term='Camino Real'/><title type='text'>Camino Real, Op. 110</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_9etVnS4R1As/R6vpr9XnGsI/AAAAAAAAAuc/lpqpUYl4sYE/s1600-h/1957Alburger110CaminoReal.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://4.bp.blogspot.com/_9etVnS4R1As/R6vpr9XnGsI/AAAAAAAAAuc/lpqpUYl4sYE/s400/1957Alburger110CaminoReal.jpg" alt="" id="BLOGGER_PHOTO_ID_5164478339127646914" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Op. 110    CAMINO REAL&lt;br /&gt;(February 18, 2003)&lt;br /&gt;(After Tennessee Williams)&lt;br /&gt;Prologue&lt;br /&gt;Block 1&lt;br /&gt;Block 2&lt;br /&gt;Block 3&lt;br /&gt;Block 4&lt;br /&gt;Block 5&lt;br /&gt;Block 6&lt;br /&gt;Block 7&lt;br /&gt;Block 8&lt;br /&gt;Block 9&lt;br /&gt;Block 10&lt;br /&gt;Block 11&lt;br /&gt;Block 12&lt;br /&gt;Block 13&lt;br /&gt;Block 14&lt;br /&gt;Block 15&lt;br /&gt;Block 16&lt;br /&gt;&lt;br /&gt;Performances:&lt;br /&gt;&lt;br /&gt; October 19, 2003&lt;br /&gt;San Francisco Composers Chamber Orchestra&lt;br /&gt;     Diablo Valley College, Pleasant Hill, CA&lt;br /&gt;&lt;br /&gt; February 29, 2004&lt;br /&gt;     Diablo Valley College Orchestra&lt;br /&gt;     Diablo Valley College, Pleasant Hill, CA&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_9etVnS4R1As/R6vp9tXnGtI/AAAAAAAAAuk/OAnocTcJg5E/s1600-h/1957Alburger110CaminoRealGoatHallFreshVoicesRed.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://3.bp.blogspot.com/_9etVnS4R1As/R6vp9tXnGtI/AAAAAAAAAuk/OAnocTcJg5E/s400/1957Alburger110CaminoRealGoatHallFreshVoicesRed.jpg" alt="" id="BLOGGER_PHOTO_ID_5164478644070324946" border="0" /&gt;&lt;/a&gt;August 20-22, 27-29, 2004&lt;br /&gt;     Goat Hall Productions&lt;br /&gt;Fresh Voices V&lt;br /&gt;     Thick House, San Francisco, CA&lt;br /&gt;&lt;br /&gt;DON QUIXOTE / SURVIVOR /&lt;br /&gt;BARON DE CHARLIS / LORD BYRON - Dale Murphy&lt;br /&gt;SANCHO PANZA / KILROY - Mark Alburger&lt;br /&gt;GUTMAN - Brian Rosen&lt;br /&gt;GUARD / INSTRUCTOR - Karl Coryat&lt;br /&gt;PRUDENCE / ABDULLAH - Sandra Castleberry&lt;br /&gt;JACQUES CASANOVA - Ken Berry&lt;br /&gt;OLYMPE / STREETCLEANER - Jane Goldsmith&lt;br /&gt;LA MADRECITA / LADY MULLIGAN - Harriet March Page&lt;br /&gt;THE GYPSY - Susan Clark&lt;br /&gt;ESMERALDA - Suzanna Mizell&lt;br /&gt;THE DREAMER / LORD MULLIGAN - William Loney&lt;br /&gt;A. RATT / LOAN SHARK / NURSIE - Marc Rubin&lt;br /&gt;ROSITA / STREETCLEANER - Julie Tesar&lt;br /&gt;MARGUERITTE - Eileen Meredith&lt;br /&gt;&lt;br /&gt;April 20, 2007&lt;br /&gt;     San Francisco Cabaret Opera&lt;br /&gt;San Francisco Composers Chamber Orchestra&lt;br /&gt; Old First Presbyterian Church, San Francisco, CA&lt;br /&gt;&lt;br /&gt; Recording:&lt;br /&gt;&lt;br /&gt;CAMINO REAL&lt;br /&gt;(I Kill Me Music, 2005)&lt;br /&gt;Prologue&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/Op 110 Camino Real_ Prologue (2003).mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;Block 1&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/Op 110 Camino Real_ Block 1 (2003).mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;Block 2&lt;br /&gt;Block 3&lt;br /&gt;Block 4&lt;br /&gt;Block 5&lt;br /&gt;Block 6&lt;br /&gt;Block 7&lt;br /&gt;Block 8&lt;br /&gt;&lt;br /&gt;&lt;a title="View 1957Alburger110CaminoReal09 on Scribd" href="http://www.scribd.com/doc/30982402/1957Alburger110CaminoReal09" style="margin: 12px auto 6px; font-family: Helvetica,Arial,Sans-serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 14px; line-height: normal; font-size-adjust: none; font-stretch: normal; display: block; text-decoration: underline;"&gt;1957Alburger110CaminoReal09&lt;/a&gt; &lt;object id="doc_799488185116109" name="doc_799488185116109" type="application/x-shockwave-flash" data="http://d1.scribdassets.com/ScribdViewer.swf" style="outline-color: -moz-use-text-color; outline-style: none; outline-width: medium;" height="600" width="100%"&gt;  &lt;param name="movie" value="http://d1.scribdassets.com/ScribdViewer.swf"&gt;  &lt;param name="wmode" value="opaque"&gt;   &lt;param name="bgcolor" value="#ffffff"&gt;   &lt;param name="allowFullScreen" value="true"&gt;   &lt;param name="allowScriptAccess" value="always"&gt;   &lt;param name="FlashVars" value="document_id=30982402&amp;amp;access_key=key-1im1uck21hmjheoqj2ia&amp;amp;page=1&amp;amp;viewMode=list"&gt;   &lt;embed id="doc_799488185116109" name="doc_799488185116109" src="http://d1.scribdassets.com/ScribdViewer.swf?document_id=30982402&amp;amp;access_key=key-1im1uck21hmjheoqj2ia&amp;amp;page=1&amp;amp;viewMode=list" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" wmode="opaque" bgcolor="#ffffff" height="600" width="100%"&gt;&lt;/embed&gt;  &lt;/object&gt;&lt;br /&gt;Block 9&lt;br /&gt;&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/1957Alburger110CaminoReal10Block09(2003).mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;Block 10&lt;br /&gt;Block 11&lt;br /&gt;Block 12&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/Op 110 Camino Real_ Block 12 (2003).mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;Block 13&lt;br /&gt;Block 14&lt;br /&gt;Block 15&lt;br /&gt;Block 16&lt;br /&gt;&lt;br /&gt;Airplay:&lt;br /&gt;&lt;br /&gt;     May 31 - June 3, 2007&lt;br /&gt;&lt;a href="http://myspace.com/markalburger"&gt;myspace.com/markalburger&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2644809515193175639-6690195835766624444?l=markalburgerworks.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2644809515193175639/posts/default/6690195835766624444'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2644809515193175639/posts/default/6690195835766624444'/><link rel='alternate' type='text/html' href='http://markalburgerworks.blogspot.com/2003/02/camino-real-op-10.html' title='Camino Real, Op. 110'/><author><name>Mark Alburger</name><uri>http://www.blogger.com/profile/07603011736512071903</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://bp3.blogger.com/_9etVnS4R1As/R5whmtXnBHI/AAAAAAAAABM/nVh363-S8DM/S220/1957Alburger001Halfway.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_9etVnS4R1As/R6vpr9XnGsI/AAAAAAAAAuc/lpqpUYl4sYE/s72-c/1957Alburger110CaminoReal.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-2644809515193175639.post-7522202822928467285</id><published>2002-02-17T02:04:00.000-08:00</published><updated>2008-04-18T21:47:18.911-07:00</updated><title type='text'>Out on the Porch, Op. 107</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_9etVnS4R1As/R6Gd-dXnEPI/AAAAAAAAAag/GqLNZnYvctY/s1600-h/1957Alburger107OutOnThePorch.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://4.bp.blogspot.com/_9etVnS4R1As/R6Gd-dXnEPI/AAAAAAAAAag/GqLNZnYvctY/s400/1957Alburger107OutOnThePorch.jpg" alt="" id="BLOGGER_PHOTO_ID_5161580344304406770" border="0" /&gt;&lt;/a&gt;Op. 107    OUT ON THE PORCH&lt;br /&gt;(after Harriet March Page) (February 17, 2002)&lt;br /&gt;     I. When I Was Twelve&lt;br /&gt;     II.  I'm Already in Trouble&lt;br /&gt;     III.  When I Was Thirteen&lt;br /&gt;     IV.  Somebody Loves Me&lt;br /&gt;     V.  Color Conscious&lt;br /&gt;     VI.  Sister&lt;br /&gt;     VII.  Creole Banjo Player I&lt;br /&gt;     VIII.  My Story&lt;br /&gt;     IX.  Alcoholics&lt;br /&gt;     X.  Creole Banjo Player II&lt;br /&gt;     XI.  Mother&lt;br /&gt;     XII.  Object of Desire&lt;br /&gt;     XIII.  Left-Handed Pisces&lt;br /&gt;     XIV.  You Appeared&lt;br /&gt;     XV.  Chopin&lt;br /&gt;     XVI.  Family Myth&lt;br /&gt;     XVII.  Dying&lt;br /&gt;     XVIII.  The Letter&lt;br /&gt;     XIX.  End the Beguine&lt;br /&gt;     XX.  Greatgrandma&lt;br /&gt;&lt;br /&gt;Performances:&lt;br /&gt; &lt;br /&gt;         March 13, 2004&lt;br /&gt;Harriet March Page, Soprano&lt;br /&gt;NACUSA Concert, Art Center, Palo Alto, CA&lt;br /&gt;&lt;br /&gt;         April 3, 2004&lt;br /&gt;Rory Snyder, Soprano Saxophone&lt;br /&gt;Faculty Scholarship Concert, Diablo Valley College, Pleasant Hill, CA&lt;br /&gt;&lt;br /&gt;         Recording:&lt;br /&gt;&lt;br /&gt;OUT ON THE PORCH&lt;br /&gt;(New Music, 2008)&lt;br /&gt;I. When I Was Twelve&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/Op 107 Out on the Porch_ 1 When I Was Twelve.mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;     II.  I'm Already in Trouble&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/Op 107 Out on the Porch_ 2 I'm Already in Trouble.mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;     III.  When I Was Thirteen&lt;br /&gt;     IV.  Somebody Loves Me&lt;br /&gt;     V.  Color Conscious&lt;br /&gt;     VI.  Sister&lt;br /&gt;     VII.  Creole Banjo Player I&lt;br /&gt;     VIII.  My Story&lt;br /&gt;     IX.  Alcoholics&lt;br /&gt;     X.  Creole Banjo Player II&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/Op 107 Out on the Porch_ 10 Creole Banjo Player 2.mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;     XI.  Mother&lt;br /&gt;     XII.  Object of Desire&lt;br /&gt;     XIII.  Left-Handed Pisces&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/Op 107 Out on the Porch_ 13 Left-Handed Pisces.mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;     XIV.  You Appeared&lt;br /&gt;     XV.  Chopin&lt;br /&gt;     XVI.  Family Myth&lt;br /&gt;     XVII.  Dying&lt;br /&gt;     XVIII.  The Letter&lt;br /&gt;     XIX.  End the Beguine&lt;br /&gt;     XX.  Greatgrandma&lt;br /&gt;&lt;br /&gt;Airplay:&lt;br /&gt;&lt;br /&gt;May 30 - June 2, 2007; January 30 - February 4, 2008&lt;br /&gt;&lt;a href="http://myspace.com/markalburger"&gt;myspace.com/markalburger&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2644809515193175639-7522202822928467285?l=markalburgerworks.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2644809515193175639/posts/default/7522202822928467285'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2644809515193175639/posts/default/7522202822928467285'/><link rel='alternate' type='text/html' href='http://markalburgerworks.blogspot.com/2002/02/out-on-porch-op-107.html' title='Out on the Porch, Op. 107'/><author><name>Mark Alburger</name><uri>http://www.blogger.com/profile/07603011736512071903</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://bp3.blogger.com/_9etVnS4R1As/R5whmtXnBHI/AAAAAAAAABM/nVh363-S8DM/S220/1957Alburger001Halfway.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_9etVnS4R1As/R6Gd-dXnEPI/AAAAAAAAAag/GqLNZnYvctY/s72-c/1957Alburger107OutOnThePorch.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-2644809515193175639.post-7843830944153591815</id><published>2001-12-25T20:14:00.000-08:00</published><updated>2008-02-08T01:02:47.285-08:00</updated><title type='text'>Cats, Dogs, and Divas, Op. 104</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_9etVnS4R1As/R6vXyNXnGqI/AAAAAAAAAuM/BAzaRz5yXAg/s1600-h/1957Alburger104CatsSandySarahMaggieGood.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://1.bp.blogspot.com/_9etVnS4R1As/R6vXyNXnGqI/AAAAAAAAAuM/BAzaRz5yXAg/s400/1957Alburger104CatsSandySarahMaggieGood.jpg" alt="" id="BLOGGER_PHOTO_ID_5164458655292529314" border="0" /&gt;&lt;/a&gt;Op. 104    CATS, DOGS, AND DIVAS&lt;br /&gt;(December 25, 2001)&lt;br /&gt;(after Harriet March Page)&lt;br /&gt;Opera for voice(s) and instrument(s)&lt;br /&gt;   I. Introduction&lt;br /&gt;   II. Long Time&lt;br /&gt;   III. Between Depression&lt;br /&gt;   IV. Greatgrandma Hattie&lt;br /&gt;   V. In the House of My Father&lt;br /&gt;   VI. Not&lt;br /&gt;   VII. Make a Man a God&lt;br /&gt;   VIII. Condescension, Scorn&lt;br /&gt;   IX. Lady Macbeth of the Red Light District&lt;br /&gt;   X. Shakespeare Is Such a Genius&lt;br /&gt;   XI. A Father Can Be a Bother&lt;br /&gt;   XII. Abortion&lt;br /&gt;   XIII. Little Prayer&lt;br /&gt;   XIV. At the Hospital&lt;br /&gt;   XV. Mother&lt;br /&gt;   XVI. The Proposition&lt;br /&gt;   XVII. Crazy&lt;br /&gt;   XVIII. His Needs&lt;br /&gt;   XIX. Wisteria&lt;br /&gt;   XX. Oh Come On&lt;br /&gt;   XXI Love&lt;br /&gt;   XXII. You Got That Right&lt;br /&gt;   XXIII. Brunnhilde&lt;br /&gt;&lt;br /&gt;Performances:&lt;br /&gt;&lt;br /&gt;       February 22, 2003&lt;br /&gt;           Harriet March Page, Soprano&lt;br /&gt;NOW Music Festival, Diablo Valley College, Pleasant Hill, CA&lt;br /&gt;&lt;br /&gt;       March 8, 2003&lt;br /&gt;           Harriet March Page, Soprano&lt;br /&gt;NACUSA Concert, Arts Center, Palo Alto, CA&lt;br /&gt;&lt;br /&gt;       May 13, 2006&lt;br /&gt;           Janet Lohr, Mezzo-Soprano; Dave Hurlburt, Piano&lt;br /&gt;           St. Gregory of Nyssa Episcopal Church, San Francisco, CA&lt;br /&gt;&lt;br /&gt;       May 25-27, 2006&lt;br /&gt;           Suzanna Mizell, Sarah Hutchinson, Sandy Castleberry,&lt;br /&gt;Maggie Tenenbaum, Cynthia Wyacker, Janet Lohr, Voices&lt;br /&gt;Harriet March Page, Director; Fresh Voices VI Festival,&lt;br /&gt;San Francisco Cabaret Opera, Thick House Theatre, San Francisco, CA&lt;br /&gt;&lt;br /&gt;       October 29, 2006&lt;br /&gt;           Suzanna Mizell, Sarah Hutchinson, Sandy Castleberry,&lt;br /&gt;Maggie Tenenbaum, Cynthia Wyacker, Janet Lohr, Voices&lt;br /&gt;Harriet March Page, Director, San Francisco Cabaret Opera&lt;br /&gt;Goat Hall, San Francisco, CA&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_9etVnS4R1As/R518I9XnB3I/AAAAAAAAAHQ/846IcfODabg/s1600-h/1957Alburger104kCatsValkyriePoleDance.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://2.bp.blogspot.com/_9etVnS4R1As/R518I9XnB3I/AAAAAAAAAHQ/846IcfODabg/s320/1957Alburger104kCatsValkyriePoleDance.jpg" alt="" id="BLOGGER_PHOTO_ID_5160417241390843762" border="0" /&gt;&lt;/a&gt;January 18-19, 2007&lt;br /&gt;           Suzanna Mizell, Sarah Hutchinson, Sandy Castleberry,&lt;br /&gt;Maggie Tenenbaum, Cynthia Wyacker, Janet Lohr, Voices&lt;br /&gt;Harriet March Page, Director,  San Francisco Cabaret Opera,&lt;br /&gt;Women on the Way Festival, Dance Mission, San Francisco, CA&lt;br /&gt;&lt;br /&gt;April 20, 2007&lt;br /&gt;           San Francisco Cabaret Opera&lt;br /&gt;San Francisco Composers Chamber Orchestra&lt;br /&gt;       Old First Presbyterian Church, San Francisco, CA&lt;br /&gt;&lt;br /&gt;Recording:&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_9etVnS4R1As/R6vZW9XnGrI/AAAAAAAAAuU/5R9NtQfaqIk/s1600-h/1957Alburger104CatsSuzannaCloseUp.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://4.bp.blogspot.com/_9etVnS4R1As/R6vZW9XnGrI/AAAAAAAAAuU/5R9NtQfaqIk/s400/1957Alburger104CatsSuzannaCloseUp.jpg" alt="" id="BLOGGER_PHOTO_ID_5164460386164349618" border="0" /&gt;&lt;/a&gt;CATS, DOGS, AND DIVAS&lt;br /&gt;(New Music, 2007)&lt;br /&gt;   I. Introduction&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/Op 104 Cats Dogs and Divas_ 1 Intro.mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;   II. Long Time&lt;br /&gt;   III. Between Depression&lt;br /&gt;   IV. Greatgrandma Hattie&lt;br /&gt;   V. In the House of My Father&lt;br /&gt;   VI. Not&lt;br /&gt;   VII. Make a Man a God&lt;br /&gt;   VIII. Condescension, Scorn&lt;br /&gt;   IX. Lady Macbeth of the Red Light District&lt;br /&gt;   X. Shakespeare Is Such a Genius&lt;br /&gt;   XI. A Father Can Be a Bother&lt;br /&gt;   XII. Abortion&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/Op 104 Cats Dogs and Divas_ 12 Abortion.mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;   XIII. Little Prayer&lt;br /&gt;   XIV. At the Hospital&lt;br /&gt;   XV. Mother&lt;br /&gt;   XVI. The Proposition&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/Op 104 Cats Dogs and Divas_ 16 Proposition.mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;   XVII. Crazy&lt;br /&gt;   XVIII. His Needs&lt;br /&gt;   XIX. Wisteria&lt;br /&gt;   XX. Oh Come On&lt;br /&gt;   XXI Love&lt;br /&gt;   XXII. You Got That Right&lt;br /&gt;   XXIII. Brunnhilde&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/Op 104 Cats Dogs and Divas_ 23 Brunnhilde.mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;Airplay:&lt;br /&gt;&lt;br /&gt;July 1, 2007 - present&lt;br /&gt;Regular rotation on KDVC.com&lt;br /&gt;&lt;br /&gt;May 30 - June 2; September 25-28, 2007&lt;br /&gt;myspace.com/markalburger&lt;br /&gt;&lt;br /&gt;Publication:&lt;br /&gt;&lt;br /&gt;New Music, 2006&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2644809515193175639-7843830944153591815?l=markalburgerworks.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2644809515193175639/posts/default/7843830944153591815'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2644809515193175639/posts/default/7843830944153591815'/><link rel='alternate' type='text/html' href='http://markalburgerworks.blogspot.com/2001/12/cats-dogs-and-divas-op-104.html' title='Cats, Dogs, and Divas, Op. 104'/><author><name>Mark Alburger</name><uri>http://www.blogger.com/profile/07603011736512071903</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://bp3.blogger.com/_9etVnS4R1As/R5whmtXnBHI/AAAAAAAAABM/nVh363-S8DM/S220/1957Alburger001Halfway.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_9etVnS4R1As/R6vXyNXnGqI/AAAAAAAAAuM/BAzaRz5yXAg/s72-c/1957Alburger104CatsSandySarahMaggieGood.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-2644809515193175639.post-3552745759001571658</id><published>2001-12-11T10:15:00.000-08:00</published><updated>2008-05-11T02:04:46.268-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Mark Alburger'/><category scheme='http://www.blogger.com/atom/ns#' term='Flying Out the Mouth'/><category scheme='http://www.blogger.com/atom/ns#' term='Harriet March Page'/><title type='text'>Flying Out the Mouth, Op. 103</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_9etVnS4R1As/R6zNhNXnG6I/AAAAAAAAAwU/IhHNi8QGIDQ/s1600-h/1957Alburger103FlyingOutTheMouth.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://2.bp.blogspot.com/_9etVnS4R1As/R6zNhNXnG6I/AAAAAAAAAwU/IhHNi8QGIDQ/s400/1957Alburger103FlyingOutTheMouth.jpg" alt="" id="BLOGGER_PHOTO_ID_5164728843095186338" border="0" /&gt;&lt;/a&gt;Op. 103    FLYING OUT THE MOUTH&lt;br /&gt;(after Harriet March Page)&lt;br /&gt;(December 11, 2001)&lt;br /&gt;I. Hide and Seek&lt;br /&gt;II. After the Movie&lt;br /&gt;III. Yonder in the North&lt;br /&gt;IV. When I Was Three&lt;br /&gt;V. All the Dark Birds&lt;br /&gt;VI. Prayer&lt;br /&gt;VII. Flying Out the Mouth&lt;br /&gt;VIII. LSD&lt;br /&gt;IX. Here I Am&lt;br /&gt;X. Mice Skins&lt;br /&gt;XI. Wolf Song&lt;br /&gt;XII. New Jerusalem School&lt;br /&gt;XIII. Ringaround&lt;br /&gt;XIV. The Woman From the Sky&lt;br /&gt;XV. Wind Song I&lt;br /&gt;XVI.  Cross This Bridge&lt;br /&gt;XVIIa.  Wind Song II&lt;br /&gt;XVIIb.  Then We Find Out&lt;br /&gt;XVIII.  Wind Song III&lt;br /&gt;XIX.  Yoda&lt;br /&gt;&lt;br /&gt;Performances:&lt;br /&gt;&lt;br /&gt;February 12, 2005&lt;br /&gt;Harriet March Page, Soprano&lt;br /&gt;NACUSA Concert, Art Center, Palo Alto, CA&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_9etVnS4R1As/R5w0vtXnBRI/AAAAAAAAACg/Rl6MMVopz9w/s1600-h/valkyrie17.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://4.bp.blogspot.com/_9etVnS4R1As/R5w0vtXnBRI/AAAAAAAAACg/Rl6MMVopz9w/s320/valkyrie17.jpg" alt="" id="BLOGGER_PHOTO_ID_5160057267296863506" border="0" /&gt;&lt;/a&gt;February 16, 2008&lt;br /&gt;Harriet March Page, Sarah Hutchison, Kat Cornelius&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Horsewomen of the Apocalypse:  The White Horse &lt;/span&gt;&lt;br /&gt;St. Gregory's Episcopal Church, San Francisco, CA&lt;br /&gt;&lt;span style="font-style: italic;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_9etVnS4R1As/R7h_satrG8I/AAAAAAAABFM/XLUhXURELW0/s1600-h/1957Alburger154whitehorse2.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://3.bp.blogspot.com/_9etVnS4R1As/R7h_satrG8I/AAAAAAAABFM/XLUhXURELW0/s400/1957Alburger154whitehorse2.jpg" alt="" id="BLOGGER_PHOTO_ID_5168020973469506498" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;The White Horse&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_9etVnS4R1As/R7iBHqtrG9I/AAAAAAAABFU/HfB1rCRX6CI/s1600-h/1997GoatHall0802SFNight.JPG"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://4.bp.blogspot.com/_9etVnS4R1As/R7iBHqtrG9I/AAAAAAAABFU/HfB1rCRX6CI/s400/1997GoatHall0802SFNight.JPG" alt="" id="BLOGGER_PHOTO_ID_5168022541132569554" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Street Scene in front of St. Gregory's&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_9etVnS4R1As/R7iBnatrG-I/AAAAAAAABFc/v0lfdBQVXeE/s1600-h/1997GoatHall0802StGregorys.JPG"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://3.bp.blogspot.com/_9etVnS4R1As/R7iBnatrG-I/AAAAAAAABFc/v0lfdBQVXeE/s400/1997GoatHall0802StGregorys.JPG" alt="" id="BLOGGER_PHOTO_ID_5168023086593416162" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;St. Gregory of Nyssa's&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_9etVnS4R1As/R7iGPqtrG_I/AAAAAAAABFk/Qt7TXD7Y_cA/s1600-h/1997GoatHal0802StGregoryInteriorHarriet.JPG"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://4.bp.blogspot.com/_9etVnS4R1As/R7iGPqtrG_I/AAAAAAAABFk/Qt7TXD7Y_cA/s400/1997GoatHal0802StGregoryInteriorHarriet.JPG" alt="" id="BLOGGER_PHOTO_ID_5168028176129661938" border="0" /&gt;&lt;/a&gt;Harriet March Page, curtain speech before &lt;span style="font-style: italic;"&gt;Flying Out the Mouth&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_9etVnS4R1As/R7iLjKtrHBI/AAAAAAAABF0/dxpG-IInRho/s1600-h/1997GoatHall0802FlyingSmiles.JPG"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://2.bp.blogspot.com/_9etVnS4R1As/R7iLjKtrHBI/AAAAAAAABF0/dxpG-IInRho/s400/1997GoatHall0802FlyingSmiles.JPG" alt="" id="BLOGGER_PHOTO_ID_5168034008695249938" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Harriet March Page, Kat Cornelius, Sarah Hutchson&lt;br /&gt;&lt;br /&gt;Recording:&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_9etVnS4R1As/R6IRcNXnERI/AAAAAAAAAaw/KEnLkCf2srk/s1600-h/000000Windvento_orientale,Taccuino_Sanitatis,_Casanatense_4182..jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://4.bp.blogspot.com/_9etVnS4R1As/R6IRcNXnERI/AAAAAAAAAaw/KEnLkCf2srk/s400/000000Windvento_orientale,Taccuino_Sanitatis,_Casanatense_4182..jpg" alt="" id="BLOGGER_PHOTO_ID_5161707299242709266" border="0" /&gt;&lt;/a&gt;FLYING OUT THE MOUTH&lt;br /&gt;(New Music, 2008)&lt;br /&gt;Instrumental Version&lt;br /&gt;&lt;br /&gt;I. Hide and Seek&lt;br /&gt;&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/Op 103 Flying Out the Mouth_ 1 Hide and Seek (2001).mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;II. After the Movie&lt;br /&gt;&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/Op 103 Flying Out the Mouth_ 2 After the Movie (2001).mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;III. Yonder in the North&lt;br /&gt;&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/Op 103 Flying Out the Mouth_ 3 Yonder in the North (2001).mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;IV. When I Was Three&lt;br /&gt;&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/Op 103 Flying Out the Mouth_ 4 When I Was Three (2001).mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;V. All the Dark Birds&lt;br /&gt;&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/Op 103 Flying Out the Mouth_ 5 All the Dark Birds (2001).mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;VI. Prayer&lt;br /&gt;&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/Op 103 Flying Out the Mouth_ 6 Prayer (2001).mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;VII. Flying Out the Mouth&lt;br /&gt;&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/Op 103 Flying Out the Mouth_ 7 Flying Out the Mouth (2001).mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;VIII. LSD&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/Op 103 Flying Out the Mouth_ 8 LSD (2001).mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;IX. Here I Am&lt;br /&gt;&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/Op 103 Flying Out the Mouth_ 9 Here I Am (2001).mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;X. Mice Skins&lt;br /&gt;&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/Op 103 Flying Out the Mouth_ 10 Mice Skins (2001).mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;XI. Wolf Song&lt;br /&gt;&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/Op 103 Flying Out the Mouth_ 11 Wolf Song (2001).mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;XII. New Jerusalem School&lt;br /&gt;&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/Op 103 Flying Out the Mouth_ 12 New Jerusalem Song (2001).mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;XIII. Ringaround&lt;br /&gt;&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/Op 103 Flying Out the Mouth_ 13 Ringaround (2001).mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;XIV. The Woman From the Sky&lt;br /&gt;&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/Op 103 Flying Out the Mouth_ 14 The Woman From the Sky (2001) (Short).mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;XV. Wind Song I&lt;br /&gt;&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/Op 103 Flying Out the Mouth_ 15 Wind Song 1 (2001).mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;XVI.  Cross This Bridge&lt;br /&gt;&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/Op 103 Flying Out the Mouth_ 16 Cross This Bridge (2001) (Short).mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;XVIIa.  Wind Song II&lt;br /&gt;&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/Op 103 Flying Out the Mouth_ 17a Wind Song 2 (2001).mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;XVIIb.  Then We Find Out&lt;br /&gt;&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/Op 103 Flying Out the Mouth_ 17B Then We Find Out (2001).mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;XVIII.  Wind Song III&lt;br /&gt;&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/Op 103 Flying Out the Mouth_ 18 Wind Song 3 (2001) (Flute).mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;XIX.  Yoda&lt;br /&gt;&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/Op 103 Flying Out the Mouth_ 19 Yoda (2001) (No Sax Cresc).mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;Vocal Version&lt;br /&gt;&lt;br /&gt;I. Hide and Seek&lt;br /&gt;&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/Op 103 Flying Out the Mouth_ 1 Hide and Seek (HMES).mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;II. After the Movie&lt;br /&gt;&lt;br /&gt;III. Yonder in the North&lt;br /&gt;&lt;br /&gt;IV. When I Was Three&lt;br /&gt;&lt;br /&gt;V. All the Dark Birds&lt;br /&gt;&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/Op 103 Flying Out the Mouth_ 5 All the Dark Birds (H).mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;VI. Prayer&lt;br /&gt;&lt;br /&gt;VII. Flying Out the Mouth&lt;br /&gt;&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/Op 103 Flying Out the Mouth_ 7 Flying Out the Mouth (H).mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;VIII. LSD&lt;br /&gt;&lt;br /&gt;IX. Here I Am&lt;br /&gt;&lt;br /&gt;XII. New Jerusalem School&lt;br /&gt;&lt;br /&gt;XIII. Ringaround&lt;br /&gt;&lt;br /&gt;XIV. The Woman From the Sky&lt;br /&gt;&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/Op 103 Flying Out the Mouth_ 14 The Woman From the Sky (KM).mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;XV. Wind Song I&lt;br /&gt;&lt;br /&gt;XVI.  Cross This Bridge&lt;br /&gt;&lt;br /&gt;XVIIa.  Wind Song II&lt;br /&gt;&lt;br /&gt;XVIIb.  Then We Find Out&lt;br /&gt;&lt;br /&gt;XVIII.  Wind Song III&lt;br /&gt;&lt;br /&gt;XIX.  Yoda&lt;br /&gt;&lt;br /&gt;Publication:&lt;br /&gt;&lt;br /&gt;New Music, 2001&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_9etVnS4R1As/R6sufNXnGgI/AAAAAAAAAtA/IbXX4BtUFMA/s1600-h/1957Alburger103FlyingOutCoverScan.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://1.bp.blogspot.com/_9etVnS4R1As/R6sufNXnGgI/AAAAAAAAAtA/IbXX4BtUFMA/s400/1957Alburger103FlyingOutCoverScan.jpg" alt="" id="BLOGGER_PHOTO_ID_5164272511409920514" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_9etVnS4R1As/R6svXtXnGhI/AAAAAAAAAtI/hfpx5wxqHK4/s1600-h/1957Alburger103FlyingOutTheMouthPage001.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://3.bp.blogspot.com/_9etVnS4R1As/R6svXtXnGhI/AAAAAAAAAtI/hfpx5wxqHK4/s400/1957Alburger103FlyingOutTheMouthPage001.jpg" alt="" id="BLOGGER_PHOTO_ID_5164273482072529426" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2644809515193175639-3552745759001571658?l=markalburgerworks.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2644809515193175639/posts/default/3552745759001571658'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2644809515193175639/posts/default/3552745759001571658'/><link rel='alternate' type='text/html' href='http://markalburgerworks.blogspot.com/2001/12/flying-out-mouth-op-103.html' title='Flying Out the Mouth, Op. 103'/><author><name>Mark Alburger</name><uri>http://www.blogger.com/profile/07603011736512071903</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://bp3.blogger.com/_9etVnS4R1As/R5whmtXnBHI/AAAAAAAAABM/nVh363-S8DM/S220/1957Alburger001Halfway.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_9etVnS4R1As/R6zNhNXnG6I/AAAAAAAAAwU/IhHNi8QGIDQ/s72-c/1957Alburger103FlyingOutTheMouth.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-2644809515193175639.post-6055126329103513577</id><published>2001-11-20T03:49:00.000-08:00</published><updated>2010-01-15T03:53:35.832-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Symphony No. 6'/><category scheme='http://www.blogger.com/atom/ns#' term='Mark Alburger'/><title type='text'>Symphony No. 6 ("Apathetic")</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_9etVnS4R1As/S1BW8dRW24I/AAAAAAAAPMw/tTAjbAFMhEY/s1600-h/NuclearBlast.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 350px; height: 400px;" src="http://2.bp.blogspot.com/_9etVnS4R1As/S1BW8dRW24I/AAAAAAAAPMw/tTAjbAFMhEY/s400/NuclearBlast.jpg" alt="" id="BLOGGER_PHOTO_ID_5426933147631016834" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Op. 100    SYMPHONY NO. 6 ("Apathetic") (November 20, 2001)&lt;br /&gt;       I. Adagio - Allegro non troppo&lt;br /&gt;       II. Allegro non grazia&lt;br /&gt;       III. Allegro molto vivace&lt;br /&gt;       IV. Moderato&lt;br /&gt;&lt;br /&gt;       Performances:&lt;br /&gt;&lt;br /&gt;           March 24, 2002&lt;br /&gt;               Del Mar Players&lt;br /&gt;               Santa Rosa, CA&lt;br /&gt;&lt;br /&gt;           June 6, 2003&lt;br /&gt;               Del Mar Players&lt;br /&gt;               First Congregational United Church of Christ, Santa Rosa, CA&lt;br /&gt;&lt;br /&gt;           June 7, 2003&lt;br /&gt;               Del Mar Players&lt;br /&gt;               Sonoma State University, Ives Hall, Rohnert Part, CA&lt;br /&gt;&lt;br /&gt;           December 3, 2003&lt;br /&gt;               Diablo Valley College Chamber Orchestra&lt;br /&gt;               Diablo Valley College, Pleasant Hill, CA&lt;br /&gt;&lt;br /&gt;       Recording:&lt;br /&gt;&lt;br /&gt;           APATHETIC / TRAGICOMIC / UNENDING (Complete Works, Volume 40)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2644809515193175639-6055126329103513577?l=markalburgerworks.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2644809515193175639/posts/default/6055126329103513577'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2644809515193175639/posts/default/6055126329103513577'/><link rel='alternate' type='text/html' href='http://markalburgerworks.blogspot.com/2001/11/symphony-no-6-apathetic.html' title='Symphony No. 6 (&quot;Apathetic&quot;)'/><author><name>Mark Alburger</name><uri>http://www.blogger.com/profile/07603011736512071903</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://bp3.blogger.com/_9etVnS4R1As/R5whmtXnBHI/AAAAAAAAABM/nVh363-S8DM/S220/1957Alburger001Halfway.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_9etVnS4R1As/S1BW8dRW24I/AAAAAAAAPMw/tTAjbAFMhEY/s72-c/NuclearBlast.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-2644809515193175639.post-6147081319830432583</id><published>2001-09-01T03:36:00.000-07:00</published><updated>2010-01-15T03:43:45.004-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Barack Obama'/><category scheme='http://www.blogger.com/atom/ns#' term='Mark Alburger'/><category scheme='http://www.blogger.com/atom/ns#' term='Symphony No. 5'/><title type='text'>Symphony No. 5 ("An American's Reply"), Op. 99</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_9etVnS4R1As/S1BTq_DZJNI/AAAAAAAAPMo/cp14R_LM4t8/s1600-h/1961ObamaBarackHope.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 259px; height: 400px;" src="http://3.bp.blogspot.com/_9etVnS4R1As/S1BTq_DZJNI/AAAAAAAAPMo/cp14R_LM4t8/s400/1961ObamaBarackHope.jpg" alt="" id="BLOGGER_PHOTO_ID_5426929548926723282" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Op. 99    SYMPHONY NO. 5 ("An American's Reply")&lt;br /&gt;(January 1, 2001)&lt;br /&gt;For Orchestra (2222 2231 2perc, pf, strings)&lt;br /&gt;       I. Moderato&lt;br /&gt;       II. Allegretto&lt;br /&gt;       III. Largo&lt;br /&gt;       IV. Allegro non troppo      &lt;br /&gt;&lt;br /&gt;       Recording:&lt;br /&gt;&lt;br /&gt;           BEGINNING SOMEWHERE (Complete Works, Volume 39)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2644809515193175639-6147081319830432583?l=markalburgerworks.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2644809515193175639/posts/default/6147081319830432583'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2644809515193175639/posts/default/6147081319830432583'/><link rel='alternate' type='text/html' href='http://markalburgerworks.blogspot.com/2001/09/symphony-no-5-americans-reply-op-99.html' title='Symphony No. 5 (&quot;An American&apos;s Reply&quot;), Op. 99'/><author><name>Mark Alburger</name><uri>http://www.blogger.com/profile/07603011736512071903</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://bp3.blogger.com/_9etVnS4R1As/R5whmtXnBHI/AAAAAAAAABM/nVh363-S8DM/S220/1957Alburger001Halfway.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_9etVnS4R1As/S1BTq_DZJNI/AAAAAAAAPMo/cp14R_LM4t8/s72-c/1961ObamaBarackHope.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-2644809515193175639.post-7893898157143433808</id><published>2001-08-25T23:39:00.000-07:00</published><updated>2008-04-07T23:56:15.355-07:00</updated><title type='text'>Noah's Flood ("Noah, Noah"), Op. 98</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_9etVnS4R1As/R_rG_b0ykAI/AAAAAAAADOI/VI604KFvekQ/s1600-h/1514SolisVirgildeluge_1563Detail.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://4.bp.blogspot.com/_9etVnS4R1As/R_rG_b0ykAI/AAAAAAAADOI/VI604KFvekQ/s400/1514SolisVirgildeluge_1563Detail.jpg" alt="" id="BLOGGER_PHOTO_ID_5186676713973780482" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Op. 98    NOAH'S FLOOD ("Noah, Noah"):&lt;br /&gt;A Mystery Play  (August 25, 2001)&lt;br /&gt;   I. Wicked Prelude&lt;br /&gt;   II. Exhortation (Noah, Noah)&lt;br /&gt;   III. Dire Fears (Day of Wrath)&lt;br /&gt;   IV. The Building of the Ark&lt;br /&gt;   V. Ca(r)[t]a(va)l[ogue] of the Animals&lt;br /&gt;   VI. The Comedy (Mrs. Noah)&lt;br /&gt;   VII.  The Flood / Te Deum&lt;br /&gt;(The Little Death Raindrops Keep Falling Mainly in Mesopotamia)&lt;br /&gt;   VIII.  The Birds&lt;br /&gt;   IX.  The Rainbow / Te Deum / Postlude&lt;br /&gt;&lt;br /&gt;Recording:&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_9etVnS4R1As/R_sWwb0ykEI/AAAAAAAADOo/xheJaRFi4zA/s1600-h/1475MichelangeloCreationSistine_Chapel.png"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://1.bp.blogspot.com/_9etVnS4R1As/R_sWwb0ykEI/AAAAAAAADOo/xheJaRFi4zA/s400/1475MichelangeloCreationSistine_Chapel.png" alt="" id="BLOGGER_PHOTO_ID_5186764417205964866" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;     BEGINNING SOMEWHERE&lt;br /&gt;New Music, 2008&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Noah's Flood&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_9etVnS4R1As/R_rRrL0ykBI/AAAAAAAADOQ/XdRETDtv_5M/s1600-h/1450BoschGardenEDDetail.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://3.bp.blogspot.com/_9etVnS4R1As/R_rRrL0ykBI/AAAAAAAADOQ/XdRETDtv_5M/s400/1450BoschGardenEDDetail.jpg" alt="" id="BLOGGER_PHOTO_ID_5186688460709335058" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;I. Wicked Prelude&lt;br /&gt;&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/Op 98 Noahs Flood_ 1 Wicked Prelude.mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_9etVnS4R1As/R_rfS70ykCI/AAAAAAAADOY/NqBTk3Oqsqo/s1600-h/000008IraqBC2150EpicOfGilgamesh.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://2.bp.blogspot.com/_9etVnS4R1As/R_rfS70ykCI/AAAAAAAADOY/NqBTk3Oqsqo/s400/000008IraqBC2150EpicOfGilgamesh.jpg" alt="" id="BLOGGER_PHOTO_ID_5186703437260296226" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;II. Exhortation (Noah, Noah) / III. Dire Fears (Day of Wrath)&lt;br /&gt;&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/Op 98 Noahs Flood_ 2 Noah Noah (second version).mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;Airplay:&lt;br /&gt;&lt;br /&gt;      April 7, 2008 - present&lt;br /&gt;&lt;br /&gt;      &lt;a href="http://markalburger.blogspot.com/"&gt;markalburger.blogspot.com&lt;/a&gt;&lt;br /&gt;      markalburgerworks.blogspot.com&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2644809515193175639-7893898157143433808?l=markalburgerworks.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2644809515193175639/posts/default/7893898157143433808'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2644809515193175639/posts/default/7893898157143433808'/><link rel='alternate' type='text/html' href='http://markalburgerworks.blogspot.com/2001/08/noahs-flood-noah-noah-op-98.html' title='Noah&apos;s Flood (&quot;Noah, Noah&quot;), Op. 98'/><author><name>Mark Alburger</name><uri>http://www.blogger.com/profile/07603011736512071903</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://bp3.blogger.com/_9etVnS4R1As/R5whmtXnBHI/AAAAAAAAABM/nVh363-S8DM/S220/1957Alburger001Halfway.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_9etVnS4R1As/R_rG_b0ykAI/AAAAAAAADOI/VI604KFvekQ/s72-c/1514SolisVirgildeluge_1563Detail.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-2644809515193175639.post-108745946975407919</id><published>2001-08-17T03:26:00.000-07:00</published><updated>2010-01-15T03:30:49.268-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Quartet for the Beginning of Time'/><category scheme='http://www.blogger.com/atom/ns#' term='Mark Alburger'/><title type='text'>Quartet for the Beginning of Time, Op. 97</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_9etVnS4R1As/S1BRit8FCJI/AAAAAAAAPMg/rhhy4By61gc/s1600-h/1562CorneliszoonCornelisvanHaarlemDeEersteFamilieTheFirstFamilyAdamEveCainAbel.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 310px;" src="http://2.bp.blogspot.com/_9etVnS4R1As/S1BRit8FCJI/AAAAAAAAPMg/rhhy4By61gc/s400/1562CorneliszoonCornelisvanHaarlemDeEersteFamilieTheFirstFamilyAdamEveCainAbel.jpg" alt="" id="BLOGGER_PHOTO_ID_5426927207870433426" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Op. 97    QUARTET FOR THE BEGINNING OF TIME:&lt;br /&gt;ADAM AND EVE AND CAIN AND ABEL (August 17, 2001)&lt;br /&gt;Opera-Oratorio for Voices and Instruments&lt;br /&gt;       I. Liturgy of Earth          &lt;br /&gt;       II. Vocalise for the Disobedience at the Beginning of Time&lt;br /&gt;       III. Abyss of Separation&lt;br /&gt;       IV.  Ragtime Intermezzo of Expulsion&lt;br /&gt;       V. Lounging in an Eternity of Strife carnival catalogue&lt;br /&gt;       VI. Blues Dance of Fury&lt;br /&gt;       VII. Fathering Hope&lt;br /&gt;       VIII. Lounging in Mortality (Baby Boom Boogie-Woogie Begats)&lt;br /&gt;&lt;br /&gt;       Performances:&lt;br /&gt;&lt;br /&gt;           March 5-7, 12-14, 2010&lt;br /&gt;           San Francisco Cabaret Opera&lt;br /&gt;           Community Music Center, San Francisco, CA&lt;br /&gt;&lt;br /&gt;       Recording:&lt;br /&gt;&lt;br /&gt;           BEGINNING SOMEWHERE, New Music&lt;br /&gt;&lt;br /&gt;THE BIBLE, New Music&lt;br /&gt;&lt;br /&gt;SEX AND THE BIBLE: THE OPERA (PART I) New York&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2644809515193175639-108745946975407919?l=markalburgerworks.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2644809515193175639/posts/default/108745946975407919'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2644809515193175639/posts/default/108745946975407919'/><link rel='alternate' type='text/html' href='http://markalburgerworks.blogspot.com/2001/08/quartet-for-beginning-of-time-op-97.html' title='Quartet for the Beginning of Time, Op. 97'/><author><name>Mark Alburger</name><uri>http://www.blogger.com/profile/07603011736512071903</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://bp3.blogger.com/_9etVnS4R1As/R5whmtXnBHI/AAAAAAAAABM/nVh363-S8DM/S220/1957Alburger001Halfway.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_9etVnS4R1As/S1BRit8FCJI/AAAAAAAAPMg/rhhy4By61gc/s72-c/1562CorneliszoonCornelisvanHaarlemDeEersteFamilieTheFirstFamilyAdamEveCainAbel.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-2644809515193175639.post-469389814582909324</id><published>2001-08-08T10:05:00.001-07:00</published><updated>2008-02-08T00:01:38.374-08:00</updated><title type='text'>The Wind God, Op. 96</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_9etVnS4R1As/R6bp6tXnF-I/AAAAAAAAAow/Z7pFm93iAqs/s1600-h/1957Alburger096TheWindGod.JPG"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://2.bp.blogspot.com/_9etVnS4R1As/R6bp6tXnF-I/AAAAAAAAAow/Z7pFm93iAqs/s400/1957Alburger096TheWindGod.JPG" alt="" id="BLOGGER_PHOTO_ID_5163071217647163362" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Op. 96    THE WIND GOD (2001)&lt;br /&gt;(after Harriet March Page) (August 8, 2001)&lt;br /&gt;I.  I got my wish&lt;br /&gt;II.  I've a crick&lt;br /&gt;III.  Ocean is my friend&lt;br /&gt;IV.  Big ship&lt;br /&gt;V.  Sitting goose&lt;br /&gt;VI.  It's so true&lt;br /&gt;VII.  But you see (Builder's blue tango...)&lt;br /&gt;VIII.  I loved him&lt;br /&gt;IX.  All my money&lt;br /&gt;X.  We're six days out&lt;br /&gt;XI.  My son sleeps&lt;br /&gt;XII.  My little finger (Blues)&lt;br /&gt;XIII.  We almost mutaneed (March)&lt;br /&gt;XIV.  In a lull&lt;br /&gt;XV.  Noah&lt;br /&gt;XVI.  All there is&lt;br /&gt;XVII.  A dozen dolphins&lt;br /&gt;XVIII.  We hit land&lt;br /&gt;&lt;br /&gt;Performances:&lt;br /&gt;&lt;br /&gt;  October 14, 2001&lt;br /&gt;  Harriet March Page, Soprano&lt;br /&gt;Goat Hall, San Francisco, CA&lt;br /&gt;&lt;br /&gt;  March 2, 2002&lt;br /&gt;      Harriet March Page, Soprano&lt;br /&gt;      National Association of Composers, Art Center, Palo Alto, CA&lt;br /&gt;&lt;br /&gt;  June 2, 2002&lt;br /&gt;  Harriet March Page, Soprano&lt;br /&gt;      Missing Persons Concert, Goat Hall, San Francisco, CA&lt;br /&gt;&lt;br /&gt;  June 21, 2002&lt;br /&gt;      Harriet March Page, Soprano&lt;br /&gt;      NOW Music Festival, Goat Hall, San Francisco, CA&lt;br /&gt;&lt;br /&gt;  July 19-21, 2002&lt;br /&gt;  Harriet March Page, Soprano&lt;br /&gt;Fresh Voices III Festival, Goat Hall, San Francisco, CA&lt;br /&gt;&lt;br /&gt;Recording:&lt;br /&gt;&lt;br /&gt;THE WIND GOD&lt;br /&gt;(New Music, 2008)&lt;br /&gt;I.  I got my wish&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/Op 96 The Wind God_ 1 I Got My Wish.mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;II.  I've a crick&lt;br /&gt;III.  Ocean is my friend&lt;br /&gt;IV.  Big ship&lt;br /&gt;V.  Sitting goose&lt;br /&gt;VI.  It's so true&lt;br /&gt;VII.  But you see (Builder's blue tango...)&lt;br /&gt;VIII.  I loved him&lt;br /&gt;IX.  All my money&lt;br /&gt;X.  We're six days out&lt;br /&gt;XI.  My son sleeps&lt;br /&gt;XII.  My little finger (Blues)&lt;br /&gt;XIII.  We almost mutaneed (March)&lt;br /&gt;XIV.  In a lull&lt;br /&gt;XV.  Noah&lt;br /&gt;XVI.  All there is&lt;br /&gt;XVII.  A dozen dolphins&lt;br /&gt;XVIII.  We hit land&lt;br /&gt;&lt;br /&gt;Airplay:&lt;br /&gt;&lt;br /&gt;January 27 - February 2, 2008&lt;br /&gt;&lt;a href="http://myspace.com/markalburger"&gt;myspace.com/markalburger&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2644809515193175639-469389814582909324?l=markalburgerworks.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2644809515193175639/posts/default/469389814582909324'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2644809515193175639/posts/default/469389814582909324'/><link rel='alternate' type='text/html' href='http://markalburgerworks.blogspot.com/2001/08/wind-god-op-96.html' title='The Wind God, Op. 96'/><author><name>Mark Alburger</name><uri>http://www.blogger.com/profile/07603011736512071903</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://bp3.blogger.com/_9etVnS4R1As/R5whmtXnBHI/AAAAAAAAABM/nVh363-S8DM/S220/1957Alburger001Halfway.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_9etVnS4R1As/R6bp6tXnF-I/AAAAAAAAAow/Z7pFm93iAqs/s72-c/1957Alburger096TheWindGod.JPG' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-2644809515193175639.post-4637210092713911091</id><published>2001-05-15T03:13:00.000-07:00</published><updated>2010-01-15T03:17:35.411-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Mark Alburger'/><category scheme='http://www.blogger.com/atom/ns#' term='Animal Opera'/><title type='text'>Animal Opera: An Orwellian Comedy, Op. 95</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_9etVnS4R1As/S1BOdCtDvUI/AAAAAAAAPMQ/b_lkXdYb5xw/s1600-h/1957Alburger095AnimalAlliancePigsMen.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 300px;" src="http://2.bp.blogspot.com/_9etVnS4R1As/S1BOdCtDvUI/AAAAAAAAPMQ/b_lkXdYb5xw/s400/1957Alburger095AnimalAlliancePigsMen.jpg" alt="" id="BLOGGER_PHOTO_ID_5426923811830480194" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Op. 95 ANIMAL OPERA: AN ORWELLIAN COMEDY&lt;br /&gt;(May 15, 2001)&lt;br /&gt;      Ia.  Comrades&lt;br /&gt;      Ib.  Beasts of England&lt;br /&gt;          IIa. Will There Be Any Sugar&lt;br /&gt;          IIb. Drive Away Man&lt;br /&gt;          IIc. The Seven Commandments&lt;br /&gt;              IIIa.  I Will Work&lt;br /&gt;              IIIb.  Four Legs Good&lt;br /&gt;              IIIc.  The Mystery of Milk&lt;br /&gt;                  IVa.  Jones (The Battle of the Cowshed)&lt;br /&gt;                  IVb.  Beasts of England&lt;br /&gt;              Va.  Mollie (I Will Flee)&lt;br /&gt;              Vb.  Two Legs Bad&lt;br /&gt;              Vc.  The Mystery of Snowball&lt;br /&gt;          VIa.  Will There Be Any Food&lt;br /&gt;          VIb.  Welcome In Man&lt;br /&gt;          VIc.  The Fourth Commandment&lt;br /&gt;      VIIa.  Comrades&lt;br /&gt;      VIIb.  Beasts of England&lt;br /&gt;          VIIIa.  The Sixth Commandment&lt;br /&gt;          VIIIb.  Comrade Napoleon&lt;br /&gt;          VIIIc.  Men (The Battle of the Windmill)&lt;br /&gt;          VIIId.  Beasts of England&lt;br /&gt;          VIIIe.  The Fifth Commandment&lt;br /&gt;              IXa.  Will There Be Any Hope&lt;br /&gt;              IXb.  The Mystery of Boxer&lt;br /&gt;          Xa.  Boxer (I Will Stay)&lt;br /&gt;          Xb.  Comrade Pigs&lt;br /&gt;          Xc.  Two Legs Better&lt;br /&gt;          Xd.  The (Seventh) Commandment&lt;br /&gt;          Xe.  (Comrade) Gentlemen&lt;br /&gt;&lt;br /&gt;          Performances:&lt;br /&gt;&lt;br /&gt;July 24-26, 2003&lt;br /&gt;                  Fresh Voices IV Festival, Goat Hall Productions, San Francsico's Cabaret Opera&lt;br /&gt;                  Goat Hall, San Francisco, CA&lt;br /&gt;&lt;br /&gt;          Recording:&lt;br /&gt;&lt;br /&gt;              ANIMAL OPERA (Complete Works, Volume 37)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2644809515193175639-4637210092713911091?l=markalburgerworks.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2644809515193175639/posts/default/4637210092713911091'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2644809515193175639/posts/default/4637210092713911091'/><link rel='alternate' type='text/html' href='http://markalburgerworks.blogspot.com/2001/05/animal-opera-orwellian-comedy-op-95.html' title='Animal Opera: An Orwellian Comedy, Op. 95'/><author><name>Mark Alburger</name><uri>http://www.blogger.com/profile/07603011736512071903</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://bp3.blogger.com/_9etVnS4R1As/R5whmtXnBHI/AAAAAAAAABM/nVh363-S8DM/S220/1957Alburger001Halfway.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_9etVnS4R1As/S1BOdCtDvUI/AAAAAAAAPMQ/b_lkXdYb5xw/s72-c/1957Alburger095AnimalAlliancePigsMen.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-2644809515193175639.post-4684248808224756189</id><published>2001-04-06T00:20:00.000-07:00</published><updated>2008-08-24T21:52:41.649-07:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Eugene Ionesco'/><category scheme='http://www.blogger.com/atom/ns#' term='The Fire'/><category scheme='http://www.blogger.com/atom/ns#' term='Mark Alburger'/><category scheme='http://www.blogger.com/atom/ns#' term='Percy Hernandez'/><category scheme='http://www.blogger.com/atom/ns#' term='Goat Hall Productions'/><category scheme='http://www.blogger.com/atom/ns#' term='Leticia C. Page'/><category scheme='http://www.blogger.com/atom/ns#' term='The Bald Soprano'/><title type='text'>The Bald Soprano, Op. 94</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_9etVnS4R1As/R8pj-Mqxg9I/AAAAAAAABoU/isIo79KztuM/s1600-h/1957Alburger094BaldMaidFireFireCover.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://2.bp.blogspot.com/_9etVnS4R1As/R8pj-Mqxg9I/AAAAAAAABoU/isIo79KztuM/s400/1957Alburger094BaldMaidFireFireCover.jpg" alt="" id="BLOGGER_PHOTO_ID_5173057042192106450" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Op. 94    THE BALD SOPRANO&lt;br /&gt;(April 6, 2001)&lt;br /&gt;OVERTURE&lt;br /&gt;I. DUO INTRODUCTION (There, it's nine o'clock)&lt;br /&gt;II. DUO CAVATINA (How does it happen)&lt;br /&gt;III CONTINUATION AND SAMBA OF DUO INTRODUCTION&lt;br /&gt;(Here's something strange / Which Bobby Watson)&lt;br /&gt;IV. TRIO, DUO, AND SOLO CAVATINAS (I'm the maid / Excuse me, ma'am / 'Lizbeth and Don)&lt;br /&gt;V. QUINTET AND DOUBLE-QUINTET CANONIC CANZONES (Good evening, dear friends / Hm)&lt;br /&gt;VI. RECITATIVE (Since you travel around so much)&lt;br /&gt;VIa. QUARTET AND QUINTET (Goodness, someone is ringing)&lt;br /&gt;VII. SEXTET CAVATINA (How do you do)&lt;br /&gt;VIII. SEXTET (Mr. Fire Chief)&lt;br /&gt;IX. RECITATIVE (Since you travel around so much - II)&lt;br /&gt;IXa. SEXTET (Dog and Cow)&lt;br /&gt;X. ACCOMPANIED ARIA (A Young Calf)&lt;br /&gt;XI. ACCOMPANIED ARIA (The Snake and the Fox)&lt;br /&gt;XII. ARIA AND RESPONSE (The Bouquet)&lt;br /&gt;XIII. ACCOMPANIED ARIA (The Headcold)&lt;br /&gt;XIV. RECITATIVE (Since you travel around so much - III)&lt;br /&gt;XV. TRIO CAVATINA (Madam... Sir...)&lt;br /&gt;XVI. SEXTET (What is it that she is saying)&lt;br /&gt;XVII. TEMPEST (I'm so glad, dear, to see you at last)&lt;br /&gt;XVIII. ARIA (The Fire)&lt;br /&gt;XIX. SCENIC QUINTET (That sent chills up our spines)&lt;br /&gt;XX. QUARTET FINALE (I can buy a pocketknife)&lt;br /&gt;XXI. DUO RECAPITULATION (There, it's nine o'clock - II)&lt;br /&gt;&lt;br /&gt;Performances:&lt;br /&gt;&lt;br /&gt;    December 15, 2001&lt;br /&gt;        Leticia C. Page, Soprano&lt;br /&gt;        NOW Music Festival, San Francisco, CA&lt;br /&gt;&lt;br /&gt;    July 19-21, 2002&lt;br /&gt;        Goat Hall Productions&lt;br /&gt;        Jennifer Ashworth, Mrs. Smith; Erin B., Mr. Smith&lt;br /&gt;        Elizabeth Finkler, Mrs. Martin; Harriet March Page, Mr. Martin&lt;br /&gt;        Leticia C. Page, Mary; Percy Hernandez, Fire Chief&lt;br /&gt;Fresh Voices III Festival, San Francisco, CA&lt;br /&gt;&lt;br /&gt;    October 4, 2002&lt;br /&gt;        San Francisco Composers Chamber Orchestra&lt;br /&gt;        400 Missouri, San Francisco, CA&lt;br /&gt;&lt;br /&gt;    November 15, December 5, 2006&lt;br /&gt;        Tritone Orchestra&lt;br /&gt;        Diablo Valley College Music Technology Center, Pleasant HIll, CA&lt;br /&gt;&lt;br /&gt;    Recording:&lt;br /&gt;&lt;br /&gt;THE BALD SOPRANO,&lt;br /&gt;(New Music)&lt;br /&gt;&lt;br /&gt;OVERTURE&lt;br /&gt;&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/Op 94 The Bald Soprano_ Overture.mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;I. DUO INTRODUCTION (There, it's nine o'clock)&lt;br /&gt;&lt;br /&gt;II. DUO CAVATINA (How does it happen)&lt;br /&gt;&lt;br /&gt;III CONTINUATION AND SAMBA OF DUO INTRODUCTION&lt;br /&gt;(Here's something strange / Which Bobby Watson)&lt;br /&gt;&lt;br /&gt;IV. TRIO, DUO, AND SOLO CAVATINAS (I'm the maid / Excuse me, ma'am / 'Lizbeth and Don)&lt;br /&gt;&lt;br /&gt;V. QUINTET AND DOUBLE-QUINTET CANONIC CANZONES (Good evening, dear friends / Hm)&lt;br /&gt;&lt;br /&gt;VI. RECITATIVE (Since you travel around so much)&lt;br /&gt;&lt;br /&gt;VIa. QUARTET AND QUINTET (Goodness, someone is ringing)&lt;br /&gt;&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/Op 94 The Bald Soprano_ 6a Goodness Someone Is Ringing.mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;VII. SEXTET CAVATINA (How do you do)&lt;br /&gt;&lt;br /&gt;VIII. SEXTET (Mr. Fire Chief)&lt;br /&gt;&lt;br /&gt;IX. RECITATIVE (Since you travel around so much - II)&lt;br /&gt;&lt;br /&gt;IXa. SEXTET (Dog and Cow)&lt;br /&gt;&lt;br /&gt;X. ACCOMPANIED ARIA (A Young Calf)&lt;br /&gt;&lt;br /&gt;XI. ACCOMPANIED ARIA (The Snake and the Fox)&lt;br /&gt;&lt;br /&gt;XII. ARIA AND RESPONSE (The Bouquet)&lt;br /&gt;&lt;br /&gt;XIII. ACCOMPANIED ARIA (The Headcold)&lt;br /&gt;&lt;br /&gt;XIV. RECITATIVE (Since you travel around so much - III)&lt;br /&gt;&lt;br /&gt;XV. TRIO CAVATINA (Madam... Sir...)&lt;br /&gt;&lt;br /&gt;XVI. SEXTET (What is it that she is saying)&lt;br /&gt;&lt;br /&gt;XVII. TEMPEST (I'm so glad, dear, to see you at last)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_9etVnS4R1As/SLI5do_zO_I/AAAAAAAAJUo/WJNbnx_e4Gk/s1600-h/1957Alburger094BaldSoprano18FirePage1.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://2.bp.blogspot.com/_9etVnS4R1As/SLI5do_zO_I/AAAAAAAAJUo/WJNbnx_e4Gk/s400/1957Alburger094BaldSoprano18FirePage1.jpg" alt="" id="BLOGGER_PHOTO_ID_5238312497969314802" border="0" /&gt;&lt;/a&gt;XVIII. ARIA (The Fire)&lt;br /&gt;&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/Op 94 The Bald Soprano_ 18 The Fire.mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt;XIX. SCENIC QUINTET (That sent chills up our spines)&lt;br /&gt;&lt;br /&gt;XX. QUARTET FINALE (I can buy a pocketknife)&lt;br /&gt;&lt;br /&gt;XXI. DUO RECAPITULATION (There, it's nine o'clock - II)&lt;br /&gt;&lt;br /&gt;Airplay:&lt;br /&gt;&lt;br /&gt;January 24 - February 24, 2007&lt;br /&gt;Posted on &lt;a href="http://myspace.com/markalburger"&gt;myspace.com/markalburger&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2644809515193175639-4684248808224756189?l=markalburgerworks.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2644809515193175639/posts/default/4684248808224756189'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2644809515193175639/posts/default/4684248808224756189'/><link rel='alternate' type='text/html' href='http://markalburgerworks.blogspot.com/2008/03/bald-soprano-op-94.html' title='The Bald Soprano, Op. 94'/><author><name>Mark Alburger</name><uri>http://www.blogger.com/profile/07603011736512071903</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://bp3.blogger.com/_9etVnS4R1As/R5whmtXnBHI/AAAAAAAAABM/nVh363-S8DM/S220/1957Alburger001Halfway.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_9etVnS4R1As/R8pj-Mqxg9I/AAAAAAAABoU/isIo79KztuM/s72-c/1957Alburger094BaldMaidFireFireCover.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-2644809515193175639.post-5505560330536786137</id><published>2000-12-03T03:04:00.000-08:00</published><updated>2010-01-15T03:10:24.601-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Mark Alburger'/><category scheme='http://www.blogger.com/atom/ns#' term='The Creation'/><category scheme='http://www.blogger.com/atom/ns#' term='Gustave Dore'/><title type='text'>The Creation, Op. 93</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_9etVnS4R1As/S1BMkuQaHvI/AAAAAAAAPMI/kGCJlF7GFRg/s1600-h/1832Dore_TheCreationOfLight.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 326px; height: 400px;" src="http://3.bp.blogspot.com/_9etVnS4R1As/S1BMkuQaHvI/AAAAAAAAPMI/kGCJlF7GFRg/s400/1832Dore_TheCreationOfLight.jpg" alt="" id="BLOGGER_PHOTO_ID_5426921744757300978" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Op. 93    &lt;span style="font-style: italic;"&gt;THE CREATION&lt;/span&gt; (December 3, 2000)&lt;br /&gt;(Opera-)Oratorio for Voices and Orchestra&lt;br /&gt;  I. In the beginning&lt;br /&gt;  II. Let there be a firmament&lt;br /&gt;  III. Let the waters be gathered&lt;br /&gt;      IV. Let there be lights&lt;br /&gt;      V. Let the waters bring forth&lt;br /&gt;      VI. Let the earth bring forth&lt;br /&gt;      VII. Let us make man&lt;br /&gt;&lt;br /&gt;          December 22, 2000&lt;br /&gt;          Mark Alburger     &lt;br /&gt;NEW MUSIC House, CA&lt;br /&gt;&lt;br /&gt;          December 23, 2000&lt;br /&gt;              NACUSA Ensemble&lt;br /&gt;              Hawley Salon, Half Moon Bay, CA&lt;br /&gt;&lt;br /&gt;          March 5-7, 12-14&lt;br /&gt;              San Francisco Cabaret Opera&lt;br /&gt;              Community Music Center, San Francisco, CA&lt;br /&gt;&lt;br /&gt;      Recordings:&lt;br /&gt;&lt;br /&gt;          BEGIN THE BUISINE (Complete Works, Volume 35)&lt;br /&gt;&lt;br /&gt;          THE BIBLE&lt;br /&gt;&lt;br /&gt;          SEX AND THE BIBLE: THE OPERA (PART I)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2644809515193175639-5505560330536786137?l=markalburgerworks.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2644809515193175639/posts/default/5505560330536786137'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2644809515193175639/posts/default/5505560330536786137'/><link rel='alternate' type='text/html' href='http://markalburgerworks.blogspot.com/2000/12/creation-op-93.html' title='The Creation, Op. 93'/><author><name>Mark Alburger</name><uri>http://www.blogger.com/profile/07603011736512071903</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://bp3.blogger.com/_9etVnS4R1As/R5whmtXnBHI/AAAAAAAAABM/nVh363-S8DM/S220/1957Alburger001Halfway.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_9etVnS4R1As/S1BMkuQaHvI/AAAAAAAAPMI/kGCJlF7GFRg/s72-c/1832Dore_TheCreationOfLight.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-2644809515193175639.post-1664685800697607394</id><published>2000-11-25T02:54:00.000-08:00</published><updated>2010-01-15T02:58:17.656-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Mark Alburger'/><category scheme='http://www.blogger.com/atom/ns#' term='Trombone Concerto'/><title type='text'>Trombone Concerto ("Flute Players") (2000)</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_9etVnS4R1As/S1BJvYouIeI/AAAAAAAAPMA/bLF7SbII_4A/s1600-h/1490Sackbutaldergraver.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 272px; height: 400px;" src="http://2.bp.blogspot.com/_9etVnS4R1As/S1BJvYouIeI/AAAAAAAAPMA/bLF7SbII_4A/s400/1490Sackbutaldergraver.jpg" alt="" id="BLOGGER_PHOTO_ID_5426918629397373410" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Op. 92    TROMBONE CONCERTO ("Flute Players")&lt;br /&gt;(November 25, 2000)&lt;br /&gt;      I. Allegro&lt;br /&gt;      II. Allegro&lt;br /&gt;      III. Adagio&lt;br /&gt;      IV. Allegro&lt;br /&gt;&lt;br /&gt;      Recording:&lt;br /&gt;&lt;br /&gt;          BEGIN THE BUISINE (Complete Works, Volume 35)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2644809515193175639-1664685800697607394?l=markalburgerworks.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2644809515193175639/posts/default/1664685800697607394'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2644809515193175639/posts/default/1664685800697607394'/><link rel='alternate' type='text/html' href='http://markalburgerworks.blogspot.com/2000/11/trombone-concerto-flute-players-2000.html' title='Trombone Concerto (&quot;Flute Players&quot;) (2000)'/><author><name>Mark Alburger</name><uri>http://www.blogger.com/profile/07603011736512071903</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://bp3.blogger.com/_9etVnS4R1As/R5whmtXnBHI/AAAAAAAAABM/nVh363-S8DM/S220/1957Alburger001Halfway.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_9etVnS4R1As/S1BJvYouIeI/AAAAAAAAPMA/bLF7SbII_4A/s72-c/1490Sackbutaldergraver.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-2644809515193175639.post-596315386970747108</id><published>2000-11-20T02:30:00.000-08:00</published><updated>2010-01-15T02:36:21.835-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Anton Chekhov'/><category scheme='http://www.blogger.com/atom/ns#' term='Mark Alburger'/><category scheme='http://www.blogger.com/atom/ns#' term='Ivan Shishkin'/><category scheme='http://www.blogger.com/atom/ns#' term='In the Birch Tree Forest'/><category scheme='http://www.blogger.com/atom/ns#' term='Uncle Vanya'/><title type='text'>Uncle Vanya, Op. 91</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_9etVnS4R1As/S1BEqEtuRSI/AAAAAAAAPL4/L5pjkgePK5I/s1600-h/1832ShishkinIvan1883InTheBirchTreeForest.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 297px;" src="http://1.bp.blogspot.com/_9etVnS4R1As/S1BEqEtuRSI/AAAAAAAAPL4/L5pjkgePK5I/s400/1832ShishkinIvan1883InTheBirchTreeForest.jpg" alt="" id="BLOGGER_PHOTO_ID_5426913040592160034" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Op. 91    UNCLE VANYA (November 20, 2000)&lt;br /&gt;(Libretto after Anton Chekhov)&lt;br /&gt;       ACT I&lt;br /&gt;           I. Have some tea&lt;br /&gt;           II. Yes... Yes...&lt;br /&gt;           III.  Beautiful... Beautiful...&lt;br /&gt;           IV.  Some peasants have come&lt;br /&gt;           V.  Chick... Chick...&lt;br /&gt;           VI.  Vanya&lt;br /&gt;       ACT II&lt;br /&gt;           I. Who is that?&lt;br /&gt;           II. There's a storm coming up&lt;br /&gt;           III. Play&lt;br /&gt;           IV.  The storm is over&lt;br /&gt;       ACT III&lt;br /&gt;           I. Professor&lt;br /&gt;           II. Autumn roses&lt;br /&gt;           III. Good day&lt;br /&gt;           IV. Have pity&lt;br /&gt;           V. I don't feel so well&lt;br /&gt;           VI. Repeat what you said&lt;br /&gt;           VII. My life is over now&lt;br /&gt;           VIII. Ladies and gentlemen&lt;br /&gt;       ACT IV&lt;br /&gt;           I. Better be quick&lt;br /&gt;           II. Leave me alone&lt;br /&gt;           III. Sonya&lt;br /&gt;           IV. I am leaving&lt;br /&gt;           V. Let's forget everything&lt;br /&gt;           VI. They've gone&lt;br /&gt;&lt;br /&gt;       Recording:&lt;br /&gt;&lt;br /&gt;           UNCLE VANYA (Complete Works, Volume 34)&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2644809515193175639-596315386970747108?l=markalburgerworks.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2644809515193175639/posts/default/596315386970747108'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2644809515193175639/posts/default/596315386970747108'/><link rel='alternate' type='text/html' href='http://markalburgerworks.blogspot.com/2000/11/uncle-vanya-op-91.html' title='Uncle Vanya, Op. 91'/><author><name>Mark Alburger</name><uri>http://www.blogger.com/profile/07603011736512071903</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='32' height='24' src='http://bp3.blogger.com/_9etVnS4R1As/R5whmtXnBHI/AAAAAAAAABM/nVh363-S8DM/S220/1957Alburger001Halfway.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_9etVnS4R1As/S1BEqEtuRSI/AAAAAAAAPL4/L5pjkgePK5I/s72-c/1832ShishkinIvan1883InTheBirchTreeForest.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-2644809515193175639.post-4698613101309351002</id><published>2000-09-20T02:09:00.000-07:00</published><updated>2010-01-15T03:20:23.784-08:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Diocletian'/><category scheme='http://www.blogger.com/atom/ns#' term='San Francisco Cabaret Opera'/><category scheme='http://www.blogger.com/atom/ns#' term='Alexandre Jerenic'/><title type='text'>Diocletian: A Pagan Opera, Op. 90</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_9etVnS4R1As/S1BPVPbAP-I/AAAAAAAAPMY/ItCSheiNH3c/s1600-h/1957Alburger090Diocletian090416No5SpeakFlame.JPG"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 300px;" src="http://3.bp.blogspot.com/_9etVnS4R1As/S1BPVPbAP-I/AAAAAAAAPMY/ItCSheiNH3c/s400/1957Alburger090Diocletian090416No5SpeakFlame.JPG" alt="" id="BLOGGER_PHOTO_ID_5426924777317089250" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;Op. 90    &lt;span style="font-style: italic;"&gt;DIOCLETIAN: A PAGAN OPERA&lt;/span&gt; (September 20, 2000)&lt;br /&gt;I. First Paragraph Music&lt;br /&gt;II. Second Paragraph Music&lt;br /&gt;III. Overtures&lt;br /&gt;IV. Hornpipe (Four-To-) Tango&lt;br /&gt;V. E-I-E-I-O Thunder&lt;br /&gt;VI. Happy Funeral Music&lt;br /&gt;VII. Let the Soldiers Tell&lt;br /&gt;VIII. Since the Toils of Building&lt;br /&gt;IX. Dance of the Furies&lt;br /&gt;X. Tell Tune&lt;br /&gt;XI. Two-For-One Chaconne&lt;br /&gt;XII. Chair Dance&lt;br /&gt;XIII. What Shall I Do?&lt;br /&gt;XIV. Tarantella&lt;br /&gt;XV. Butterfly Dance&lt;br /&gt;XVI. Trumpet Tune&lt;br /&gt;XVII. Speak, Flame&lt;br /&gt;XVIII. Trumpet Tune&lt;br /&gt;XIX. Country Dance&lt;br /&gt;&lt;br /&gt;Op. 90a &lt;span style="font-style: italic;"&gt;DIOCLETIAN&lt;/span&gt; (short version)&lt;br /&gt; I. First Paragraph Music&lt;br /&gt; II. E-I-E-I-O Thunder&lt;br /&gt; III. Happy Funeral Music&lt;br /&gt;&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/Op 90 Diocletian_ 3b Happy Funeral Music.mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/object&gt;&lt;br /&gt;&lt;br /&gt; II. What Shall I Do?&lt;br /&gt; V. Speak, Flame&lt;br /&gt;(Va. Great Diocletian)&lt;br /&gt;&lt;script language="JavaScript" src="http://www.21st-centurymusic.com/music/audio-player.js"&gt;&lt;/script&gt;&lt;br /&gt;&lt;object type="application/x-shockwave-flash" data="http://www.21st-centurymusic.com/music/player.swf" id="audioplayer1" height="24" width="290"&gt;&lt;br /&gt;&lt;param name="movie" value="http://www.erlingwold.com/audio/player.swf"&gt;&lt;br /&gt;&lt;param name="FlashVars" value="playerID=1&amp;amp;soundFile=http://www.21st-centurymusic.com/music/Op 90 Diocletian_ 5b Great Diocletian.mp3"&gt;&lt;br /&gt;&lt;param name="quality" value="high"&gt;&lt;br /&gt;&lt;param name="menu" value="false"&gt;&lt;br /&gt;&lt;param name="wmode" value="transparent"&gt;&lt;br /&gt;&lt;/obje
