Op. 161 GENRE IMPLOSIONS (March 28, 2008) Superimpositions for sound files NO. 1 ("Mass Confusion") I. Introit II. Kyrie III. Gloria IV. Gradual V. Alleluia VI. Credo VII. Offertorium VIII. Sanctus IX. Agnus Dei
Recording:
GENRE IMPLOSIONS (New Music, 2008)
No. 1 ("Mass Confusion")
I. Introit
II. Kyrie
III. Gloria
IV. Gradual
V. Alleluia
Progressive superimpositions of two Gregorian chants, plus music of Notker Balbulus ("The Stammerer"), the School of Chartres, Hildegard von Bingen, Perotin, the Ars Antiqua motet tradition, and the School of Worcester.
Op. 157 VOCAL SONATINA NO. 2 ("Vatsyayana") (after the Kama Sutra) (March 21, 2008) I. Adagio ("Introductory") II. Allegretto ("About a Wife") III. Allegro vivace ("On the Means of Attracting Others to Oneself")
Recording:
WHITE HORSE SALE (New Music, 2008)
Vocal Sonatina No. 2 ("Vatsyayana")
I. Introductory
Lord of Beings men and women Dharma Artha Kama
Kama Sutra
Vatsyayana composed his work small volume as an abstract of the whole
II. About a Wife
Virtuous women Who have affection Revere the Household Gods
Should avoid company Beggars and mendicants Unchaste and Roguish and Soothsayers And witches
Wives whether they be Noble born or remarried Aquire the Dharma Artha Kama And generally keep their husbands happy
III. On the Means of Attracting Others to One's Self
(Instrumental Version)
(Vocal Version)
When a person fails to obtain the object of their desires They should have recourse to other ways of attraction
Good looks good qualities youth and liberality are the chief natural means But in their absence a man or a woman must have
An ointment made of the tabernamontana coronaria, costus speciosus, arabicus If a fine powder is made of the plants and ap- plied to the wick of a lamp and burned it has the ef- fect of making people look
very lovely Oil of the hogweed the echites putescuns the sarina plant and the yellow amranth if applied to the body has the same effect
By eating powder of nef'mbrium speciosum you will be come lovely in eyes of others The above things with the tabernamontana coronaria
If the bone of a peacock or hyena be covered with gold tied on right hand it makes us lovely in others eyes In the same way bead of jujube makes result described above
Op. 156 VOCAL SONATINA NO. 1 ("Spitzer") (after Ashley Alexandra Dupre, David Peterson, et al) (March 13, 2008) I. Allegro moderato ("Difficult") II. Andante ("I Am not a Monster") III. Allegro ("Only the Lobbyists")
Mark Alburger (b. 1957, Upper Darby, PA) is an award-winning, eclectic ASCAP composer of postminimal, postpopular, and postcomedic sensibilities. He is Music Director of San Francisco Composers Chamber Orchestra and San Francisco Cabaret Opera, Editor-Publisher of 21st-Century Music (P.O. Box 2842 San Anselmo, CA 94960) and New Music, Music Critic for Commuter Times, and Instructor in Music Theory and Literature at Diablo Valley College. His principal teachers were Gerald Levinson, Joan Panetti, and James Freeman at Swarthmore College (B.A.); Jules Langert at Dominican University (M.A.); Christopher Yavelow at Claremont University (Ph.D.); and Terry Riley. Dr. Alburger has composed 215 major works over the past 39 years, including chamber music, concertos, oratorios, operas, song cycles, and symphonies. His complete catalogue is being issued on discs from New Music. Alburger's multiple blogs include: markalburger.blogspot.com,
markalburger2013.blogspot.com,
markalburgerworks.blogspot.com, markalburgerevents.blogspot.com, markalburgermusichistory.blogspot.
com, 21st-centurymusic.blogspot.com