Op. 19 ACADEMIC ENDEAVORS
(September 1, 1979) (790901)
For Keyboard and Speaker
(Text after Richard Loucks)
I. Work Out the Following Bass
(Check)
II. Harmonize the Following Melody
(When You Copy)
III. Work Out the Following Bass
(Classic Romantic Cadences Use the Third)
IV. Harmonize the Following Melody
(Mark, Your Work Gives)
V. Marginalia
(Please Make Sure)
VI. Work Out the Following Bass
(Check)
VII. Work Out the Following Bass
(Awkward Melody)
VIII. Work Out the Following Bass
(Check)
IX. Harmonize the Following Melody
(Below Cello Range)
X. Composition: Adagio
(Oh. If You Like Them)
XI. Composition: Allegro
(Mispelled)
XII. Augmented Sixths: Folk Song
(Check)
XIII. Correct the Notation
(It Depends)
XIV. Composition: Non-Dominant Sevenths
(The Most Common)
XV. Composition With German Augmented 6th
(Avoid These)
XVI. Composition: Beginning of a Fugue
(This Is Nice)
Score:
https://imslp.org/wiki/Academic_Endeavors%2C_Op.19_(Alburger%2C_Mark)
Performances:
September 12, 19, 21, 23, 2005
Mark Alburger, Voice and MIDI Keyboard
Music Technology Center, Diablo Valley College, Pleasant Hill, CA
Recording:
CONTRARY COMOTION
(Complete Works, Volume 3) (New Music, 2005)
Video:
I. Work Out the Following Bass
(Check)
II. Harmonize the Following Melody
(When You Copy)
III. Work Out the Following Bass
(Classic Romantic Cadences Use the Third)
IV. Harmonize the Following Melody
(Mark, Your Work Gives)
V. Marginalia
(Please Make Sure)
VI. Work Out the Following Bass
(Check)
VII. Work Out the Following Bass
(Awkward Melody)
VIII. Work Out the Following Bass
(Check)
IX. Harmonize the Following Melody
(Below Cello Range)
https://www.youtube.com/watch?v=F6iVOyC6fis
X. Composition: Adagio
(Oh. If You Like Them)
https://www.youtube.com/watch?v=7ors2TeD8VU
XI. Composition: Allegro
(Mispelled)
(September 1, 1979) (790901)
For Keyboard and Speaker
(Text after Richard Loucks)
I. Work Out the Following Bass
(Check)
II. Harmonize the Following Melody
(When You Copy)
III. Work Out the Following Bass
(Classic Romantic Cadences Use the Third)
IV. Harmonize the Following Melody
(Mark, Your Work Gives)
V. Marginalia
(Please Make Sure)
VI. Work Out the Following Bass
(Check)
VII. Work Out the Following Bass
(Awkward Melody)
VIII. Work Out the Following Bass
(Check)
IX. Harmonize the Following Melody
(Below Cello Range)
X. Composition: Adagio
(Oh. If You Like Them)
XI. Composition: Allegro
(Mispelled)
XII. Augmented Sixths: Folk Song
(Check)
XIII. Correct the Notation
(It Depends)
XIV. Composition: Non-Dominant Sevenths
(The Most Common)
XV. Composition With German Augmented 6th
(Avoid These)
XVI. Composition: Beginning of a Fugue
(This Is Nice)
Score:
https://imslp.org/wiki/Academic_Endeavors%2C_Op.19_(Alburger%2C_Mark)
Performances:
September 12, 19, 21, 23, 2005
Mark Alburger, Voice and MIDI Keyboard
Music Technology Center, Diablo Valley College, Pleasant Hill, CA
July 26, 2014
The Opus Project presents Opus 19: Sounds Good and Is Good for You
Mark Alburger, Video
Diablo Valley College Music Building, Pleasant Hill, CA
Recording:
CONTRARY COMOTION
(Complete Works, Volume 3) (New Music, 2005)
Video:
I. Work Out the Following Bass
(Check)
II. Harmonize the Following Melody
(When You Copy)
III. Work Out the Following Bass
(Classic Romantic Cadences Use the Third)
IV. Harmonize the Following Melody
(Mark, Your Work Gives)
V. Marginalia
(Please Make Sure)
VI. Work Out the Following Bass
(Check)
VII. Work Out the Following Bass
(Awkward Melody)
VIII. Work Out the Following Bass
(Check)
IX. Harmonize the Following Melody
(Below Cello Range)
https://www.youtube.com/watch?v=F6iVOyC6fis
X. Composition: Adagio
(Oh. If You Like Them)
https://www.youtube.com/watch?v=7ors2TeD8VU
XI. Composition: Allegro
(Mispelled)
XII. Augmented Sixths: Folk Song
(Check)
XIII. Correct the Notation
(It Depends)
XIV. Composition: Non-Dominant Sevenths
(The Most Common)
XV. Composition With German Augmented 6th
(Avoid These)
XVI. Composition: Beginning of a Fugue
(This Is Nice)
